Last year was been a banner year in the Stephen King Universe, particularly with respect to the diverse cinematic adaptations of his novels. Let’s take a look back at the various treats we received during 2017, and a peek ahead to what we can look forward to in 2018. Continue Reading
I often tell people that the first book I ever read was (Robert) Heinlein’s Have Space Suit-Will Travel. It’s sort of true, and it sort of isn’t true. In one sense Space Suit is the first novel I read, yes, but that does not count Doc Savage books.Continue Reading
I saw Edgar Cantero’s new book Meddling Kids pretty much everywhere I looked this year. On Instagram, Twitter, displayed prominently in both Barnes & Noble locations and independent bookstores (just look at that stunning cover!) The book is often described as, get this, “Scooby-Doo meets H.P. Lovecraft.” That’s some pitch—simple, with recognizable inspirations. I mean, who doesn’t love Scooby-Doo? So with that in mind, I probably should have seen the answer a mile away when I asked him, “What was your ‘first fright’?”
Edgar Cantero is a writer and cartoonist from Barcelona, Spain. He is the author of the punk dystopian thriller Vallvi (2011), The Supernatural Enhancements (2014), and theaforementioned Meddling Kids (2017), which, as of this writing, was nominated for a 2017 Goodreads Choice Award for Best Horror.Continue Reading
In the opening sentence of his seminal 1927 essay Supernatural Horror in Literature, H.P. Lovecraft wrote, “The oldest and strongest emotion of mankind is fear.”
Decades later, in the Introduction to 1982’s Prime Evil anthology, Douglas E. Winter wrote, “Horror is not a genre, like the mystery or science fiction or the western. It is not a kind of fiction, meant to be confined to the ghetto of a special shelf in libraries or bookstores. Horror is an emotion.”
In his posthumously released 1993 song “Thug Life,” 2Pac (Tupac Shakur) rapped, “Thinkin’ of dead niggas that I knew that died young. Is there a heaven for a nigga up to no good, or is it another fuckin’ hood?”
Three seemingly disparate quotes, connected only tenuously, and yet all speaking to one universal truth that is as old as humankind itself. Three quotes that serve to interpolate the work of the Upper Paleolithic era’s version of Stephen King—an artist known as Thurg.Continue Reading
For the most part, this column travels in semi-chronological order, chronicling the writers I’ve discovered the last few years who’ve had an impact on me as a writer. I will, however, occasionally stray from this chronological path, simply because, well, I feel like it. This is one of those cases, as we discuss writer Paul F. Olson.Continue Reading
Hi. My name is Brian Keene. You might remember me from my previous Cemetery Dance column, End of the Road. Or perhaps you know me from the many novels and comic books and short stories I’ve written—too many, if you ask some critics. Or maybe you know me from my popular podcast, The Horror Show with Brian Keene. Or, it’s possible you don’t know me at all—or know me only by reputation (and if it’s the latter, then don’t believe everything you read online). Regardless of how you ended up here, welcome to History of Horror Fiction, a new monthly column brought to you by Cemetery Dance.Continue Reading
I was ten years old when Halloween hit theaters. My friends and I trudged the three blocks to the Kent Theater on an October Saturday afternoon and had our tiny minds blown. The good thing about 1978 was no one cared who went in to see a movie, even if it was four ten-year old boys. Continue Reading
I’m only just getting started, but I am already enjoying this column. Reading books from a time before cell phones. When people stopped their cars and jumped into a phone booth to make a call. When they went to libraries to do research. When damned near everything and everyone wasn’t available right at your fingertips. A time when people got up and out of the house to buy books at stores. Before we all (yes, I am guilty as charged) had our faces perpetually locked into electronic pacifiers.
A better time? I like to think so. Some will disagree, claiming that we are armed with information at our fingertips at all times. There may be some truth to that, but I think that all too often real information is drowned in misinformation, distortion, misdirection, propaganda, and outright lies.Continue Reading
Usually, I avoid stuff that gives me nightmares; I’m funny like that. I don’t get much sleep as it is (father of two little ones) and when I do, I prefer to sleep soundly, my dreams free of terrifying imagery.
Michael Wehunt apparently doesn’t value his sleep. He watches movies that give him nightmares and keeps going back for more! But perhaps that unbridled enthusiasm for the macabre helped lead to his success as a writer?
Wehunt is an Atlanta-based author. His debut collection, Greener Pastures, was shortlisted for the Crawford Award and a Shirley Jackson Award finalist. His short fiction has appeared in publications like Shock Totem, Innsmouth Magazine and, yes, Cemetery Dance.Continue Reading
Joe R. Lansdale’s “Hap and Leonard” series isn’t the first thing that comes to my mind when considering what books would benefit from being adapted in graphic novel form. Lansdale’s series, about a couple of blue collar buddies whose keen sense of right and wrong gets them into escalating amounts of trouble with bad guys and good guys alike, is elevated by the author’s sharp dialogue and natural storytelling ability—two things which could easily be lost in translation when moving to the more visual medium of comics.Continue Reading
In its illustrious 29*-year print run, Cemetery Dance magazine has published no less than 560 short stories and novel excerpts in 75** issues. As the super fan that I am, Exhumed is my humble attempt to read and review them all in monthly double reviews.
**there were also two “double issues” (#17/18 in 1993 and #74/75 in 2016), each of which squeezed twice as much content into a single magazine.
I see the sentiment expressed in horror circles often: “I read and write horror, but I don’t often read anything which actually scaresme.” Of course, the word to consider here is “scare.” I have this discussion with my English classes every year when we read The Haunting of Hill House by Shirley Jackson. They always ask, as I’m handing out Jackson’s seminal haunted house novel, “Will this be scary?” I always answer, “Let’s talk about that word and what it means.” We discuss the differences between the adrenaline-based reaction they refer to as “scary”—what they experience while watching a horror movie in the theaters—and the nature of “horror” and being “horrified.”Continue Reading
Hello, and welcome to the first installment of Dead Trees. I want to thank you for taking the time to check out my new column.
Most publishers and writers want to see reviews of current or recently released books. There is nothing wrong with that, and all fans should read the new stuff coming out. But in this column I intend to showcase older works. Continue Reading