Quiet horror is the hardest kind to get right; but when it is done right, it’s a showcase of the best the genre has to offer. Stripped of gimmicks and gore, quiet horror takes people you’ve come to care about and makes you watch as something terrible slowly creeps in from the edges.
The “something terrible” happens early in Disappearance at Devil’s Rock, Paul Tremblay’s highly anticipated follow-up to his 2015 breakout, A Head Full of Ghosts. Elizabeth, a single mom raising two kids, gets the phone call every parent dreads when her son, Tommy, goes missing while fooling around with his friends in some nearby woods. But it’s the mystery surrounding Tommy’s disappearance—lost? abducted? running away? sacrificed?—that is the true “something terrible” here, as Tremblay lays out a number of possibilities, each more troubling than the last.