Constant Readers the world over are rejoicing over the news that Stephen King is returning to Castle Rock, the small town he created, nurtured and nearly destroyed in works such as The Dead Zone, The Dark Half and Needful Things. Joining him as co-writer of the new novella “Gwendy’s Button Box” is Cemetery Dance founder and publisher Richard Chizmar, fresh off his successful short story collection A Long December. Recently, the two authors answered a few questions from our Bev Vincent about their highly anticipated collaboration.Continue Reading
The Obdurate Past: 11.22.63
The day has come for those of you who have been holding back: All episodes of 11.22.63 are now available on Hulu and ready for you to binge. You can even see it all for free if you sign up for the month-long trial the service offers. There are two options: one with commercials and one without. The latter is more expensive on a monthly basis if you stay on after the trial ends, but it’s worth the few extra dollars in my opinion to eliminate the ad breaks.
I know I promised you a mid-series update, but I didn’t get around to that. Sorry!
My feelings about the series as a whole haven’t changed since I first wrote about it a couple of months ago. I think it is one of the best miniseries adaptations of Stephen King’s work. There have been a lot of complaints about the changes to the story, but on the whole I think they worked without doing the novel a disservice.Continue Reading
You Shouldn’t Be Here: 11.22.63
The past is resistant to change, and so, too, are many fans when it comes to adaptations of Stephen King’s novels. How many liberties should a screenwriter take with a literary work? (“The book’s always better, everybody knows that,” Sadie says the first time she meets Jake in the 11.22.63 miniseries.)
11/22/63 might have an advantage in that it’s a relatively new novel, one that hasn’t been firmly entrenched in readers’ minds as other works. Also, some adaptations remain essentially true to the source material despite making significant changes. Dolores Claiborne comes to mind, an underappreciated adaptation that deletes characters, brings others to the forefront, invents scenes, but captures the book perfectly.
This is the case, too, with 11.22.63. Continue Reading