Mark McKenna got his professional start in the graphic novel world in the mid-’80s and has since worked on almost 600 comics. Drawing and inking for DC and Marvel kept him in the world of household-name superheroes, but McKenna has also published creator-owned horror comics for both adults and children. With Halloween just around the corner, Cemetery Dance caught up with McKenna to talk about his creations, how he approaches horror comics, and how he was influenced by early horror tales from EC.Continue Reading
John Brhel and Joe Sullivan grew up consuming the short, sharp shocks of horror fiction anthologies in the ’80s and ’90s. After several successful writing projects, they’ve finally found the perfect way to channel their love of twisted tales in their new anthology, Corpse Cold. They took the project to Kickstarter. and, with just under a week left ’til the deadline, they’ve blown past their $3,000 goal.
Brhel (who, when he isn’t writing short stories, writes the “My First Fright” column for Cemetery Dance) took a few minutes to answer some questions about the origins and approach to Corpse Cold.
Kevin Lucia has been creating strange stories for a long time. It’s a passion project for him, borne out of a love for reading and an overwhelming desire to share the people, places and things that dominate his dreams and nightmares. His work has appeared alongside many genre greats in numerous anthologies and magazines, and now he’s looking to take his efforts to the next level with the pursuit of his very own Patreon. Recently I swapped a few emails with Kevin about his latest project (among other things—he is, after all, the Reviews Editor for Cemetery Dance magazine and Cemetery Dance Online). Enjoy!Continue Reading
Joe Hill‘s compelling quartet of novellas, collectively titled Strange Weather, hits shelves tomorrow, riding a wave of anticipation and positive reviews (including our own). Strange Weather is the latest example of what has become a hallmark of Hill’s career: versatility. The author roams from horror to fantasy to sci-fi….from comics to prose to screenplays…..from massive 700-page epics to to short novels to short stories….fearlessly and effortlessly. Likewise, our discussion covers a lot of ground, beginning with his latest release, then touching on his comics work before teasing a bit about what’s in the future.
Last year the horror anthology series Channel Zero spooked audiences on SyFy. Now season two, called Channel Zero: No-End House, is set to premiere on SyFy tonight at 10 p.m. EST. Nick Antosca, the creator of the show, got his professional start writing horror books, and he said the new season has a John Carpenter feel and is inspired by Brian Russell’s creepypasta tale, “NoEnd House.” He also told Cemetery Dance Online about his literary inspirations and how he approaches writing horror, no matter the medium.
Obviously, there’s no name more synonymous with the character of Hellboy than that of creator Mike Mignola. However, Christopher Golden runs a close second. Golden, a prolific best-selling author of original novels, media tie-in books and countless short stories, helped pioneer the line of Hellboy prose novels and anthologies, beginning with 1997’s The Lost Army and continuing this month with Hellboy: An Assortment of Horrors. He’s also a screenwriter (along with Mignola and Andrew Cosby) of the upcoming Hellboy: Rise of the Blood Queen, the Neil Marshall-directed reboot of the Hellboy film franchise. Golden was kind enough to take time out of his busy schedule to talk with Cemetery Dance Online about his long history in the world of Hellboy. Continue Reading
Robin Furth doesn’t live in Mid-World, but it could be argued she knows it better than the characters themselves. After working as Stephen King’s research assistant, Furth published Stephen King’s The Dark Tower Concordance, has written the graphic novel adaptations of The Dark Tower series for Marvel Comics, and is a consultant for the new film The Dark Tower and the TV series that will follow. As an avid folklorist, a fan of comics and King’s own go-to expert on all things Roland Deschain, Furth is the perfect person for all these jobs. She spoke to Cemetery Dance Online about her books, graphic fiction as a medium, and what she thinks about the upcoming movie and Idris Elba as the lead.Continue Reading
Skelton Crew Studio, a comic book replica studio based in the wilds of Maine, was founded by Israel Skelton in 2008. A sculptor and creator for more than 30 years, Skelton first made a name for his studio with a replica key based on the critically-acclaimed comic series Locke & Key by Joe Hill and Gabriel Rodriguez. Collaborations with a wide variety of creators soon followed, and Skelton Crew Studio’s work is now highly sought after among collectors and creators alike. Skelton Crew has a busy year ahead of them—more on that in a minute—so we appreciate Israel Skelton taking a few moments to discuss his work with us.
Norman Prentiss’ new novel, Life in a Haunted House, debuts May 15 at Amazon as an eBook (with a trade paperback soon to follow). To celebrate the book’s launch, he decided to do an interview with the book’s cover artist, Lynne Hansen. In addition to having Lynne create covers for some of his own books, Norman is also the editor of Cemetery Dance’s eBook line, and he frequently hires Lynne to create covers for Cemetery Dance ebooks.Continue Reading
Mikita Brottman has loved horror since an early age. She was reading it as a child in England, reading it as a student at Oxford University, and has been reading it during her career as a professor and psychoanalyst. Since the ’90s, she has published a series of both fiction and nonfiction books on taboo subjects—everything from cannibalism to serial killers to her experience doing a literature program at a Maximum Security prison. In their own ways, each book brings together her love of horror, the misunderstood, psychology and academia. Her academic works that deal with horror are both full of detail and accessible, something not always found together, especially when the academic world has tended to turn its nose up to the aesthetic of fictional horror. Brottman spoke about her books, the appeal of horror and what she thinks can make horror its scariest.Continue Reading
Many colorful descriptors have been affixed to describe the work of ten-time Bram Stoker Award-winning author Joe R. Lansdale, but reigning champion of mojo storytelling (as coined by Lansdale’s friend and webmaster Lou Bark) is the most fitting way to express his dynamic style. Throughout a prolific career, Lansdale has produced an astounding assortment of unique tales gracefully two-stepping between the pulp and the profound. His work is gritty, funny, and violent, characterized by biting dialogue and Lansdale’s ability to seamlessly cross genres while remaining conscious of history and storytelling tradition. Lansdale’s distinct literary voice regales his readers with tales of rough-and-tumble anti-heroes ready to throw down against dangerous criminals, serial killers, and occasional otherworldly monsters running amok in East Texas.Continue Reading
Ania Ahlborn is the bestselling author of the horror thrillers Brother, Within These Walls, The Bird Eater, The Shuddering, The Neighbors, and Seed, and the novella The Pretty Ones. Her latest release is The Devil Crept In, out now from Gallery Books. Recently, Ania was kind enough to take time out from exploring the dark corners of her imagination to share a few words with us.
Greg Nicotero is perhaps best known as executive producer, occasional director, and special effects makeup artist for AMC’s The Walking Dead. But this is just the most recent accomplishment in a career that is now in its fourth decade. Nicotero cut his professional teeth in 1985 as an assistant to Tom Savini on George Romero’s classic Day of the Dead and went on to work on a number of late ‘80s horror franchises that have come to define the era. Since that auspicious beginning, he’s gone on to become a legend in the field of special effects makeup (both in the horror genre and in more mainstream fare). Yes, he’s worked with George Romero, Clive Barker, John Carpenter, Don Coscarelli, and Sam Raimi. But (as he discusses in this interview) he’s also worked with Quentin Tarantino and Steven Spielberg. On top of all that, he also co-founded the prestigious KNB EFX Group in 1988, and has won four Emmy awards.Continue Reading
All I know is that he made an impression. Having grown up in a working class family where the dial was set to pro wrestling more than PBS, I wasn’t introduced to that many examples of erudite sophistication. And while Price’s filmography is certainly rife with camp, that wasn’t clear to me as a kid. What was clear to me was that Vincent Price played educated characters. Often artistic or scholarly characters. His film personas may have given me the first examples of such people.Continue Reading
Modern horror wouldn’t be what it is today without the influence of Shirley Jackson’s writing. Her grandson, Miles Hyman, pursued a career in art and has worked on many books and graphic novels, including a recent graphic novel adaptation of James Ellroy’s The Black Dahlia, published by Archaia. Now he’s releasing his graphic novel adaptation of “The Lottery,” out from Farrar, Straus and Giroux on October 25, to scare new readers and show old ones a new way of looking at the iconic short story.Continue Reading