Author: Chet Williamson
Artist: Jill Bauman
Page Count: 100
Pub. Date: November 2007
ISBN: 978-1-58767-167-8

Rating:  (Rate It!)

Status: Limited Edition Out of Print; Lettered Edition Forthcoming

The Story of Noichi the Blind
edited by Alan Drew, Ph.D. and Chet Williamson

Introduction by Chet Williamson
Afterword by Alan Drew, Ph.D.

Chet Williamson's The Story of Noichi the Blind blends Japanese classicism with the tropes of contemporary horror to create the most literate yet stomach-churning tale this writer has ever told.

Purported to be a possibly lost Lafcadio Hearn manuscript, this Japanese "folk tale" (complete with introduction and scholarly afterword) tells the story of a simple woodcutter whose confrontation with a mountain demon plunges his life into a nightmare of violence, self-delusion, and extreme sexual darkness.

Tinged by the blackest of humor, The Story of Noichi the Blind is a work that Williamson fears could get him arrested in several countries and carefully observed in his own.

Reviews:
"The novella's early fairy-tale tone gives way to a creeping, perverse darkness that grows through several ingenious twists to a bitterly ironic ending. To be honest, I enjoyed this more than I have most Hearn stories, despite the dismissive tone of the editor's postscript. Imagine Takashi Miike's version of Snow White and you're almost there."
—Rue Morgue

"Williamson (Ash Wednesday) pays homage to Lafcadio Hearn in this well-written pastiche, which includes an introduction about the chance discovery of a lost manuscript and a scholarly afterword discussing the likelihood that Hearn penned the tale. In the province of Harima, Noichi, a humble woodcutter who's developed a mystic rapport with all living things, rescues Noriko, a poor servant girl who has become a fugitive after accidentally slaying a lustful samurai captain. Once Noriko falls ill, what was initially a sweet love story becomes a much more disturbing and powerful narrative, as Noichi's animal friends strive to help their human friend in his travails. Williamson's dark Japanese fairy tale, with its graphic scenes of supernatural horror, makes even the unexpurgated Grimms' stories seem tame."
—Publishers Weekly

"As readers of Richard Parks' "Yamabushi" (in Worshipping Small Gods, 2007) surely cherish knowing, a tengu is a Japanese demon that delights in destroying saints. In this faux-found imitation of Lafcadio Hearn's Japanese supernatural pieces, there is a tengu much viler and ghastlier than Parks' creation. It isn't the worst thing in the tale. The concluding self-immolation scene is more gruesome, and the episode leading to the tengu's appearance is utterly revolting, though only if one dwells on it. The simple precision of the prose, however, virtually forbids morbidity; instead, it etherealizes what ought to be disgusting into the approximation of transcendence-all in the service of radically questioning Buddhism. At the end of what is essentially the story of a man, the terminally humble woodcutter and friend of animals Noichi, who is too dedicatedly simple to even recognize the argument that something at some level isn't illusion, it's hard not to feel refreshed, despite having just waded lips-deep through offal. This extraordinary performance makes such comparably transgressive writing as the Marquis de Sade's seem totally crude."
—Booklist

"Some readers might argue this book is grist for a psychologist's mill, and that Williamson might best serve society under some form of professional observation. Others will take delight in the author's sense of ghoulish glee, which takes his imagination to places far darker than the Grimm brothers ever dreamed of visiting."
—Rambles.net

"The marvel of the tale is that despite its very up-to-date depictions of necrophilia, cannibalism and dismemberment, it still feels like an authentic Japanese folk tale of the type Lafcadio Hearn told so well. The afterward, credited to one Alan Drew, Ph.D. (a made-up personage; I checked), underlines this by outlining the story’s links to many of Hearn’s signature themes (while disputing the idea that Hearn actually wrote it)."
—Fright.com

"It's a most disturbing thing that occurs, but strangely, the effect is more comical than offensive. Brilliantly, Williamson keeps pushing this 'gag' as far as he take it—and even then a little more—and all this happens before the arrival of the demon baby. Williamson’s introduction and an afterword by one Alan Drew, Ph.D., help preserve the illusion that NOICHI could be the work of KWAIDAN author Lafcadio Hearn. Hell, fellas, for pulling off something this crazed, I'm willing to play along."
—Bookgasm

About the Author:
Among Chet Williamson's latest books are Final Verse (a chapbook/CD of an original new story from Borderlands Press), and Pennsylvania Dutch Alphabet (a children's book from Pelican Press, and a follow-up to his popular Pennsylvania Dutch Night Before Christmas). Among his other published books are Second Chance, Ash Wednesday, Soulstorm, Lowland Rider, McKain's Dilemma, Murder in Cormyr, Mordenheim, Hell: A Cyberpunk Thriller, Reign, The Crow: Clash By Night, and the paranormal suspense series, The Searchers, which includes City of Iron, Empire of Dust and Siege of Stone. He has also written graphic novels, and was commissioned to write the centennial history of Elizabethtown College.

His first play, a psychological thriller entitled Revenant, will be presented as a fully staged reading by Theater of the Seventh Sister in Lancaster, Pa. this fall, and he has just finished a stage adaptation of The Story of Noichi the Blind.

His books have been translated and published in many languages and countries, including France, Germany, Russia, Italy, and Japan, as well as British editions of several of his novels.

Over a hundred of his short stories have appeared in such magazines as The New Yorker, Playboy, Esquire, and The Magazine of Fantasy and Science Fiction, and many other magazines and anthologies. Figures in Rain, a collection of his short stories, received the International Horror Guild Award for Outstanding Collection. He has twice been a final nominee for the World Fantasy Award, the Mystery Writers of America's Edgar Award, and a six-time nominee for the Horror Writers Association's Stoker Award. His work has also been adapted for television, radio, and recorded books. His New Yorker short story, “Gandhi at the Bat,” was recently made into a short film and has been shown in festivals worldwide.

Williamson lives in Elizabethtown with his wife Laurie. His son Colin currently works in Tokyo, Japan as a video game developer for Square Enix.

Available in two states:
Limited Edition of 1500 signed copies ($35)
Traycased Lettered Edition of 26 signed and lettered copies bound in leather with a satin ribbon page marker ($175)

Lettered Edition Status:
The deluxe Lettered Edition of this book is currently with our hand-binder. After he completes his work, we will immediately ship a finished copy to our traycase manufacturer who will begin building the traycases. He requires a finished copy to guarantee the sizing is just right. We will update this page as the Lettered Edition progresses through production. Thank you for your patience.

Customer Reviews	Add Your Review
Noichi, a classic and sick legendary ghost tale	05/30/2008 - by Robert B. from Salem, OR US
Like most people who will read this book, I devoured it one sitting. It is short, but very fascinating and satisfying. It has simple storytelling that hooks you into it. At times it reminded me of old fashioned fairy tales, folk tales, and/or legends like "The Nightingale". At other times the animals reminded me of a Disney cartoon (a REALLY Sick and Twisted bloody, gut filled, Disney cartoon). In most senses it is, overall, a Japanese ghost story in the style of Lafcadio Hearn. The title alone is an homage to Hearn's "The Story of Mimi-Nashi-Hoichi" (and its lead character Hoichi the Earless, who happens to be blind in that story). If you know this story, or you are pretty familiar with Hearn’s works, Chet Williamson is going to play with you a lot. The story stands on its own, and you do not need to read anything by Hearn to enjoy it. There is just another level that Chet Williamson based this homage on. There are some far fetched things in this book… but it is after all, a legendary ghost story. It is not a "true story.” It is almost told in a play-by-play sort of way that makes it feel very simple for such a complex tale. Almost like it is written for a child and they should take away a moral to the story. Don’t read this to your kids, please. It will mess them up! The story feels complete in all aspects and it needed no extension. It is also a must read. Get your hands on it and read it. Enjoy it. Share it with someone you love (and who can take the gross-out stuff). Stocking stuffers anyone? ***POSSIBLE SPOILERS*** What I gathered after reading this is that Chet Williamson wrote this book with a Blair Witch type of twist in mind, claiming it to be a found manuscript and he also says that he is just the editor in the introduction. There is enough 21st century sensibility in the book to see that isn't true. In fact, the Introduction of how the manuscript was found kind of reminded me of how the Mogwai was discovered in Gremlins, ha ha. The story is really good though. At about page 40 I asked myself why is this book called "Noichi the Blind" when the main character is not really blind at all… and within the next couple pages that became very blatantly clear in a total "Oh NO!” moment and eventually a few pages later with a, “He isn't… Oh he did! Oh gross!" set of events. There are some subject matters that will make an average reader squirm, or throw up, but, overall, they don't seem to be written in such a way as to cause that reaction. There is blood, there is guts, there is somewhat explicit sex, there is rape, there is necrophilia, there is demons and spirits, there is (arguably) bestiality, there is severely messed up rationalization, and even some Eastern religious views (with a little bit of others mixed in). At one point, closer to the end of the story, the "editor," Chet Williamson, puts his thoughts into the middle of the story in one sentence with the use of parenthesis. This jarred me out of the tale and made me kind of mad. It was a comment that was not needed, and it was only put in there to try to prove that is was a found manuscript again. If I was editing a found manuscript, I wouldn't have written anything at that point. If it gnawed at me so much that I had to talk about it, I may have mentioned it in an afterward, but not in the middle of the story. There is also a spot of humor that made me flinch, but that actually gets touched on in the fake Afterward (Williamson being his own critic). The tale itself is so good, that I don't care about the bull-crap of the surrounding Foreword and Afterward discussing the authenticity of the book (although it is still well written bologna). There is a moral to the story, and most readers will see it right away around the books’ halfway point. It is very obvious to the reader, as things often are to outsiders, but it is only to ourselves that we are blind. ***END SPOILERS***
Great Book!	12/20/2007 - by Nick Barton from Tulsa, OK US
A truly twisted tale with a storybook charm that will make you love every word. Highly reccommended.