{"id":10498,"date":"2017-08-18T08:00:20","date_gmt":"2017-08-18T12:00:20","guid":{"rendered":"http:\/\/www.cemeterydance.com\/extras\/?p=10498"},"modified":"2017-09-27T13:39:30","modified_gmt":"2017-09-27T17:39:30","slug":"loving-memory-wiggle-maggot-curl-bacon","status":"publish","type":"post","link":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/","title":{"rendered":"&#8220;In Loving Memory&#8221; and &#8220;A Wiggle of Maggot, a Curl of Bacon&#8221;"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"8891\" data-permalink=\"https:\/\/www.cemeterydance.com\/extras\/the-double-and-the-inconsolable\/exhumed_webbanner\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2016\/10\/Exhumed_WebBanner.jpg?fit=830%2C120&amp;ssl=1\" data-orig-size=\"830,120\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"exhumed_webbanner\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2016\/10\/Exhumed_WebBanner.jpg?fit=830%2C120&amp;ssl=1\" class=\"aligncenter size-full wp-image-8891\" src=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2016\/10\/Exhumed_WebBanner.jpg?resize=830%2C120&#038;ssl=1\" alt=\"\" width=\"830\" height=\"120\" srcset=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2016\/10\/Exhumed_WebBanner.jpg?w=830&amp;ssl=1 830w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2016\/10\/Exhumed_WebBanner.jpg?resize=350%2C51&amp;ssl=1 350w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2016\/10\/Exhumed_WebBanner.jpg?resize=768%2C111&amp;ssl=1 768w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">In its illustrious 29*-year print run, <\/span><i><span style=\"font-weight: 400;\">Cemetery Dance m<\/span><\/i><span style=\"font-weight: 400;\">agazine<\/span><span style=\"font-weight: 400;\"> has published no less than 560 short stories and novel excerpts in 73** individual issues. As the super fan that I am, <\/span><i><span style=\"font-weight: 400;\">Exhumed<\/span><\/i><span style=\"font-weight: 400;\"> is my humble attempt to read and review them all in monthly double reviews. <\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">*and counting!<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">**there were also two &#8220;double issues&#8221; (#17\/18 in 1993 and #74\/75 in 2016), each of which squeezed twice as much content into a single magazine.<\/span><\/i><\/p>\n<p><a href=\"https:\/\/www.cemeterydance.com\/extras\/save-the-last-dance-for-me-and-slippin-into-darkness\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Last time<\/span><\/a><span style=\"font-weight: 400;\"> I reviewed two Norman Partridge <\/span><span style=\"font-weight: 400;\">stories:<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">\u201cSave the Last Dance for Me\u201d from <em>Cemetery Dance<\/em> #2 (1989), and<\/span><\/li>\n<li>\u201cSlippin\u2019 Into Darkness\u201d (a novel excerpt) from <em>Cemetery Dance<\/em> #17\/18 (1993).<\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">If you missed it, you missed a particularly complex story (and a particularly &#8220;colorful&#8221; review). \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This month is the 10th installment of <\/span><i><span style=\"font-weight: 400;\">Exhumed<\/span><\/i><span style=\"font-weight: 400;\"> and, as promised, I present to you two Steve Vernon stories. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Let\u2019s get to it\u2026 <\/span><!--more--><\/p>\n<h5 style=\"text-align: center;\"><span style=\"color: #ff0000;\"><b>THE OLD: \u201cIn Loving Memory\u201d<\/b><\/span><\/h5>\n<p><b><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10269\" data-permalink=\"https:\/\/www.cemeterydance.com\/extras\/save-the-last-dance-for-me-and-slippin-into-darkness\/cd2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2017\/07\/CD2.jpg?fit=300%2C395&amp;ssl=1\" data-orig-size=\"300,395\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"CD2\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2017\/07\/CD2.jpg?fit=300%2C395&amp;ssl=1\" class=\"alignright size-medium wp-image-10269\" src=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2017\/07\/CD2.jpg?resize=266%2C350&#038;ssl=1\" alt=\"\" width=\"266\" height=\"350\" srcset=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2017\/07\/CD2.jpg?resize=266%2C350&amp;ssl=1 266w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2017\/07\/CD2.jpg?w=300&amp;ssl=1 300w\" sizes=\"auto, (max-width: 266px) 85vw, 266px\" \/>AUTHOR:<\/b><span style=\"font-weight: 400;\"> Steve Vernon<\/span><\/p>\n<p><b>APPEARANCE:<\/b> <i><span style=\"font-weight: 400;\">Cemetery Dance <\/span><\/i><span style=\"font-weight: 400;\">#2: June, 1989<\/span><span style=\"font-weight: 400;\">. (Story #2 of 11)<\/span><\/p>\n<p><b>PLOT (with spoilers!):<\/b><\/p>\n<p><strong><i>REVIEWER&#8217;S NOTE:<br \/>\nThis story is both very short and very simple. As such, I run the risk of either plagiarism or copyright infringement in even a basic plot description. I\u2019ve therefore elected to directly quote only two lines for reasons which I will explain later. Everything else I\u2019m forced to paraphrase\u2026 badly&#8230;<\/i><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">A name on a tombstone.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Drainage problems have made it so most of the graves have been removed from the burial ground that rests at the bottom of a natural hollow. But his house is on the other side of the hill, so he uses it as a shortcut. It&#8217;s a pleasant walk by day, but by night it can seem to take forever.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Another name on another tombstone.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tonight there is no moon. Even the stars are mostly hidden by clouds. The wind warns of a coming storm. He is walking with his head down and his hands in his pockets. She has found another man and he is going to an empty house, a drink, and maybe a razor.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Another name on another tombstone.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The darkness makes it so the only landmarks are the tombstones. They look like teeth in an old skull.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Another name on another tombstone.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The names leap out at him. He slows to read the inscriptions.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Another name on another tombstone.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The inscriptions are worn by time. The dates are from long ago. He must kneel to decipher some of them. Suddenly he is not in a hurry. Thunder rumbles overhead, which he ignores.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">An illegible name on a tombstone.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This stone is worn to virtual smoothness. The name and date are both gone. All that remains is most of a three line epitaph.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">GON \u00a0\u00a0\u00a0B \u00a0T \u00a0\u00a0N \u00a0\u00a0\u00a0\u00a0\u00a0FO \u00a0GOT \u00a0EN<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Gone but not forgotten. He wonders: &#8220;But who will remember a century old grave, when even the stone has forgotten?&#8221; He wonders who will kneel like he is and cry. He wonders who lies there, alone and unloved.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">G \u00a0NE \u00a0\u00a0T \u00a0\u00a0\u00a0\u00a0G \u00a0D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Gone to God. The storm rains down like God&#8217;s tears. A bolt of lightning hits, shattering the tombstone. Nothing is left but the final two words of the epitaph.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Thunder rumbles and he cries aloud as he reads the final two words and tears flow down his cheeks. The ground he kneels on softens and he claws at the grass, hungry for the dirt below.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;A soundless whisper answers him. Soft, muted, a tongue long gone to dust welcomes him.&#8221; Bony arms burst from the grave and embrace him. He feels the earth split open beneath him. He smiles and laughs as the loose soil washes over him. The dirt is sweet in his mouth. Eternity doesn&#8217;t seem so long.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">GO \u00a0E \u00a0\u00a0HOM<\/span><\/p>\n<p><b>MY GRADE: B<\/b><\/p>\n<p><b>MY REVIEW:<\/b><\/p>\n<p><span style=\"font-weight: 400;\">I found this story very difficult to grade. Mostly this was because it&#8217;s so highly subjective. I could see how people could argue it deserved a higher score\u2026 but I could also see how people could argue the opposite. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">On the surface, \u201cIn Loving Memory\u201d is a simple tale of a guy whose broken heart has pushed him to insanity. \u00a0Below the surface, though,\u2026 well, that\u2019s where we run into trouble. There\u2019s not much going on. It\u2019s not <\/span><i><span style=\"font-weight: 400;\">absent <\/span><\/i><span style=\"font-weight: 400;\">of additional value, though. It\u2019s just a bit hard to get to it. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">For instance, there&#8217;s no indication that the bones that grab the protagonist at the end are real or that he is literally dragged into that grave. It\u2019s abundantly clear this is not a possibility. (The line which tells us he\u2019s going home to a razor tells us he&#8217;s already suicidal, so insanity is clearly close behind.) This cements the story in reality rather than fantasy, which keeps it comparatively simple rather than complex. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">But it&#8217;s also an emotional tale, and one that gives us a couple of really good lines\u2026 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWhen even the stone has forgotten\u201d is an awesome use of personification; and\u00a0<\/span><span style=\"font-weight: 400;\">\u201cSoft, muted tongue long gone to dust\u201d is one hell of a visual way to get us to really feel the sadness of forgetting the dead. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The story\u2019s best aspect is easily this very notion. The idea that we are all going to be forgotten one day, no matter how much we achieve or succeed, is a bitter pill to swallow. It brings to mind the central message of <\/span><a href=\"https:\/\/www.poets.org\/poetsorg\/poem\/ozymandias\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Percey Shelley\u2019s \u201cOzymandias\u201d<\/span><\/a><span style=\"font-weight: 400;\"> (argued by some to be one of the greatest works of literature ever written&#8212;a bold claim for a poem only 14 lines long), which shows that even great political power will one day fall and be lost to time. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is the protagonist\u2019s great fear, but it has only hit him now, when his love has left him. This is a common fear of all humans, and likely a common time to feel it hit home. Why else do authors write, do leaders conquer, and do matriarchs continue the family line? We all want to leave our mark. We all want to be remembered. \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But as true as this feeling is among all humans, it\u2019s one that Vernon almost fails to bring to the forefront of our minds. It\u2019s really more in the background of the story because we are concentrated more on understanding THIS man\u2019s trudging through the graveyard and HIS falls into the metaphorical grave. It takes a bit of work (something I\u2019m not adverse to, but also something any good writer should try to avoid whenever possible) to see this additional meaning to the story. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Another issue I had against the quality of Vernon\u2019s story were the actual names on the actual tombstones. There are five, and you\u2019ll notice I didn\u2019t bother copying them in my plot description. That was a deliberate choice because those names don\u2019t really do anything for the story, which is a wasted opportunity, in my humble opinion. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">For the record, the five tombstone names are as follows: <\/span><\/p>\n<p><span style=\"font-weight: 400;\">WALKER HARRISON CROUCH<\/span><\/p>\n<p><span style=\"font-weight: 400;\">SKINNER DEMONE MOSSMAN<\/span><\/p>\n<p><span style=\"font-weight: 400;\">OXNER LOGAN HURST<\/span><\/p>\n<p><span style=\"font-weight: 400;\">NAYLOR MORTON BLACKWELL<\/span><\/p>\n<p><span style=\"font-weight: 400;\">CARVER McKAY HIMMELMAN<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Granted, they are a bit odd\u2026 bordering on creepy, even. But mostly they\u2019re just old, antiquated names. But other than fitting a description already given, what\u2019s the value of adding them? Yes, there\u2019s the break given between sequences. And, yes, there\u2019s the continued suggestion that he\u2019s moving, passing by yet another tombstone. But the same thing can be established with or without the names. The presence of the tombstones themselves provide these things. What\u2019s the point in THOSE names, then? <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Answer: There really isn\u2019t any. Now if Vernon had told us the protagonist\u2019s name was the same as one of these, we could add the detail that, perhaps, he didn\u2019t know his own great-grandfather and would thus be equally unknown to his own great-grandson. Alternatively, we could be told the names were those of prominent people of the past\u2026 perhaps the graveyard or the local brewery or even the town itself shared a name with one or all of them (and my writer\u2019s mind simply loves the idea of \u201cMossman Cemetery\u201d). Alas, the five names on the tombstones don\u2019t add these or any other extra elements to the story and, as I mentioned above, feel like an opportunity lost. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Overall, though, Vernon\u2019s story is nearly as powerful as it is brief, and there\u2019s nothing wrong with that.<\/span><\/p>\n<h5 style=\"text-align: center;\"><span style=\"color: #ff0000;\"><b>THE NEW: \u201cA Wiggle of Maggot, A Curl of Bacon\u201d<\/b><\/span><\/h5>\n<p><b><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"10502\" data-permalink=\"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/_cd059large\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2017\/08\/cd059large.jpg?fit=240%2C311&amp;ssl=1\" data-orig-size=\"240,311\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"_cd059large\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2017\/08\/cd059large.jpg?fit=240%2C311&amp;ssl=1\" class=\"alignright size-full wp-image-10502\" src=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2017\/08\/cd059large.jpg?resize=240%2C311&#038;ssl=1\" alt=\"\" width=\"240\" height=\"311\" \/>AUTHOR:<\/b><span style=\"font-weight: 400;\"> Steve Vernon<\/span><\/p>\n<p><b>APPEARANCE:<\/b> <i><span style=\"font-weight: 400;\">Cemetery Dance <\/span><\/i><span style=\"font-weight: 400;\">#59: 2008.<\/span><i> <\/i><span style=\"font-weight: 400;\">(Story #5 of 8)<\/span><\/p>\n<p><b>PLOT (with spoilers!):<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Battle Carmody (that really is his name) tells his grandson, Billy, not to pick a scab, and Billy asks \u2018Why not?\u2019 The question perplexes Battle for a moment. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">They are on their sacred fishing trip to the Fence Woods, a place his own grandfather took him when he was Billy\u2019s age. He is making sure to make the most of it. His time in the Korean War taught him the fickleness of life. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cScabs are a part of you,\u201d Battle tries. \u201cOur wounds are what we wear over our hurt.\u201d He goes on to explain it\u2019s best to let healing things alone. But Billy is too young for such a deep answer. He challenges his grandfather\u2019s answer with simple childhood innocence. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle has more or less raised Billy because his mother is a drunk and his father has never been there, so when Billy&#8212;who is only 13 after all&#8212;picks at the scab again, Battle tries again to steer him. \u201cScabs cover up echos,\u201d he tries this time, and goes on to explain how pain can come back to you sometimes if you wake it up. This time Billy responds with the scientific answer he learned in school. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Billy asks where Battle gets all of his stories. Battle says he pulls them out of his gut because they crawl around in there like worms until he lets them out to see what he\u2019s learned. Billy laughs, which does wonders for Battle. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">As they move along, Billy accidentally steps in a rotting rabbit corpse. As Battle helps him clean the smelly decay from his shoe, he sees and collects a few maggots. Fat maggots, he tells Billy, are very good bait. Billy asks what killed the rabbit, and Battle says it was maybe just old age. The silence that lingers afterwards is uncomfortable to Battle, so he distracts them both by giving Billy his kabar knife, telling him he gets to clean any fish they catch. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The ploy works. Billy stuff the knife into his belt and stands a little taller. Battle considers letting the boy keep the knife, knowing that \u201cOld Granddaddy Death\u201d would be catching up to him sooner or later. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle warns Billy not to cut himself with the knife, though he\u2019s not really worried because he already taught him right. Together, they stuff their pockets with more maggots to join the half-cooked bacon they\u2019d packed there earlier for bait, and set off deeper into the woods. Battle knows that with a wiggle of maggot and a curl of bacon, even the best fish would be unable to smell the barbed metal hook in the water.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle thinks about how fish are much like boys: both are open and hungry and ready to be fed. With boys, though, it\u2019s stories from grandfathers that are their bait. Battle knows all this because as a young man in Korea he had learned the many ways a man can die. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Billy seems to read Battle\u2019s thoughts, asking suddenly what he had done in the war. Battle gives him the same answer he\u2019d done many times before: \u201cDucked down and concentrated on remaining unshot.\u201d But this time Billy pushes the issue. \u201cTell me the real answer,\u201d he says. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle\u2019s thoughts are sent back in time to his days in Korea. <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">They\u2019d given him the rank of First Lieutenant, though that was mostly because one of the others had been killed while another had retired. The truth was that the silver-colored bar on his shoulder meant next to nothing in deep North Korean territory. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">One of his men, Sergeant Trumble, asked if he\u2019s lost. Lieutenant Battle Carmody (named such because it had taken two whole days for his own mother to bear him: &#8220;It was a battle,&#8221;she\u2019d said when it was finally over before she died six days later) told him, \u201cNo. We are not lost. I\u2019m lost. You\u2019re right where you need to be. Following me.\u201d <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sergeant Trumble said that reminded him of a story and proceeded to tell a tale about a man who got lost in a dense fog and whose new calf eats their way home through the fog and that the whole family lived on calorie-free fog meat for years afterwards. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Just then, a North Korean soldier walked out of the jungle and towards the Marines. Battle and his entire platoon melted into the dense cover and waited in perfect silence. Battle tried to decide what to do while the soldier came closer and his platoon awaited his orders. It would have been an easy kill, no doubt, but Battle worried about how many other North Koreans were nearby. It could have been a couple. It could have been a whole division. The soldier walked straight towards Battle, and that\u2019s when things went very bad very fast. <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Hooking a trout is a skill which involves timing and experience. Battle learned it by failing over and over again when his own Grandpa Jake had caught fish after fish. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">A trick like that, Battle recalls, is one that you either learn or don\u2019t learn. It\u2019s also \u201ca little like show and tell, only the other way around.\u201d With his Grandpa Jake, it was all show and no tell. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">It\u2019s the same way Battle tries to teach Billy now, only he\u2019s modified things a bit. He\u2019s softer. He\u2019s changing the trail to suit his own needs. Problem is, \u201csome trails you follow, and some will follow you.\u201d <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle let go of his gun and quietly pulled out his kabar knife, making sure to keep the blade in dirt so it wouldn\u2019t glint in the sun and give away his position. His thought was to make a quiet kill if necessary. The North Korean soldier stopped just three feet from Battle and proceeded to light a cigarette. Battle needed him to move just one step closer. But the soldier didn\u2019t move closer. He unzipped his fly and proceeded to urinate in Battle\u2019s direction. It was the sound of the urine hitting Battle\u2019s leather boots that got things rolling. <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle is enjoying the soul-searching activity of casting of his line into the water. He thinks: \u201cIt isn\u2019t always about catching fish, you know. If you\u2019re careful, you can catch gods this way.\u201d He thinks about how doing nothing but feeling the sun and the wind is sometimes its own reward. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">He hears a trout jump, and then Billy falls in the water. He\u2019d been reaching for a turtle and lost his footing. Battle isn\u2019t worried because he knows Billy can swim and the current isn\u2019t strong. A few seconds later, though, he sees the water turning red. <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle added another clip to his M3 and squeezed off several more rounds over his shoulder as his platoon retreated through the woods. Someone to his left was praying as he ran. Battle\u2019s fingers couldn\u2019t find the next clip of ammo in his pocket. The whole jungle had exploded with gunfire. Someone else to Battle\u2019s right started screaming about his legs. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle didn\u2019t know many of their names. He\u2019d given up trying after too many deaths. The war had taught him the lie of death, which was that people didn\u2019t really \u201cpass away\u201d or \u201cexpire.\u201d Death was often far more violent than that. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">He didn\u2019t know if it was the entire North Korean army that was chasing him or only a half-dozen. He didn&#8217;t have time to tend the wounded, only to keep running like everyone else. He saw a machine gun nest and also some snipers picking off his troops. Everything was a terror-strewn chaos of noise and blood. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Then Battle\u2019s right thigh got hit and he began to fall. But even before he hit the ground his belly got hit too, and immediately he felt \u201ca long snake running out\u201d of him before he blacked out. <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle is having a hard time holding onto Billy. He\u2019s too slippery with blood and river water. He sees the problem: Billy had put the kabar knife in his belt without a sheath and when he fell it slid up and \u201ccaught him in the soft of his belly.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">There is chaos and panic and blood as Battle tries to hold the wound closed and Billy screams. The blood attracts a mosquito and another jumping trout. The wound keeps pumping, though, as the maggots and bacon spilled from their pockets. Battle has no idea what to do.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Except suddenly he does. <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle woke alone in the woods. He tried to move but couldn\u2019t. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">He looked at the night sky and remembered a somewhat violent story his Grandpa Jake told him about how the Day married the Sky, got jealous, and stabbed Mother Night with a crescent moon, then shot her up full of star holes. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">He worked his hand slowly towards his middle. The wetness there reminded him of a game his Grandpa Jake had played every Halloween. In the dark, young Battle and his friends had been invited to feel a witch\u2019s eyeball (peeled grape), witch\u2019s guts (bowl of cold spaghetti), and witch\u2019s brain (scrambled eggs). Only the guts he felt in Korea were his real guts, his intestines. Touching them only caused them to slide out of his wound a little further. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle remembered another story his Grandpa Jake told him about how the fakirs of India would cut a hole in their stomachs and tie a rope to the end of their intestines and play a flute and both rope and intestines would rise towards the sky. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">It was then that Battle saw his actual Grandpa Jake there in those North Korean woods. He was almost naked, clothed only in scrapbook photographs and a few notes he\u2019d written onto the backs of his hands. Battle wasn\u2019t sure if it was his actual Grandpa or maybe \u201csomething else just wearing his memory.\u201d Either way, the figure took his spilled intestines, coiled them like a rope, and cast them into the woods like a fishing line. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Moments later, Battle felt something pulling back from the other end. <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span> <span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tending over Billy, Battle gives him words of encouragement while he unbuttons his shirt: a thing he almost never does in the light of day. Even in the darkness, he only ever gets undressed with his eyes closed. He doesn\u2019t like to see the thing he\u2019d been \u201cwearing\u201d since that time in North Korea. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">He knows now that much or maybe all of what happened then was a fever dream that came out of his injuries, but nevertheless he also believe something grew on his open wound that saved his life. A fungus, he thinks, \u201cfallen from some lonely night sky.\u201d It was a color he\u2019d never seen before or since, and it ran a long, lacy finger up through his wound and into his heart. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">He never knew whether he let the sky fungus grow on him or whether the event was just something that happened <\/span><i><span style=\"font-weight: 400;\">to <\/span><\/i><span style=\"font-weight: 400;\">him. He only knows he didn\u2019t fight it because he knew it would be good for him. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">What Battle does next is take the kabar knife and cut open his belly once more. It\u2019s hard work because the sky fungus has built up a thick coating through all the years, but he gets it done and scrapes some of it off and puts it on Billy\u2019s wound. The sky fungus sucked right on and then all the rest of it pulled off of Battle and onto Billy. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">It seems for a moment that everything will be okay, but Battle feels there\u2019s something else that needs to be done. He works the knife back into his belly, opening his old wound again. Soon he has the coil of his intestines in his hands. They are more than flesh and blood, though. They are memories and experience and dream. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle casts his intestines out into the darkness of the woods. Again and again he throws it out and reigns it back in. \u201cCome on,\u201d he shouts. \u201cMy boy needs you.\u201d <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Battle isn\u2019t sure what he hopes to catch in the Fence Woods. He wasn\u2019t sure if anything at all would grow. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">But then he feels a nibble and he lets it go. <\/span><\/p>\n<p><b>MY GRADE: A<\/b><\/p>\n<p><b>MY REVIEW:<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The second of Steve Vernon\u2019s tale presented to you here was written 19 years after the first, and it is infinitely better. It\u2019s more complex. It\u2019s more developed. It\u2019s more meaningful. It\u2019s more entertaining. And, damn it, it\u2019s just <\/span><i><span style=\"font-weight: 400;\">written <\/span><\/i><span style=\"font-weight: 400;\">better. Let\u2019s look at just some of the reasons why\u2026<\/span><\/p>\n<ul>\n<li>Billy\u2019s scab is a metaphor&#8230;<\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">It pertains to how things that heal are better left alone. This relates mostly to the mysterious sky fungus (for now, let\u2019s pretend it\u2019s a real thing and not a figment of Battle\u2019s imagination). When he let the fungus do its thing in Korea, it saved his life. But it also relates to Battle\u2019s own need to heal from his lost wife, failure to raise a good son of his own, and guilt\/ loss of his fallen comrades in Korea. The story gives us little of how much he \u201cpicked at\u201d or \u201clet alone\u201d the healing process of any of these, but we also understand the story isn\u2019t really about fishing with one\u2019s grandson or surviving war. It\u2019s about how to heal over a long life of injuries.<\/span><\/p>\n<ul>\n<li>The act of fishing is a metaphor\u2026<\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">This one adds a whole other level of curiosity to Vernon\u2019s tale. It\u2019s where we get the story\u2019s title, for one thing. We are told that bait like the wiggles of maggot and curls of bacon are what it takes to trick a fish into biting at a barbed hook. If the sky fungus is real, why does Battle need to go fishing for it? And what bait is he using? Meanwhile, we are also told that the act of fishing is one in which you can find your soul or your god. We are told about the beauty of casting a line into the distance and being patient. Generically speaking, fishing is one of the oldest known forms of obtaining sustenance. Whole villages and careers revolve around it. Battle calls his trip with Billy \u201csacred,\u201d and I\u2019d be hard-pressed to find a better word for it. <\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">The protagonist\u2019s name is \u201cBattle.&#8221; Yes, we are given a cute little reason for it (his delivery was a tough one, lasting two whole days), but let\u2019s not overlook the significance here. A large portion of the story is one of war: His whole platoon battled to make it out alive&#8230; There\u2019s the battle of whether or not to kill the North Korean soldier who almost stumbles upon them in hiding\u2026 \u00a0There\u2019s the battle to learn other soldiers\u2019 names knowing most of them will die anyway\u2026 \u00a0There\u2019s the battle to survive getting shot in the gut. Later in life, Battle battled the guilt of raising a deadbeat dad for a son (Side note: There was a great line in that scene: \u201cKids are like mystery seeds that way. You plant them as best you can and there\u2019s no telling just what will grow.\u201d) And of course at the very end Battle battles saving Billy\u2019s life\u2026 at what appears to be the expense of his own.<\/span><\/span><\/li>\n<li><span style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">They go fishing in the \u201cFence Woods.\u201d Why &#8220;fence&#8221;? Fences are barriers, but unlike true walls you can see through them. Early in Vernon\u2019s story we are told that as a kid Battle ran through those woods but that at some point someone put a fence all around them, \u201call barbed wire and crankiness, with big old KEEP OUT signs and TRESPASSERS WILL BE SHOT.\u201d The story also goes on to talk about the irony that over the years those signs were shot up with kids&#8217; .22s and adults&#8217; shotguns. The scene ends with Battle saying he appreciated those bullet holes and never much cared for authority. Couple this factoid with the knowledge that he will one day lead a platoon (poorly, it seems, and also by default rather than by earning the position) and also fail to properly raise a son, we understand the fence in the Fence Woods is its own little metaphor for \u201cBucking The System\u201d or \u201cSticking It To The Man\u201d (choose your favorite adage).<\/span><\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">The references to stories:<\/span>\n<ol>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Sergeant Trumble was a known storyteller. His story was about a calf that fed on fog and a family that fed on fog-meat. Interesting little tale considering fishing is already a known metaphor. <\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Grandpa Jake was a storyteller too. His two stories were about the violence of Day and Night and Sky and about the Indian Fakirs who tied their own intestines to ropes. Even <\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Battle himself becomes known by Billy to be a spinner of tall tales for amusement purposes. He talks about scabs being a part of you and how they cover up echos\u2026 he just doesn\u2019t tell the true story about what happened in the war. <\/span><\/li>\n<\/ol>\n<\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">But what\u2019s the point? Why add these multiple references to storytelling? I think it comes down the following line: \u201cFish were like that, open and hungry and ready to be fed. So were boys. Boys were open books you told stories to, hungry pages aching for whatever ink they found.\u201d One could argue that this is the real message of Vernon\u2019s story: not about healing over a long life of injuries, but that passing on who you are to the next generation is just another yarn to spin, another tale to tell. <\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">There are several well-written lines &amp; descriptions. I\u2019ve already shared a few:<\/span>\n<ol>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u201cScabs cover up echos.\u201d<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u201cOur wounds are what we wear over our hurt.\u201d<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u201cIt isn\u2019t always about catching fish, you know. If you\u2019re careful, you can catch gods this way.\u201d<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u201cKids are like mystery seeds. You plant them as best you can and there\u2019s no telling just what will grow.\u201d <\/span><\/li>\n<\/ol>\n<\/li>\n<li style=\"list-style-type: none;\"><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">But here are a few more: <\/span>\n<ol>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u201cOld Granddaddy death wears awful soft feet.\u201d<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u201cI lay there in the dirt, not more than fifteen feet away from him, doing my level best to think moss thoughts and smell like Korea.\u201d <\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u201cThe North Korean was walking towards us. I watched his boots lifting themselves, one over the other, floating that little rat bastard closer to our position. This is what an ant feels like, right before the boot comes down.\u201d <\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u201cI didn\u2019t understand a lot of what my Grandpa Jake told me, but you know I learned a lot from the old man all the same. Some of it stuck and some of it didn\u2019t and some of it grew into what became me.\u201d <\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u201c&#8230;the suck-hole of my belly pipe&#8230;\u201d<\/span><\/li>\n<\/ol>\n<\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">But if I had to pick just one\u2026 a single exchange that summed up the whole story\u2026 it\u2019s be this one: <\/span><\/p>\n<blockquote><p><span style=\"font-weight: 400;\">\u201cA man has to eat whatever he catches in this old world.\u201d \/ \u201cEven if it tastes bad?\u201d \/ \u201cEven if it tastes worse.\u201d <\/span><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">So after all that you may be wondering why I gave this story an A and not the full A+. Well, if you\u2019ve read this column before, you might already know. I save A+ for those that truly stand out. Stories that are not just great but spectacular. Often this comes down to personal preference. In this case, it may be that I have an unfair bias against war stories. It may be that the fishing metaphor sounded vaguely familiar to something else I\u2019ve read in the past. It may be that the good lines were either just a little too weak or just a little too few. For whatever reason, Vernon\u2019s tale, while clearly a great one, didn\u2019t quite have that extra sparkle to warrant the coveted &#8220;plus&#8221; in my humble opinion. <\/span><\/p>\n<p><b>FINAL THOUGHT<\/b><\/p>\n<p><span style=\"font-weight: 400;\">While it\u2019s not a necessity that a story be long in order to be awesome, it\u2019s certainly harder to do so with fewer words. The opposite can also be true, of course. There are scores of long stories which are, in truth, merely just long-winded. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Still, in comparing these two Steve Vernon tales, there\u2019s no doubt that the nod of quality clearly goes to the longer and more developed of the two. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">It kind of makes me appreciate when a super-short tale, like <\/span><a href=\"https:\/\/www.cemeterydance.com\/extras\/the-double-and-the-inconsolable\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Steve Rasnic Tem\u2019s \u201cThe Double\u201d<\/span><\/a><span style=\"font-weight: 400;\">, can still leave your mind spinning. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Agree or disagree with any of this?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I\u2019d love to hear your thoughts in the comments.<\/span><\/p>\n<p><b>-K. Edwin Fritz<\/b><\/p>\n<p><b>NEXT MONTH <\/b><\/p>\n<p><span style=\"font-weight: 400;\">Next month I\u2019ll be reading\/ reviewing each of the following: <\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u201cThe Sanctuary\u201d by Bentley Little (<\/span><i><span style=\"font-weight: 400;\">Cemetery Dance<\/span><\/i><span style=\"font-weight: 400;\"> #2),\u00a0<\/span>and<\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">\u201cIn the Room\u201c by Bentley Little (<i>Cemetery Dance<\/i><\/span><span style=\"font-weight: 400;\">\u00a0#71)<\/span><\/li>\n<\/ul>\n<p><strong><a href=\"http:\/\/www.fritzfiction.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Keith Edwin Fritz<\/i><\/a><i>\u00a0entered this world on Halloween. The year, 1974, was the same as when Stephen Edwin King published his first novel. Keith prefers to think neither the date nor their middle names were a coincidence.<\/i><\/strong><\/p>\n<p><strong><i>Today Keith teaches 7th Grade Language Arts and writes to his heart\u2019s content during his \u201cspare time.\u201d The best of these moments are nearly always by moonlight. The worst of them are also by moonlight.<\/i><\/strong><\/p>\n<p><strong><i>In addition to his Cemetery Dance Online column, Keith writes\u00a0<\/i><a href=\"http:\/\/www.fictionvortex.com\/blog\/\" target=\"_blank\" rel=\"noopener noreferrer\"><i>\u201cThe Bone Pile\u201d for FictionVortex<\/i><\/a><i>.<\/i><\/strong><\/p>\n<p><strong><i>Keith lives with his wife, Corina, in Lawrenceville, New Jersey.<\/i><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In its illustrious 29*-year print run, Cemetery Dance magazine has published no less than 560 short stories and novel excerpts in 73** individual issues. As the super fan that I am, Exhumed is my humble attempt to read and review them all in monthly double reviews. *and counting! **there were also two &#8220;double issues&#8221; (#17\/18 &hellip; <a href=\"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/\" class=\"more-link button bg-gold white\">Continue Reading!<span class=\"screen-reader-text\"> &#8220;&#8220;In Loving Memory&#8221; and &#8220;A Wiggle of Maggot, a Curl of Bacon&#8221;&#8221;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[890],"tags":[1277,1276,1278,294,961,889,1275],"class_list":["post-10498","post","type-post","status-publish","format-standard","hentry","category-exhumed","tag-a-wiggle-of-maggot","tag-in-loving-memory","tag-a-curl-of-bacon","tag-columns","tag-exhumed","tag-k-edwin-fritz","tag-steve-vernon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;In Loving Memory&quot; and &quot;A Wiggle of Maggot, a Curl of Bacon&quot; - Cemetery Dance Online<\/title>\n<meta name=\"description\" content=\"K. Edwin Fritz examines stories by Steve Vernon in his Exhumed column from Cemetery Dance Online.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Cemetery Dance Online\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"25 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/\"},\"author\":{\"name\":\"Cemetery Dance Online\",\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/#\\\/schema\\\/person\\\/30439c850dbb0e44ac4d2ddd09fb2d61\"},\"headline\":\"&#8220;In Loving Memory&#8221; and &#8220;A Wiggle of Maggot, a Curl of Bacon&#8221;\",\"datePublished\":\"2017-08-18T12:00:20+00:00\",\"dateModified\":\"2017-09-27T17:39:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/\"},\"wordCount\":5053,\"commentCount\":4,\"image\":{\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/Exhumed_WebBanner.jpg\",\"keywords\":[\"\\\"A Wiggle of Maggot\",\"\\\"In Loving Memory\\\"\",\"A Curl of Bacon\\\"\",\"Columns\",\"Exhumed\",\"K. Edwin Fritz\",\"Steve Vernon\"],\"articleSection\":[\"Exhumed\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/\",\"url\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/\",\"name\":\"\\\"In Loving Memory\\\" and \\\"A Wiggle of Maggot, a Curl of Bacon\\\" - Cemetery Dance Online\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/Exhumed_WebBanner.jpg\",\"datePublished\":\"2017-08-18T12:00:20+00:00\",\"dateModified\":\"2017-09-27T17:39:30+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/#\\\/schema\\\/person\\\/30439c850dbb0e44ac4d2ddd09fb2d61\"},\"description\":\"K. Edwin Fritz examines stories by Steve Vernon in his Exhumed column from Cemetery Dance Online.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.cemeterydance.com\\\/extras\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/Exhumed_WebBanner.jpg?fit=830%2C120&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.cemeterydance.com\\\/extras\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/Exhumed_WebBanner.jpg?fit=830%2C120&ssl=1\",\"width\":830,\"height\":120,\"caption\":\"banner reading Exhumed - The Fiction of Cemetery Dance by K. Edwin Fritz\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/loving-memory-wiggle-maggot-curl-bacon\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Blog\",\"item\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Exhumed\",\"item\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/exhumed\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"&#8220;In Loving Memory&#8221; and &#8220;A Wiggle of Maggot, a Curl of Bacon&#8221;\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/#website\",\"url\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/\",\"name\":\"Cemetery Dance Online\",\"description\":\"Free Horror Reads, News, Interviews, Comics, and More!\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/#\\\/schema\\\/person\\\/30439c850dbb0e44ac4d2ddd09fb2d61\",\"name\":\"Cemetery Dance Online\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/18103e6727693901d2722149c60f9ba733e3aed66126d844f9b43b26a6496345?s=96&d=mm&r=pg\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/18103e6727693901d2722149c60f9ba733e3aed66126d844f9b43b26a6496345?s=96&d=mm&r=pg\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/18103e6727693901d2722149c60f9ba733e3aed66126d844f9b43b26a6496345?s=96&d=mm&r=pg\",\"caption\":\"Cemetery Dance Online\"},\"sameAs\":[\"https:\\\/\\\/www.cemeterydance.com\\\/extras\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"\"In Loving Memory\" and \"A Wiggle of Maggot, a Curl of Bacon\" - Cemetery Dance Online","description":"K. Edwin Fritz examines stories by Steve Vernon in his Exhumed column from Cemetery Dance Online.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/","twitter_misc":{"Written by":"Cemetery Dance Online","Est. reading time":"25 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/#article","isPartOf":{"@id":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/"},"author":{"name":"Cemetery Dance Online","@id":"https:\/\/www.cemeterydance.com\/extras\/#\/schema\/person\/30439c850dbb0e44ac4d2ddd09fb2d61"},"headline":"&#8220;In Loving Memory&#8221; and &#8220;A Wiggle of Maggot, a Curl of Bacon&#8221;","datePublished":"2017-08-18T12:00:20+00:00","dateModified":"2017-09-27T17:39:30+00:00","mainEntityOfPage":{"@id":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/"},"wordCount":5053,"commentCount":4,"image":{"@id":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2016\/10\/Exhumed_WebBanner.jpg","keywords":["\"A Wiggle of Maggot","\"In Loving Memory\"","A Curl of Bacon\"","Columns","Exhumed","K. Edwin Fritz","Steve Vernon"],"articleSection":["Exhumed"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/","url":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/","name":"\"In Loving Memory\" and \"A Wiggle of Maggot, a Curl of Bacon\" - Cemetery Dance Online","isPartOf":{"@id":"https:\/\/www.cemeterydance.com\/extras\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/#primaryimage"},"image":{"@id":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2016\/10\/Exhumed_WebBanner.jpg","datePublished":"2017-08-18T12:00:20+00:00","dateModified":"2017-09-27T17:39:30+00:00","author":{"@id":"https:\/\/www.cemeterydance.com\/extras\/#\/schema\/person\/30439c850dbb0e44ac4d2ddd09fb2d61"},"description":"K. Edwin Fritz examines stories by Steve Vernon in his Exhumed column from Cemetery Dance Online.","breadcrumb":{"@id":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/#primaryimage","url":"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2016\/10\/Exhumed_WebBanner.jpg?fit=830%2C120&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2016\/10\/Exhumed_WebBanner.jpg?fit=830%2C120&ssl=1","width":830,"height":120,"caption":"banner reading Exhumed - The Fiction of Cemetery Dance by K. Edwin Fritz"},{"@type":"BreadcrumbList","@id":"https:\/\/www.cemeterydance.com\/extras\/loving-memory-wiggle-maggot-curl-bacon\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Blog","item":"https:\/\/www.cemeterydance.com\/extras\/"},{"@type":"ListItem","position":2,"name":"Exhumed","item":"https:\/\/www.cemeterydance.com\/extras\/exhumed\/"},{"@type":"ListItem","position":3,"name":"&#8220;In Loving Memory&#8221; and &#8220;A Wiggle of Maggot, a Curl of Bacon&#8221;"}]},{"@type":"WebSite","@id":"https:\/\/www.cemeterydance.com\/extras\/#website","url":"https:\/\/www.cemeterydance.com\/extras\/","name":"Cemetery Dance Online","description":"Free Horror Reads, News, Interviews, Comics, and More!","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cemeterydance.com\/extras\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.cemeterydance.com\/extras\/#\/schema\/person\/30439c850dbb0e44ac4d2ddd09fb2d61","name":"Cemetery Dance Online","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/18103e6727693901d2722149c60f9ba733e3aed66126d844f9b43b26a6496345?s=96&d=mm&r=pg","url":"https:\/\/secure.gravatar.com\/avatar\/18103e6727693901d2722149c60f9ba733e3aed66126d844f9b43b26a6496345?s=96&d=mm&r=pg","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/18103e6727693901d2722149c60f9ba733e3aed66126d844f9b43b26a6496345?s=96&d=mm&r=pg","caption":"Cemetery Dance Online"},"sameAs":["https:\/\/www.cemeterydance.com\/extras\/"]}]}},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p81cXa-2Jk","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.cemeterydance.com\/extras\/wp-json\/wp\/v2\/posts\/10498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cemeterydance.com\/extras\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cemeterydance.com\/extras\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cemeterydance.com\/extras\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cemeterydance.com\/extras\/wp-json\/wp\/v2\/comments?post=10498"}],"version-history":[{"count":6,"href":"https:\/\/www.cemeterydance.com\/extras\/wp-json\/wp\/v2\/posts\/10498\/revisions"}],"predecessor-version":[{"id":10680,"href":"https:\/\/www.cemeterydance.com\/extras\/wp-json\/wp\/v2\/posts\/10498\/revisions\/10680"}],"wp:attachment":[{"href":"https:\/\/www.cemeterydance.com\/extras\/wp-json\/wp\/v2\/media?parent=10498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cemeterydance.com\/extras\/wp-json\/wp\/v2\/categories?post=10498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cemeterydance.com\/extras\/wp-json\/wp\/v2\/tags?post=10498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}