{"id":11270,"date":"2018-02-05T08:00:39","date_gmt":"2018-02-05T13:00:39","guid":{"rendered":"http:\/\/www.cemeterydance.com\/extras\/?p=11270"},"modified":"2018-01-30T23:58:29","modified_gmt":"2018-01-31T04:58:29","slug":"review-hellraiser-toll-mark-alan-miller","status":"publish","type":"post","link":"https:\/\/www.cemeterydance.com\/extras\/review-hellraiser-toll-mark-alan-miller\/","title":{"rendered":"Review: Hellraiser: The Toll by Mark Alan Miller"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11271\" data-permalink=\"https:\/\/www.cemeterydance.com\/extras\/review-hellraiser-toll-mark-alan-miller\/hellraisertoll\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2018\/01\/HellraiserToll.jpg?fit=1881%2C2706&amp;ssl=1\" data-orig-size=\"1881,2706\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"HellraiserToll\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2018\/01\/HellraiserToll.jpg?fit=712%2C1024&amp;ssl=1\" class=\"alignright size-medium wp-image-11271\" src=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2018\/01\/HellraiserToll.jpg?resize=243%2C350&#038;ssl=1\" alt=\"\" width=\"243\" height=\"350\" srcset=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2018\/01\/HellraiserToll.jpg?resize=243%2C350&amp;ssl=1 243w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2018\/01\/HellraiserToll.jpg?resize=768%2C1105&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2018\/01\/HellraiserToll.jpg?resize=712%2C1024&amp;ssl=1 712w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2018\/01\/HellraiserToll.jpg?resize=1200%2C1726&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2018\/01\/HellraiserToll.jpg?w=1881&amp;ssl=1 1881w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2018\/01\/HellraiserToll.jpg?w=1706&amp;ssl=1 1706w\" sizes=\"auto, (max-width: 243px) 85vw, 243px\" \/><a href=\"https:\/\/subterraneanpress.com\/horror-thriller\/in-print\/hellraiser-the-toll\" target=\"_blank\" rel=\"noopener\"><strong><em>Hellraiser: The Toll\u00a0<\/em>by Mark Alan Miller<\/strong><\/a><em><br \/>\n<\/em><strong>Subterranean Press (February 28, 2018)<\/strong><br \/>\n<strong>96 pages; $40 hardcover<br \/>\n<\/strong><strong>Reviewed by\u00a0<a href=\"http:\/\/www.twitter.com\/BluGilliand\" target=\"_blank\" rel=\"noopener noreferrer\">Blu Gilliand<\/a><\/strong><\/p>\n<p>Over the years, the Hellraiser mythology has become something of a hash, combining elements of Clive Barker&#8217;s original novella <em>The Hellbound Heart<\/em> with bits from the <em>Hellraiser<\/em> movies (mainly the first two in the franchise: <em>Hellraiser<\/em> and <em>Hellbound: Hellraiser II<\/em>).\u00a0Nowhere is this more evident than in <em>The Scarlet Gospels<\/em>. In Barker&#8217;s 2015 novel, the cenobite known as Pinhead (but not to his face; no, never to his face) was a sometimes confusing mix of the elegant sadist from <em>Hellbound Heart<\/em> and a bloodthirsty, Hollywood-style slasher.<!--more--><\/p>\n<p>Three years after <em>Gospels<\/em> comes <em>Hellraiser: The Toll<\/em>, a new novella written by frequent Barker collaborator Mark Alan Miller with a &#8220;Story By&#8221; credit to Barker. This story acts as a bridge between <em>The Hellbound Heart<\/em> and <em>Gospels, <\/em>one that could theoretically streamline the messy Hellraiser mythos.\u00a0It also marks the return of a character near and dear to the hellbound hearts of Hellraiser fans: Kirsty Singer.<\/p>\n<p>Kirsty has been on the run ever since the events of <em>The Hellbound Heart<\/em>, assuming an ever-shifting series of identities and residences to hide her presence from the one she calls The Cold Man, a\/k\/a Pinhead. When we meet her in <em>The Toll<\/em> (after a promisingly foreboding prologue that takes place on a French island prison), she&#8217;s testing the &#8220;hiding in plain sight&#8221; theory by living a few blocks from her former home. A letter from a theology professor who has somehow tracked her down leads her first to her old residence, and then out to&#8212;you guessed it&#8212;a remote island that was once home to a French prison, but that may now be the site of a portal to Hell.<\/p>\n<p>There&#8217;s some good, creepy stuff happening in <em>The Toll<\/em>, and it leads to a confrontation that I&#8217;m sure many Hellraiser fans have been hoping to see between Kirsty and The Cold Man.<\/p>\n<p><strong>(WARNING: I don&#8217;t usually drop a lot of spoilers in my reviews, but this time it&#8217;s necessary to go into some detail in order to spell out how I feel about the book. Turn back now if you wish to read <em>The Toll<\/em> unspoiled.)<\/strong><\/p>\n<p>Unfortunately, that confrontation is a rather anticlimactic one. It&#8217;s a physical confrontation, brutal and entertaining in its own right, and both Kirsty and The Cold Man come away from it with a deeper understanding of each other. But overall it&#8217;s a stalemate, ending with nothing truly resolved.\u00a0 Kirsty returns to her life, such as it is, and The Cold Man\/Pinhead moves forth with the plan that plays out in <em>The Scarlet Gospels<\/em>.<\/p>\n<p>In addition to the lack of advancement in the Kirsty\/Cold Man relationship, little is done to bring Pinhead back to his roots. He&#8217;s still less &#8220;Lord of Darkness&#8221; and more well-spoken slasher; a more refined and erudite Freddy Krueger, if you will. Overall, the weakening of Pinhead as a character has been the biggest disappointment of all the continuations of\u00a0<em>The Hellbound Heart<\/em>, and\u00a0<em>The Toll\u00a0<\/em>does little in the way of course correction where this is concerned.<\/p>\n<p><em>The Hellbound Heart<\/em> is one of my favorite novellas, and I regard the first <em>Hellraiser<\/em> as a classic horror film. Both of these are the work of a Clive Barker at the height of his creative and visionary powers. Circumstances beyond his and our control may prevent us from getting the full measure of Barker&#8217;s creativity ever again, but we can always be thankful for the gifts he&#8217;s already given us. Mark Alan Miller is a good writer, a student of Barker&#8217;s work and as conscientious a steward of Barker&#8217;s properties as we could ask for. In\u00a0<em>Hellraiser: The Toll<\/em>, he&#8217;s given us an entertaining piece of the Hellraiser puzzle. Unfortunately, there&#8217;s only one man who can truly finish the big picture started in that first novella all those years ago, and there&#8217;s no way to know if or when we&#8217;ll get to see that happen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hellraiser: The Toll\u00a0by Mark Alan Miller Subterranean Press (February 28, 2018) 96 pages; $40 hardcover Reviewed by\u00a0Blu Gilliand Over the years, the Hellraiser mythology has become something of a hash, combining elements of Clive Barker&#8217;s original novella The Hellbound Heart with bits from the Hellraiser movies (mainly the first two in the franchise: Hellraiser and &hellip; <a href=\"https:\/\/www.cemeterydance.com\/extras\/review-hellraiser-toll-mark-alan-miller\/\" class=\"more-link button bg-gold white\">Continue Reading!<span class=\"screen-reader-text\"> &#8220;Review: Hellraiser: The Toll by Mark Alan Miller&#8221;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[80],"tags":[301,359,1381,1033,79,310],"class_list":["post-11270","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-blu-gilliand","tag-clive-barker","tag-hellraiser-the-toll","tag-mark-alan-miller","tag-reviews","tag-subterranean-press"],"yoast_head":"<!-- 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