{"id":16361,"date":"2021-11-29T07:00:32","date_gmt":"2021-11-29T12:00:32","guid":{"rendered":"https:\/\/www.cemeterydance.com\/extras\/?p=16361"},"modified":"2021-11-14T22:49:40","modified_gmt":"2021-11-15T03:49:40","slug":"review-landis-preston-fassel","status":"publish","type":"post","link":"https:\/\/www.cemeterydance.com\/extras\/review-landis-preston-fassel\/","title":{"rendered":"Review: Landis: The Story of a Real Man on 42nd Street by Preston Fassel"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"16362\" data-permalink=\"https:\/\/www.cemeterydance.com\/extras\/review-landis-preston-fassel\/landis\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2021\/11\/landis.jpg?fit=850%2C1360&amp;ssl=1\" data-orig-size=\"850,1360\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"landis\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2021\/11\/landis.jpg?fit=640%2C1024&amp;ssl=1\" class=\"alignright size-medium wp-image-16362\" src=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2021\/11\/landis.jpg?resize=219%2C350&#038;ssl=1\" alt=\"cover of Landis by Preston Fassel\" width=\"219\" height=\"350\" srcset=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2021\/11\/landis.jpg?resize=219%2C350&amp;ssl=1 219w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2021\/11\/landis.jpg?resize=640%2C1024&amp;ssl=1 640w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2021\/11\/landis.jpg?resize=768%2C1229&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2021\/11\/landis.jpg?w=850&amp;ssl=1 850w\" sizes=\"auto, (max-width: 219px) 85vw, 219px\" \/><a href=\"https:\/\/www.amazon.com\/Landis-Story-Real-42nd-Street\/dp\/0578304805\/ref=sr_1_1?crid=3Q8JW0ZYTU6M9&amp;keywords=landis+the+story+of+a+real+man+on+42nd+street&amp;qid=1636947140&amp;sprefix=Landis+the+story%2Caps%2C223&amp;sr=8-1\" target=\"_blank\" rel=\"noopener\"><b><i>Landis: The Story of a Real Man on 42<\/i><\/b><b><i>nd<\/i><\/b><b><i> Street<\/i><\/b><\/a><b> by Preston Fassel<br \/>\n<\/b><b>Encyclopocalypse Publications (December 7, 2021)<br \/>\n<\/b><b>146 pages; $9.99 paperback, $3.99 Kindle<br \/>\n<\/b><b>Reviewed by Damon Smith<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The modern internet has made being a fan of genre film so much easier. Information is abundant on even the most obscure z-movie and new \u201cboutique\u201d Blu-ray labels seem to pop up overnight with lavish releases and restorations of dozens of obscure horror, action, and exploitation films. The scene has come a long way from trading bootleg tapes at cons or mailing out orders cut from fanzine pages, and a major figure at the very genesis of this movement was the late Bill Landis. His fanzine, <\/span><i><span style=\"font-weight: 400;\">Sleazoid Express<\/span><\/i><span style=\"font-weight: 400;\">, set the standard for what exploitation film journalism could be and acted as an ethnography to a culture that much of America was more than happy to sweep under the rug.<\/span><!--more--><\/p>\n<p><span style=\"font-weight: 400;\">It is fitting, then, that in his biography, <\/span><i><span style=\"font-weight: 400;\">Landis: The Story of a Real Man on 42<\/span><\/i><i><span style=\"font-weight: 400;\">nd<\/span><\/i><span style=\"font-weight: 400;\">, author Preston Fassel has crafted an account of \u201cMr. Sleazoid\u201d that is both fascinating and deeply humanizing. A quick read compared to many biographies, <\/span><i><span style=\"font-weight: 400;\">Landis<\/span><\/i><span style=\"font-weight: 400;\"> cuts right to the bone with a thorough dive into not only Landis\u2019 life and times, but also the now-lost world of grindhouses and exploitation films he lived in. Starting right off with a prelude that perfectly frames the man Landis would become, <\/span><i><span style=\"font-weight: 400;\">Landis<\/span><\/i><span style=\"font-weight: 400;\"> hits the ground running and never slows down.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From his childhood to his time in the porn industry as \u201cBobby Spector\u201d to his tragic, early death; Fassel never hides the ugly sides of Landis\u2019 life nor ignores the good aspects of Mr. Sleazoid, as he tells the story of a multifaceted man whose flaws cascade through his life and the people he meets. This dualism drives the narrative along and doesn\u2019t let up until the final page &#8212; Bill Landis the creative, the junkie, the sarcastic writer, the somber journalist. It\u2019s fascinating stuff, and almost unbelievable in how poetically \u201cgrindhouse\u201d it feels in its retelling considering it happened to a man who would go on to be \u201cthe\u201d voice in talking about exploitation films. Despite ostensibly being a piece of longform investigative journalism, the prose in <\/span><i><span style=\"font-weight: 400;\">Landis <\/span><\/i><span style=\"font-weight: 400;\">is breezy as it recounts it all without sacrificing depth; Fassel\u2019s writing making what could be a heavy tale into a gripping read from beginning to end.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Alongside the biography, <\/span><i><span style=\"font-weight: 400;\">Landis <\/span><\/i><span style=\"font-weight: 400;\">also showcases a window into the New York of the 1970s and &#8217;80s. The highs and lows of the life of the 42nd Street scene and the eventual death of its culture to make way for the modern tourist Mecca of the 21<\/span><span style=\"font-weight: 400;\">st<\/span><span style=\"font-weight: 400;\"> Century, Time Square, lead to a poignant crescendo as a later chapter details Landis\u2019 return to a far more \u201cDisneyfied\u201d New York, now seemingly in a much better place in his life. To say more would be a disservice to the book, but <\/span><i><span style=\"font-weight: 400;\">Landis<\/span><\/i><span style=\"font-weight: 400;\"> creates just as vivid a snapshot of late-20<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> century New York City as any film set and filmed during those turbulent years.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Of course, Bill Landis left us in 2008, and it\u2019s this passing that gives this book extra weight. The final chapter is particularly hard-hitting and &#8212; as a fan of this sort of cinema &#8212; it is surreal seeing past and present intersect in its final pages with more and more familiar names popping up. With many of the interview subjects in this book aging, and a few having passed during writing, it\u2019s hard not to feel the shadow of death looming over many of the narratives in <\/span><i><span style=\"font-weight: 400;\">Landis <\/span><\/i><span style=\"font-weight: 400;\">&#8212; especially with the foreknowledge of what happened to Bill himself &#8212; but that gives weight to the importance of telling these stories while they still can be told; especially for a scene such as this that was ignored by the wider culture. When you combine all these factors, it is impressive what Fassel has managed to accomplish in a fraction of the pages other biographies take up and end on such a high, and affecting, note.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It has been a long time since Something Weird Video first started putting grindhouse mainstays such as <\/span><i><span style=\"font-weight: 400;\">Basket Case <\/span><\/i><span style=\"font-weight: 400;\">and <\/span><i><span style=\"font-weight: 400;\">Blood Freak<\/span><\/i><span style=\"font-weight: 400;\"> to VHS to bring them to the masses, and even longer still since the lights died down on the 42<\/span><span style=\"font-weight: 400;\">nd<\/span><span style=\"font-weight: 400;\"> Street of Landis, Milligan, and Henenlotter. In that time, exploitation films have gone from a dying breed to a focus of an entire cottage industry of historians, journalists, and restoration companies. Bill Landis was there at the start of this movement. His zine preserved a subculture, laid the groundwork for future genre writing, and turned a lens on topics that mainstream horror publications are grappling with to this day. <\/span><i><span style=\"font-weight: 400;\">Sleazoid Express<\/span><\/i><span style=\"font-weight: 400;\"> was groundbreaking, and <\/span><i><span style=\"font-weight: 400;\">Landis: The Story of a Real Man on 42<\/span><\/i><i><span style=\"font-weight: 400;\">nd<\/span><\/i><i><span style=\"font-weight: 400;\"> Street<\/span><\/i><span style=\"font-weight: 400;\"> gives the story of the man behind it all the same care that he gave to covering the life and death of 42<\/span><span style=\"font-weight: 400;\">nd<\/span><span style=\"font-weight: 400;\"> Street and its films.\u00a0 For any fan of genre cinema, especially grindhouse flicks, this is a must read.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Landis: The Story of a Real Man on 42nd Street by Preston Fassel Encyclopocalypse Publications (December 7, 2021) 146 pages; $9.99 paperback, $3.99 Kindle Reviewed by Damon Smith The modern internet has made being a fan of genre film so much easier. Information is abundant on even the most obscure z-movie and new \u201cboutique\u201d Blu-ray &hellip; <a href=\"https:\/\/www.cemeterydance.com\/extras\/review-landis-preston-fassel\/\" class=\"more-link button bg-gold white\">Continue Reading!<span class=\"screen-reader-text\"> &#8220;Review: Landis: The Story of a Real Man on 42nd Street by Preston Fassel&#8221;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[80],"tags":[337,2503,1589,79],"class_list":["post-16361","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-damon-smith","tag-lands-the-story-of-real-man-on-42nd-street","tag-preston-fassel","tag-reviews"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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