{"id":16979,"date":"2022-04-25T07:00:40","date_gmt":"2022-04-25T11:00:40","guid":{"rendered":"https:\/\/www.cemeterydance.com\/extras\/?p=16979"},"modified":"2022-04-16T20:30:16","modified_gmt":"2022-04-17T00:30:16","slug":"review-history-of-touch","status":"publish","type":"post","link":"https:\/\/www.cemeterydance.com\/extras\/review-history-of-touch\/","title":{"rendered":"Review: A History of Touch by Erin Emily Ann Vance"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"16980\" data-permalink=\"https:\/\/www.cemeterydance.com\/extras\/review-history-of-touch\/historytouch\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2022\/04\/historytouch.jpg?fit=625%2C1000&amp;ssl=1\" data-orig-size=\"625,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"historytouch\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2022\/04\/historytouch.jpg?fit=625%2C1000&amp;ssl=1\" class=\"alignright size-medium wp-image-16980\" src=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2022\/04\/historytouch.jpg?resize=219%2C350&#038;ssl=1\" alt=\"cover of A History of Touch\" width=\"219\" height=\"350\" srcset=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2022\/04\/historytouch.jpg?resize=219%2C350&amp;ssl=1 219w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2022\/04\/historytouch.jpg?w=625&amp;ssl=1 625w\" sizes=\"auto, (max-width: 219px) 85vw, 219px\" \/><a href=\"https:\/\/www.amazon.com\/History-Touch-First-Poets\/dp\/1771837217\" target=\"_blank\" rel=\"noopener\"><b><i>A History of Touch<\/i><\/b><\/a><b> by Erin Emily Ann Vance<br \/>\n<\/b><b>Guernica Editions (May 1, 2022)<br \/>\n<\/b><b>101 pages; $17.95 paperback<br \/>\n<\/b><b>Reviewed by Joshua Gage<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Erin Emily Ann Vance is the author of the novel <\/span><i><span style=\"font-weight: 400;\">Advice for Taxidermists and Amateur Beekeepers<\/span><\/i><span style=\"font-weight: 400;\"> (Stonehouse Publishing 2019) as well as six chapbooks of poetry. She was a recipient of the Alberta Foundation for the Arts Young Artist Prize in 2017 (nominated by Aritha van Herk) and a finalist for the 2018 Alberta Magazine Awards for her short story \u201cAll the Pretty Bones.\u201d Her fiction, poetry, and essays have appeared in magazines and journals all over the world. Her newest poetry collection is <\/span><i><span style=\"font-weight: 400;\">A History of Touch<\/span><\/i><span style=\"font-weight: 400;\">, which is a profound collection of poetry about women who were ill, disabled, mad, or simply too rebellious, and the fates they faced.<\/span><!--more--><\/p>\n<p><span style=\"font-weight: 400;\">Vance\u2019s collection pulls no punches. The first poem \u201cAll the Women You\u2019ve Ever Touched\u201d begins<\/span><\/p>\n<blockquote><p><span style=\"font-weight: 400;\">You want to leave me to rot?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Fine.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Let my hair burn into copper moss<\/span><\/p>\n<p><span style=\"font-weight: 400;\">in the forest saw off chunks of my flesh.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I am not far from the window, so<\/span><\/p>\n<p><span style=\"font-weight: 400;\">lick me fat like a silkworm.<\/span><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">The poems only get darker from there, and the readers are all the better for the journey.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Vance is not afraid to look history directly in the eye and retell it for what it is. A major selection of these poems are dedicated or about historical figures, real women who have lived, whether they\u2019re famous, infamous, or otherwise. For example, the poem \u201cCrow Theory\u201d is dedicated to Bella Wright of the infamous <a href=\"https:\/\/www.crimetraveller.org\/2015\/09\/green-bicycle-case-bella-wright-murder\/\" target=\"_blank\" rel=\"noopener\">\u201cGreen Bicycle Case\u201d<\/a> of 1919 England. It\u2019s a short, direct poem, but one that holds the entire legal system accountable for its actions or inactions:<\/span><\/p>\n<blockquote><p><span style=\"font-weight: 400;\">The will say a crow gorged itself to death<\/span><\/p>\n<p><span style=\"font-weight: 400;\">on my blood<\/span><\/p>\n<p><span style=\"font-weight: 400;\">stumbled into a field and died from its gluttony<\/span><\/p>\n<p><span style=\"font-weight: 400;\">before they will say<\/span><\/p>\n<p><span style=\"font-weight: 400;\">that a man could have bled me dry<\/span><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">The themes in this poem and others like it resonate outward, calling into question the justice that women are dealt in courts up to this day. Vance uses the horror and the mythic in her poems to not just document history, but to expose how relevant it is to modern society and its ills.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Elsewhere, Vance taps into the mythic and folkloric aspects of feminist history. For example, \u201cFlickers\u201d deals with images of witchcraft with lines like:<\/span><\/p>\n<blockquote><p><span style=\"font-weight: 400;\">The witches are mourning<\/span><\/p>\n<p><span style=\"font-weight: 400;\">this trunk. Its tumors<\/span><\/p>\n<p><span style=\"font-weight: 400;\">tremor, a century of use.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The staunch, severed leaves<\/span><\/p>\n<p><span style=\"font-weight: 400;\">black as charred meat.<\/span><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Here Vance taps into ecohorror, using the folkloric as a vehicle to explore ecological concerns and how the abuse of women, well documented by this point in the book, is similar to the ecological abuse perpetrated against the earth. The depth of Vance\u2019s poems, and the multi-layered aspects of her poetry, cannot be overstated. There is a lot happening between these covers, and readers will learn as much as they will be terrified.\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">A History of Touch <\/span><\/i><span style=\"font-weight: 400;\">is a tour-de-force. It\u2019s certainly not the first collection to document women\u2019s history in poetry or the abuse that historical women have suffered, and it\u2019s certainly not going to be the last. However, Vance takes these well-worn themes and pushes them in new directions, shining a light where perhaps once were only shadows and cobwebs, which is what readers should expect any poet to do. These poems tackle famous subjects, to be sure, but also relatively unknown subjects as well, or subjects known only to specialized historians. Vance has delved deep into these areas and written some magnificent poems that will horrify readers with the actions people, past and present, are capable of committing against one another. Vance then steeps the collection in a heavy dose of myth and folklore, creating a web of imagery that is tight and haunting. This is an incredible collection of poetry, and horror readers will thoroughly enjoy it. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A History of Touch by Erin Emily Ann Vance Guernica Editions (May 1, 2022) 101 pages; $17.95 paperback Reviewed by Joshua Gage Erin Emily Ann Vance is the author of the novel Advice for Taxidermists and Amateur Beekeepers (Stonehouse Publishing 2019) as well as six chapbooks of poetry. She was a recipient of the Alberta &hellip; <a href=\"https:\/\/www.cemeterydance.com\/extras\/review-history-of-touch\/\" class=\"more-link button bg-gold white\">Continue Reading!<span class=\"screen-reader-text\"> &#8220;Review: A History of Touch by Erin Emily Ann Vance&#8221;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[80],"tags":[2651,2652,506,2083,79],"class_list":["post-16979","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-a-history-of-touch","tag-erin-emily-ann-vance","tag-joshua-gage","tag-poetry","tag-reviews"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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