{"id":19678,"date":"2025-03-24T07:00:21","date_gmt":"2025-03-24T11:00:21","guid":{"rendered":"https:\/\/www.cemeterydance.com\/extras\/?p=19678"},"modified":"2025-03-23T21:02:42","modified_gmt":"2025-03-24T01:02:42","slug":"review-fever-dreams-parasite","status":"publish","type":"post","link":"https:\/\/www.cemeterydance.com\/extras\/review-fever-dreams-parasite\/","title":{"rendered":"Review: Fever Dreams of a Parasite by Pedro Iniguez"},"content":{"rendered":"<figure id=\"attachment_19679\" aria-describedby=\"caption-attachment-19679\" style=\"width: 220px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"19679\" data-permalink=\"https:\/\/www.cemeterydance.com\/extras\/review-fever-dreams-parasite\/version-1-0-0-7\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2025\/03\/fever-dreams-parasite.jpg?fit=855%2C1360&amp;ssl=1\" data-orig-size=\"855,1360\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Version 1.0.0&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Version 1.0.0&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Version 1.0.0\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Version 1.0.0&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2025\/03\/fever-dreams-parasite.jpg?fit=644%2C1024&amp;ssl=1\" class=\"size-medium wp-image-19679\" src=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2025\/03\/fever-dreams-parasite.jpg?resize=220%2C350&#038;ssl=1\" alt=\"cover of Fever Dreams of a Parasite\" width=\"220\" height=\"350\" srcset=\"https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2025\/03\/fever-dreams-parasite.jpg?resize=220%2C350&amp;ssl=1 220w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2025\/03\/fever-dreams-parasite.jpg?resize=644%2C1024&amp;ssl=1 644w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2025\/03\/fever-dreams-parasite.jpg?resize=768%2C1222&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.cemeterydance.com\/extras\/wp-content\/uploads\/2025\/03\/fever-dreams-parasite.jpg?w=855&amp;ssl=1 855w\" sizes=\"auto, (max-width: 220px) 85vw, 220px\" \/><figcaption id=\"caption-attachment-19679\" class=\"wp-caption-text\">Version 1.0.0<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.amazon.com\/Fever-Dreams-Parasite-Pedro-Iniguez\/dp\/1947879855\" target=\"_blank\" rel=\"noopener\"><strong><em>Fever Dreams of a Parasite<\/em> by Pedro Iniguez<\/strong><\/a><br \/>\n<strong>Raw Dog Screaming Press (March 2025)<\/strong><br \/>\n<strong>Reviewed by <a href=\"https:\/\/www.writerelizabethbroadbent.com\/\" target=\"_blank\" rel=\"noopener\">Elizabeth Broadbent<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">All horror is political (Gabino Igelias says it, so it must be true). The best authors hand us stories alongside their politics; it\u2019s only after we\u2019re wowed by their words that we stand back and marvel at the message. And if the author is very lucky, their message hits at the right cultural moment. Their theme becomes not important, but culturally vital. We need their voice. We need them to speak up and speak out. In the midst of this moment, Pedro Iniguez pulls this off with panache in <\/span><i><span style=\"font-weight: 400;\">Fever Dreams of a Parasite<\/span><\/i><span style=\"font-weight: 400;\">.\u00a0<\/span><!--more--><\/p>\n<p><span style=\"font-weight: 400;\">Out March 13 from Raw Dog Screaming Press, this collection feels vital and necessary. Certainly, as the blurb says, its cosmic horror tales echo \u201cLovecraft, Ligotti, and Langan.\u201d But by using these ideas to illuminate the particular circumstances of the marginalized immigrant, Iniguez makes the tropes his own. This is cosmic horror at its finest: when an author uses it as a lens to discuss larger issues.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And these larger issues? There is cosmic horror endemic in systemic poverty and marginalization. Iniguez\u2019s characters are people who never cease trying &#8212; to find a better life, to assimilate, to improve their family\u2019s lives &#8212; and yet they are constantly thwarted by terrific forces beyond their control. These forces remain coupled with a terrible beauty. Not a romantic beauty, which would be disingenuous (Iniguez never pretties up poverty, and this is a gritty collection, one with never shies from the realistic ugliness of life), but a loveliness in the prose, a tenacity in the people, a stark splendor in the desert setting. This is not a world without love or hope, and that\u2019s the book\u2019s central tragedy. Hope exists despite these bottomless horrors.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nowhere is this more evident than in the book\u2019s second story, \u201cFeast of the Dreamer.\u201d Our main character is a former narco assassin on the run from his employers; he yearns to escape the memories of his past sins. He\u2019s found that he can descend in an ecstatic dreamworld by consuming rotted flesh. In part, it\u2019s horrifying. But that horror is coupled with a desperate poignancy and terrible beauty that gutted me. Iniguez forces us to imagine the world that has driven him to this despair. That\u2019s the real horror.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The author manages the same kind of turn in \u201cShantytown.\u201d A little girl residing in a hopeless Tijuana shantytown muses on the ghosts she and the other children see at night. The story draws to a shattering conclusion, and those ghosts aren\u2019t necessarily what we think. Iniguez uses cosmic horror to shed light on the real-life horrors faced by marginalized people. They\u2019re all the more horrific for their truth.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the title story, \u201cBody of Work, or Fever Dreams of a Parasite,\u201d we see an artist make the ultimate sacrifice for his art. It\u2019s a story about assimilation and the ways in which people are twisted by oppression. In this book, art can easily carry you away &#8212; it also does so in \u201cThe Body Booth\u201d &#8212; when it twists up with power dynamics and oppression.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And even these stories, like the rest of the collection, remain songs for the marginalized. Iniguez hits the desperation and despair of life on the margins in rich, gorgeous prose with a delicate eye to setting and richly realized character. Even his quick stories, like \u201cSkins\u201d and \u201cAdrift Ebon Tides\u201d hit hard and linger long. This is a collection that isn\u2019t soon forgotten, one that ranges from prehistory (\u201cThe Savage Night\u201d) to the ragged days of the Old West (\u201cThe Last Train out of Calico\u201d) to the Great Depression (\u201cMidnight Shoeshine\u201d) to the present day. Its settings vary from the Southwestern desert to the inner city, from shantytowns to the Arctic circle. Yet it remains cohesive in theme. That\u2019s tough to pull off.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tough and gritty. But beautiful nonetheless. <\/span><i><span style=\"font-weight: 400;\">Fever Dreams of a Parasite <\/span><\/i><span style=\"font-weight: 400;\">is a singular book, one that wraps real-life horror in lyrical prose and masterful storytelling. At this particular moment, Iniguez is giving a necessary voice to marginalization. We\u2019d do well to listen. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fever Dreams of a Parasite by Pedro Iniguez Raw Dog Screaming Press (March 2025) Reviewed by Elizabeth Broadbent All horror is political (Gabino Igelias says it, so it must be true). The best authors hand us stories alongside their politics; it\u2019s only after we\u2019re wowed by their words that we stand back and marvel at &hellip; <a href=\"https:\/\/www.cemeterydance.com\/extras\/review-fever-dreams-parasite\/\" class=\"more-link button bg-gold white\">Continue Reading!<span class=\"screen-reader-text\"> &#8220;Review: Fever Dreams of a Parasite by Pedro Iniguez&#8221;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[80],"tags":[3165,3374,3375,79],"class_list":["post-19678","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-elizabeth-broadbent","tag-fever-dreams-of-a-parasite","tag-pedro-iniguez","tag-reviews"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - 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