{"id":8286,"date":"2015-11-30T09:19:40","date_gmt":"2015-11-30T14:19:40","guid":{"rendered":"http:\/\/cemeterydanceonline.com\/?p=7209"},"modified":"2015-11-30T09:19:40","modified_gmt":"2015-11-30T14:19:40","slug":"paper-cuts-the-paper-cuts-2015-holiday-gift-guide","status":"publish","type":"post","link":"https:\/\/www.cemeterydance.com\/extras\/paper-cuts-the-paper-cuts-2015-holiday-gift-guide\/","title":{"rendered":"Paper Cuts: The Paper Cuts 2015 Holiday Gift Guide"},"content":{"rendered":"

\"PaperCuts-web\"<\/a><\/p>\n

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The Paper Cuts 2015 Holiday Gift Guide<\/h3>\n

I\u2019ve made no secret about using this column to bridge the gap between the sometimes-at-odds and sometimes-overlapping horror fiction and horror film fandoms.<\/p>\n

But if there\u2019s one thing that unifies all varieties of horror obsessives, it\u2019s our love of crass consumerism and physical media.<\/p>\n

In that spirit, I thought I\u2019d make this month\u2019s installment of Paper Cuts a kind of public service. You can email this article to family and loved ones, make the subject heading \u201cI found this interesting\u201d and BOOM! you\u2019ve got some sweet gifts coming to you this holiday season.<\/p>\n

Or\u2014if you don\u2019t have any friends or loved ones\u2014you can just buy all this crap now and ride out the rest of your lonely December in style.<\/p>\n

To further amuse myself, I\u2019ve taken the season\u2019s big Blu-Ray and DVD releases and paired them with a thematically-appropriate book (in one or two cases the books are a few years old, but the discs are all this year\u2019s crop). Even if whoever you\u2019re buying for is not a \u201creader\u201d (or visa-versa, a reader who\u2019s not a film collector), take a chance on the accompanying book\/movie.<\/p>\n

They\u2019ll still enjoy anything on this list more than a necktie.<\/p>\n

\"the<\/a>The Final Girls<\/em> (2015)<\/strong><\/p>\n

One of my favorite movies of the year was also one of the most criminally underseen thanks to a \u201cblink and you missed it\u201d limited theatrical release and VOD.<\/p>\n

Go in fresh because the trailer both gives away a lot of gags and makes the movie look way more Scream<\/em>\/Cabin In The Woods<\/em>-y than it actually is. You\u2019re going to have a great time. The Final Girls<\/em> boasts a strong cast featuring virtually everyone from that one show you like (about five different \u201cthat one shows\u201d) and some genuine heart. Don\u2019t let the PG-13 rating drive you away if you\u2019re one of those \u201cR-rating or the highway!\u201d people. We get it: you\u2019re a real horror fan. You need blood and boobs!<\/p>\n

\"lastThis is one of those flicks that will end up being the toast of horror-nerd Facebook when\/if it hits Netflix streaming. If you get the disc, you\u2019ll not only be ahead of the curve: you\u2019ll be treated to one of the most feature-stacked new releases in recent memory (a bunch of making-of materials, interviews, and like three\u00a0different commentaries).<\/p>\n

Pairs well with: The Last Final Girl<\/em> by Stephen Graham Jones. If you thought The Final Girls<\/em> got meta, the levels of meta in Jones\u2019s book will kick your teeth in. But the book\u2019s not a pandering reference-fest, it\u2019s smart as hell without ever letting its brains get in the way of itself. Jones is one of horror\u2019s greatest minds and if you\u2019ve never read him before I would point to this as a great place to start.<\/p>\n

\"demonTales from the Crypt: Demon Knight<\/em> (1995)<\/strong><\/p>\n

This movie kicked off last year\u2019s Exhumed Horrorthon and during the title card I remember thinking: \u201cI loved this movie as a kid, but I\u2019m really worried it\u2019s not going to hold up right now.\u201d<\/p>\n

Ernest Dickerson\u2019s mid-90s violent monster mash not only holds up: it has appreciated in value over the last 20 years.<\/p>\n

In many ways it\u2019s a last gasp for a certain kind of filmmaking. There\u2019s no CGI in sight, everything\u2019s either practical or old-school optical effects. The cast is a who\u2019s who of great character actors (Dick Miller, William Sadler, CCH Pounder), anchored by Jada Pinkett as maybe the most fist-pumpingly non-traditional final girl I can name and Billy Zane as an insanely loveable villain.<\/p>\n

\"billy<\/p>\n

Most importantly: the tone is pitch-perfect. The film\u2019s exaggerated, borderline cartoony (like the show it\u2019s spun off from), but never winking, never ironic.<\/p>\n

\"headDickerson went on to do one more horror movie (2001\u2019s Snoop Dogg vehicle Bones<\/em>, which I remember enjoying but am not going to go to bat for with the fervor with which I\u2019ll defend Demon Knight<\/em>) and nowadays he\u2019s a successful TV director (one of The Walking Dead<\/em>\u2019s most prolific shooters), but Demon Knight<\/em> makes me imagine an alternate universe where he kept directing horror features and we had a larger Dickerson canon on which to reflect.<\/p>\n

Scream Factory has been doing a great job giving films like this the deluxe treatment and they\u2019ve done it again with their recently released Demon Knight<\/em> disc.<\/p>\n

Also out in time for the holidays (and while we\u2019re talking about directors with neglected legacies): Scream Factory has just released The Larry Fessenden Collection. Haven\u2019t received my copy yet, but I feel confident enough saying you should sneak under the tree.<\/p>\n

Pairs well with: A Head Full of Ghosts<\/em> by Paul Tremblay. Like an ice water bath, send your gift recipient from maybe the least-serious demonic possession story ever told to maybe the classiest one. Tremblay\u2019s twisty, ambiguity-filled tale of an exorcism-turned-reality show is being widely heralded as one of the best books of the year and I completely agree.<\/p>\n

\"eaten-alive-cover\"Eaten Alive<\/em> (1977)<\/strong><\/p>\n

Tobe Hooper\u2019s gonzo rural-horror meets animals-attack follow-up to The Texas Chain Saw Massacre<\/em> is not the best movie on this list, but it is one of the most interesting. And Arrow Video\u2019s newly released Blu\/DVD seems to realize that fact. Utilizing a collection of new and previously-released features, this release offers a snapshot of not only a certain time in a director\u2019s (admittedly rocky) career, but of a period of filmmaking itself.<\/p>\n

Stagey and sleazy, Eaten Alive<\/em> feels much less like the immortal TCM than it does a kind of weird collaboration between Tennessee Williams and Herschell Gordon Lewis. You should probably know a little bit about the taste of the person you\u2019re planning on buying this for before pulling the trigger.<\/p>\n

Pairs well with: Die Dog or Eat the Hatchet<\/em> by Adam Howe. A collection of three novellas, I find Howe\u2019s book frustrating on multiple levels: all of those levels rooted in jealousy. He nails southern Americana better than almost anyone (Joe Lansdale excepted) and the guy\u2019s not even American! Paired with Eaten Alive<\/em> because the final novella in the collection, Gator Bait<\/em>, is based on the same real-life incident as Hooper\u2019s film.<\/p>\n

\"solangeWhat Have You Done to Solange?<\/em> (1972)<\/strong><\/p>\n

The second Arrow Video release on this list (and the second thing I\u2019m recommending that I don\u2019t actually own yet, as it comes out December 15th), I haven\u2019t seen What Have You Done to Solange?<\/em> since its first DVD release (which was early-days for the format and even earlier in my giallo education). I\u2019m looking forward to revisiting it in HD.<\/p>\n

Directed by frequent Sergio Leone director of photography\u00a0Massimo Dallamano, with a score by Ennio Morricone, What Have You Done to Solange?<\/em> is one of the giallo-ist gialli to ever slip on a pair of leather gloves.<\/p>\n

Arrow\u2019s been doing these fantastic editions (seriously, their releases are Criterion competition) for a number of years in Britain, but have only recently have been operating in the US. You probably couldn\u2019t go wrong with any of their titles if you\u2019ve got a serious genre fan on your list.<\/p>\n

Pairs well with: Giallo Fantastique<\/em> edited by Ross E. Lockhart. Okay. Real talk time: I\u2019ve got a story in this anthology from Lockhart. But you can skip my entry. No self-promo here. Nothing would pair better with some Argento, Fulci, Dallamano, or Martino than some of these stories. An all-star lineup, there are a few shorts here that would justify the cover price on their own (Anya Martin and Garrett Cook\u2019s installments come to mind). It also looks nice on a shelf.<\/p>\n

\"demonoidDemonoid<\/em> (1981)<\/strong><\/p>\n

If Eaten Alive<\/em> was the \u201cnot for everyone\u201d entry on this list, then Demonoid<\/em> is basically the \u201cnot for anyone\u201d entry. A must for trash connoisseurs, Demonoid<\/em> will mystify the normals. Demonoid<\/em> is a midnight movie that crushes up lesser midnight movies and snorts the remains.<\/p>\n

This disc was released by Vinegar Syndrome, a label that\u2019s not as exhaustive with their features as Arrow, but they make up for it with the audacious weirdness of the films they preserve (which is to say: they\u2019re doing The Lord\u2019s work).<\/p>\n

What\u2019s Demonoid<\/em> about? A demonic severed hand. There\u2019s more (cultists, Pazuzu-like statuary) but do I need to go into further detail? For weirdos. Or murderous severed hand subgenre completionists (The Hand<\/em>, And Now the Screaming Starts<\/em>, and many more\u2026seriously).<\/p>\n

Pairs well with: Superghost<\/em> by Scott Cole. Not as niche as Demonoid<\/em>, but still plenty strange. Superghost<\/em> is about a mad scientist who goes around collecting the phantom limbs of amputees. Once he\u2019s got those phantom limbs? He builds a giant ghost monster with them. Of course. If you\u2019re a horror fan who\u2019s not familiar with the world of Bizarro fiction, Cole\u2019s book would be a good gateway drug to the genre.<\/p>\n

\"goodnightGoodnight Mommy<\/em> (2015)<\/strong><\/p>\n

A film that seems to have divided many of my friends, I absolutely LOVED Veronika Franz and Severin Fiala\u2019s Goodnight Mommy<\/em>.<\/p>\n

You probably heard of the Austrian movie earlier this year when the trailer went viral as \u201cthe scariest trailer of all timez!!!\u201d, but if you\u2019ve avoided that (super misleading) trailer thus far: don\u2019t watch it. Just buy\/rent\/gift the movie and prepare thyself. If there\u2019s a more upbeat movie for the season, I can\u2019t think of it.<\/p>\n

If you need more convincing, \u0013\u0001\u0014I did a longer write-up of this a few weeks ago over on my own site<\/a>.
\n\u0015
\nNot that it pairs exactly, but while you\u2019re letting the credits roll on Goodnight Mommy<\/em>, why not indulge in some more soul-crushing paranoia? Stacy Schiff\u2019s The Witches<\/em> is the Pulitzer recipient\u2019s exhaustive history\/explication of the Salem witch trials. It\u2019s not a light read (or an easy one, footnotes galore), but it\u2019s fascinating.<\/p>\n

There you go, all the season\u2019s hot toys for the creepy grown-up kid in your life. Saint Nicholas got nothin\u2019 on me!<\/p>\n

Now get out of here\u2026<\/p>\n

\"christmas<\/p>\n

Adam Cesare is a New Yorker who lives in Philadelphia. He studied English and film at Boston University. His books include <\/em>Mercy House,\u00a0Video Night, The Summer Job,\u00a0and <\/em>Tribesmen.\u00a0He has an oft-neglected\u00a0website<\/a>\u00a0and tweets as @Adam_Cesare<\/a>.<\/em><\/p>\n<\/div>\n

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The Paper Cuts 2015 Holiday Gift Guide I\u2019ve made no secret about using this column to bridge the gap between the sometimes-at-odds and sometimes-overlapping horror fiction and horror film fandoms. But if there\u2019s one thing that unifies all varieties of horror obsessives, it\u2019s our love of crass consumerism and physical media. 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