From the award-winning author of Our Lady of the Inferno comes another tale of New York in the Bad Old Days: A saga of murder, bloodshed, and betrayal set against the backdrop of Times Square at the height of its decadence and depravity.
In the kingdom of the damned that is 42nd Street, there’s no lowlier subject than Andy Lew. An unrepentant junkie, voyeur, and degenerate, he’s only tolerated by the more dangerous men around him because he keeps the projectors at the Colossus theater running on time, entertaining them with the most extreme horror cinema money can buy.
There’s something unique about Andy, though. He owns a movie. It’s the only one of its kind. No one knows who made it. Only he knows where it came from. The woman it stars is beautiful beyond imagination—and the images it depicts are more nightmarish than the darkest depths of Hell. The beasts of 42nd Street will do anything to possess it, but there’s something they don’t understand. Andy loves the woman in the movie—and he’ll go to any lengths to protect her…
A savage love letter to 70s exploitation cinema and a biting satire of toxic fan culture, Beasts of 42nd Street makes horror dangerous again as it ventures into the mind of a psychopath like no other— one that will have readers recoiling even as they keep coming back for more.
ABOUT THE AUTHOR
Preston Fassel is an award-winning writer whose work has appeared in Fangoria, Rue Morgue, Screem, and on The Daily Grindhouse, Dread Central, and Cinedump.com. He is the author of the first published biography of British horror actress Vanessa Howard, Remembering Vanessa, which appeared in the Spring 2014 issue of Screem. His debut novel, Our Lady of the Inferno, won the 2019 Independent Publisher’s Gold Medal for Horror and was named one of the ten best books of the year by Bloody Disgusting. He currently serves as the Managing Editor for The Daily Grindhouse.
Sooner or later even the best prepared hitman is going to run out of bullets. Buddy Fisk has two new jobs: bring back a few stolen books of sorcery, and then stop the unkillable man who wants to see him dead. There are problems even the deadliest assassins can’t be prepared for, like supernatural entities looking for the same prizes he seeks, and mob bosses that refuse to die. The collateral damage adds up quickly and Fisk is looking to solve mysteries that border on the edge of madness…
Some roads are haunted by the past. Some by ghosts. Some are even haunted by demons. The one Forest must travel is haunted by all three.
When she discovers Pastor Nesmith praying to a demonic entity in her family’s barn, Forest knows she must run. Enraged at the possibility of having his true allegiance exposed, Nesmith pursues Forest as she flees on foot, hoping to reach the one person who will believe her—her grandmother. Unfortunately, Granny is forty miles away, and Forest has no car, no phone, and no friends. To reach her, Forest will have to learn to see the world true, even as the demonic and the sacred wage war for her soul.
In the spring of 1912, American writer Arthur Pearce is reeling from the wounds inflicted by a disastrous marriage and the public humiliation that ensued. But his plans to travel abroad, write a new novel, and forget his ex-wife are interrupted by a lovely young woman he encounters on a London-bound train. Her name is Sarah Coyle, and the tale she tells him chills his blood.
According to Sarah, her younger sister Violet has been entranced by a local count, a man whose attractiveness and charisma are rivaled only by his shady reputation. Whispers of bizarre religious rites and experimental medicine surround Count Richard Dunning, though no wrongdoing has ever been proven. Sarah’s family views the Count as a philanthropist and a perfect match for young Violet, but Sarah believes her sister is soon to become a subject in Count Dunning’s hideous ceremonies.
Smitten by Sarah and moved to gallantry by her plight, Arthur agrees to travel to Altarbrook, Sarah’s rural ancestral home, in order to prevent Violet from falling into ruin. He soon learns, however, that his meeting with Sarah on the train was no accident. And his arrival at Altarbrook represents a crucial but ghastly step in the Count’s monstrous plot.
“Fans of the gothic will love how Janz uses well-worn tropes in more modern ways, while at the same time readers of 21st-century horror will gain a new appreciation for the genre’s roots.” — Starred Library Journal Review
Cemetery Dance is proud to publish Every House is Haunted, the debut collection of short fiction by Ian Rogers. This collection includes the story “The House on Ashley Avenue,” which is currently in development as a feature film for Netflix.
“There are haunted places in the world, all existing in reality and every bit as tangible and accessible as the house next door. Sometimes it is the house next door.”
In this brilliant debut collection, Ian Rogers explores the border-places between our world and the dark reaches of the supernatural. A mysterious double murder draws the attention of an insurance company with a special interest in the paranormal. A honeymoon cabin with an unspeakable appetite finally meets its match. A suburban home is transformed into the hunting ground for a new breed of spider. A nightmarish jazz club at the crossroads of reality plays host to those who can break a deal with the devil…for a price. With remarkable deftness, Rogers draws together the deadly and the disturbing in twenty-two showcase stories that will guide you through terrain at once familiar and startlingly fresh.