Greetings and a belated Happy 2010! There hasn’t been a whole lot brewing lately, but there are some current and upcoming publications you might be interested in knowing about. There’s been no official word yet on what novels King will release in 2010, but word is that he has completed two since finishing Under the Dome so there will definitely be something this year.
The second part of King’s essay for Fangoria is in issue #290, which is reportedly on news stands now. This piece will be included in a reissue of Danse Macabre, which is also being released in audio for the first time.
The March/April issue of Playboy should be out soon. It contains the new King poem “Tommy.”
Here’s an article about King’s participation in Shooter Jennings’ forthcoming album. King is the voice of Will O’ The Wisp, a radio talk-show host being phased out due to government censorship. He spends his last hour on the air delivering a diatribe about the decline of America, and playing the music of an important band — which happens to be Jennings’ new band, Hierophant. You can hear a clip from the album, including King’s narration at Jennings’ web site.
Two works about King were nominated for an Edgar award this year. Lisa Rogak’s Haunted Heart and my own The Stephen King Illustrated Companion. Here’s an interview I did recently that covers both this book and The Road to the Dark Tower.
King conducted another self-interview last week. He says this about the nearly completed novel, Under the Dome: “It’s twice the length of Duma Key. Over 1500 pages in manuscript. The first draft weighs 19 pounds.”
The October issue of Fantasy and Science Fiction magazine containing the new King story “The New York Times at Bargain Prices” is on news stands now.
Filming is now under way in Tipton and Wilton, Iowa and other locations in the Quad-City area for the remake of Children of the Corn. Among the cast: David Anders (Heroes), Kandyse McClure (Battlestar Galactica) and Daniel Newman as Malachai. The film is scheduled to wrap at the end of September and will premiere on the Sci-Fi Channel next year.
Two newish books that might be of interest to you. The Films Of Stephen King,edited by Tony Magistrale is the first collection of essays assembled on the cinematic adaptations of King’s work. Chapters are written by cinema, television, and cultural studies scholars. Haunted Heart: The Life and Times of Stephen King an unauthorized biography by Lisa Rogak will be published in January 2009.
Here is JJ Abrams’ most recent comment on a Dark Tower movie: “The Dark Tower is to me every bit as daunting an adaptation as the Lord of the Rings trilogy must have been for Peter Jackson, except we’ve got seven books we’re looking at. And the idea of doing that at the same time Carlton and I are bringing Lost to a close is simply not viable. There are always Dark Tower conversations, but the figuring out of what this will look like as a movie has not begun. If The Dark Tower were in the right hands, I would love to see seven movies executed just right. But you have to get people to see the first one to get them to come and see the second one.”
Here is the Publisher’s Weekly review of Just After Sunset:
In the introduction to his first collection of short fiction since Everything’s Eventual (2002), King credits editing Best American Short Stories (2007) with reigniting his interest in the short form and inducing some of this volume’s contents. Most of these 13 tales show him at the top of his game, molding the themes and set pieces of horror and suspense fiction into richly nuanced blends of fantasy and psychological realism. “The Things They Left Behind,” a powerful study of survivor guilt, is one of several supernatural disaster stories that evoke the horrors of 9/11. Like the crime thrillers “The Gingerbread Girl” and “A Very Tight Place,” both of which feature protagonists struggling with apparently insuperable threats to life, it is laced with moving ruminations on mortality that King attributes to his own well-publicized near-death experience. Even the smattering of genre-oriented works shows King trying out provocative new vehicles for his trademark thrills, notably “N.,” a creepy character study of an obsessive-compulsive that subtly blossoms into a tale of cosmic terror in the tradition of Arthur Machen and H.P. Lovecraft. Culled almost entirely from leading mainstream periodicals, these stories are a testament to the literary merits of the well-told macabre tale.