In its illustrious 29*-year print run, Cemetery Dance magazine has published no less than 560 short stories and novel excerpts in 75** issues. As the super fan that I am, Exhumed is my humble attempt to read and review them all in monthly double reviews.
**there were also two “double issues” (#17/18 in 1993 and #74/75 in 2016), each of which squeezed twice as much content into a single magazine.
Hello again, folks. This is the fifth installment of monthly double reviews studying the structure of great horror fiction published in our beloved Cemetery Dance.
Last time I reviewed my favorite story from Cemetery Dance #1, Anke M. Kriske’s “The Departing of Debbie” and William Peter Blatty’s semi-controversial “Terry and the Werewolf” from Cemetery Dance #62 (2009).
If you want to know about some really great early horror fiction and/or give your respect to our recently-lost great, Mr. Blatty, do please check it out.
This month, I’m going to review 2 stories from the same author, a man who is clearly one one of Cemetery Dance’s favorite repeat contributors based on the fact that he’s been published in Cemetery Dance numbers 1, 2, 4, 7, 13, 14, 34, 36, 39, 50, 64, and 71. He has been published by CD more than only one other author (that’s a column for another day), and has been there since the beginning.