William James Moriarty was barely in the Sherlock Holmes books, but his position as Holmes’s archenemy and “The Napoleon of Crime” have kept him in people’s imaginations. Over the years he’s been seen in movies, books and other forms of entertainment not made by Sir Arthur Conan Doyle. And now he’s the main character in a Japanese manga that’s been made into an anime currently playing in Japan and streaming in America.Continue Reading
Look, I know most normal people aren’t like me, setting aside about 50 movies to watch each October. I mean, who has that kind of time and demented dedication? If I think I won’t have time to watch a movie when I get home from work, I’ll set the alarm to wake me up at five in the morning so I can devour Invasion of the Body Snatchers or Hellraiser like a bowl of Count Chocula before heading off to the day job.Continue Reading
Something has been taking the children of Archer’s Peak. At first it was just one girl, and the police assumed it was a typical family kidnapping perpetrated by an uncle. But then, young James and his friends have a sleepover, and when it’s over, James is the only survivor. There are bodies and blood. The whole town is in chaos. Then, a stranger with an uncanny knowledge of things who talks to her stuffed-animal octopus arrives and says she’ll take care of things. Something is Killing the Children is a really strong series from writer James Tynion IV and artist Werther Dell’Edera.Continue Reading
Hard Case Crime (The Colorado Kid, Joyland) will publish Stephen King’s next supernatural crime novel in March 2021. Later will be a paperback original (cover by Paul Mann) and eBook, but there will also be a limited edition hardcover featuring two covers by Gregory Manchess, one for Later itself and one for a fictitious novel within the novel that features prominently in the plot.
In this installment of News from the Dead Zone, I’ll tell you a little more about Later, bring you up to date on recent King appearances, let you know what adaptations you can expect to see soon, which ones are in production, which ones are on the table and which ones have died on the vine. I’ll also give you an early look at Hope and Miracles from Gauntlet Press, which collects the screenplays of The Shawshank Redemption and The Green Mile, along with tons of ancillary material. Pull up a chair!
No one — no one — has ever done it better than Peter Straub. I admit that some of his work leaves me a little bit cold, but when Straub is on, he is on.
Not everyone agrees. I’ve heard a lot of people say they can’t read Peter Straub, or that he simply isn’t for them. The thing about his writing is, it takes effort. Most worthwhile things do require determination and patience, but the effort pays off. He isn’t an easy writer, but the rewards are well worth the investment.Continue Reading
In her introduction to this omnibus, Nancy A. Collins describes how comics of all kinds attracted her at an early age. Her interest in the medium kicked off right about the time the Comics Code was losing its once-considerable grip on the industry, which put her in a prime spot to catch the wave of horror comics that began flooding the newsstands. She talks about picking up copies of Eerie and House of Secrets as part of her weekly haul — but it was the cover of a comic featuring a certain muck-encrusted monstrosity squaring off with a werewolf (drawn by horror maestro Bernie Wrightson) that really stood out to the young fan.Continue Reading
Somewhere, a school bell is ringing. The doors are open, the classrooms ready, but the halls are empty.
Funny how it takes a pandemic and a general feeling that Armageddon has its hand in our pockets to make us wax poetic about going back to school. I was a good student, but I hated school the way Leah Remini despises Scientology. Mornings, I wished for some disease that would keep me home (and got that wish in senior year when I came down with mono that had me bedridden for months). In class, I prayed the fire alarm would go off and this time it wouldn’t be a false alarm. Having to stop playing Wiffle ball or street football after school so I could get my homework done was like asking me to hack my legs off with a rusty, blunt shovel. Continue Reading
Not too long ago, journalists Eric Vespe (formerly of Ain’t It Cool News, among others) and Scott Wampler (formerly of birth.movies.death, among others), got together to discuss an idea that would evolve into “a Stephen King podcast for Stephen King obsessives.” The Kingcast invites guests from the entertainment industry to discuss the King novel or short story of their choosing, along with the film or television adaptation of that work.
I first heard of and begin reading fiction from John Skipp and Craig Spector in the mid-1980s. That era is still my favorite period of the horror genre. Thanks to Stephen King, horror had been doing pretty big business, but by 1986 things were really getting wild. For most people it all started with Skipp and Spector’s The Light at the End, a new kind of horror novel, and a vampire story for a hip young readership.
The Light at the End was a radical departure from the horror fiction that came before it. Skipp and Spector’s characters were people I knew. People I partied with. There was influence from classic horror, to be sure, but these were people who listened to punk and metal. They were weaned on midnight movies, Frank Zappa, William Burroughs, Hunter S. Thompson.Continue Reading
Shortly after King launched his website in 1998, a guest book was added to the site. By 2003, this was converted to a “message board,” an unthreaded list of comments from fans that were occasionally answered by the staff. Continue Reading
I first saw Joe Bob Briggs when he was on The Movie Channel. This was in 1986, before he even had his own weekly show on the network. My initial impression was something like, “Who is this chicken-fried cornball?” I was not much of a fan of redneck humor.
I didn’t give JBB a chance until I stayed up late one Friday to watch David Cronenberg’s The Brood. It was on The Movie Channel, and at first I was disappointed to see that hillbilly hayseed doing an introduction. I watched, not wishing to miss the opening credits of The Brood. I was taken aback when Joe Bob said some fairly astute things about David Cronenberg. He obviously wasn’t another braindead movie host going through the paces.Continue Reading
Two of the biggest horror-comedy films of the 1980s debuted on the exact same weekend in June 1984. Ghostbusters was the bigger success of the two, but Gremlins has remained a fan favorite amongst ’80s kids, and for good reason. It’s silly, with eye-catching character designs that just scream MERCHANDISE OPPORTUNITIES, but it’s also a pretty wicked and nihilistic horror movie. I remember both reveling in and being quite frightened by it as a boy. Gwendolyn Kiste, too, was heavily influenced by Gremlins in her youth, and she’s got some pretty cool ideas for carrying the long-dormant franchise forward. Continue Reading
I look back at the nineteen-eighties, which some consider the Golden Age of Horror. I was a rabid fan at the time and I continue to be one. There were milestones in the genre in this renowned era, especially, I’d say, from 1984 to 1988.
Stephen King’s It certainly qualifies. Clive Barker’s The Books of Blood brought a baroque aesthetic to horror fiction. John Skipp and Craig Spector’s The Light at the End ushered in a new breed of horror and a new breed of fan. Robert McCammon’s Swan Song would make the list.Continue Reading
As the 1700s drew to a close, the public furor over The Castle of Otranto, The Monk, The Mysteries of Udolpho and other gothic horror novels continued. Societal keepers and the media of the time became concerned that commoners, particularly young people, were spending too much time engaged in reading, particularly such gruesome fare as The Monk. In our last chapter, we talked about how cancel culture came for Matthew Gregory Lewis, forcing him to revise further editions of The Monk, and to issue a public apology. Continue Reading
I love anthology horror movies. You get a variety of stories, often exploring wildly diverse themes and subject matter, presented with the compactness and plot-driven fun of a short story. While anthology horror movies had certainly come before it — including the iconic Trilogy of Terror and Black Sabbath — it was 1982’s Creepshow that really set the standard, paving the way for an explosion of anthology horror shows and movies in the ’80s. Creepshow being one of my favorite horror movies, I was pleasantly surprised to find that the film helped inspire a love for horror in author Paul Michael Anderson.Continue Reading