“The Summer of Love: Wild. Psychedelic.
Like a super-feminst Hammer film.”
Night Time Logic is the part or parts of a story that are felt but not consciously processed. Those that operate below the conscious surface. Those that are processed somewhere, somehow, and in some way other than… overtly and consciously. The deep-down scares. The scares that find their way to our core and unsettle us in ways we rarely see coming…
Hello and welcome. My name is Daniel Braum, I am an author of strange tales, a term coined by Robert Aickman to describe his unique brand of stories. Aickman’s stories were often what we now may call “quiet horror” and often it was ambiguous as to what if any supernatural elements were present and in play. Aickman’s strange tales operated with “Night Time Logic” — the kind of scares and elements that were felt but not consciously processed. In this column, which shares a name with my New York based reading series, I explore the phenomenon of Night Time Logic and other notions of what makes horror and good fiction by looking at the stories of my favorite authors along with the work of new voices.
My previous column with author Brenda Tolian explored her collection of stories relating to a setting specific supernatural phenomenon. Gwendolyn Kiste’s latest book Reluctant Immortals is also set in a very distinct place and time in addition to presenting a fresh take on some very well-known characters. Gwendolyn has been a guest of the series both in person in New York and online. You can find one of her appearances here. We begin our conversation with the character of Lucy Westenra from Bram Stoker’s novel, Dracula.Continue Reading
I just finished reading Cynthia Pelayo’s 
Horror was in a time of transformation in 1994. John Skipp and Craig Spector’s final novel, Animals, had been published the previous year. The original Splatterpunk era was over. Necro Publications and the underground hardcore horror fiction wave was a couple of years ahead. Cemetery Dance had spearheaded the small press revolution, but it was still gaining momentum. The biggest thing in the genre, other than King and Barker of course, was the Dell/Abyss line of postmodern horror paperbacks.
Stoker Award nominee LaTanya McQueen has incredible storytelling skills. Her book, 
Enter the Wayback Machine and go back to 1984. I was still shrugging off the science fiction habit I had all my life and becoming a full-fledged horror fan. I read authors like Grant, Straub, Wilson, Etchison, Campbell. And of course Stephen King. When I finally got around to reading him, my reading life changed forever. Pet Sematary had just been released in paperback. Ahead were wonders like The Talisman, Thinner, Skeleton Crew, and It.
