When Joe Lansdale speaks, you listen. A fearless writer and natural storyteller who moves effortlessly between genres, Lansdale has made a career out of doing what he wants. He counts Stephen King, Joe Hill, and Dean Koontz among some of his most vocal fans, and has been steadily earning a large and devoted following since his first novel, Act of Love, was published in 1981. Since then, hardly a year has gone by without a new Lansdale book on the market, sometimes more than one. He has now written nearly 50 novels, dozens of novellas, and hundreds of short stories.Continue Reading
If you’ve read an anthology of horror, science fiction or fantasy stories in the last couple of decades, chances are good it was edited by 
By now you’ve likely heard of Stephen King’s “Dollar Baby” program, in which he grants the rights to adapt one of his short stories to fledgling filmmakers for a buck. Frank Darabont is perhaps the best-known graduate of the “Dollar Baby” program, having adapted King’s short story “The Woman in the Room” before going on to helm one of the most acclaimed King adaptations of all time, The Shawshank Redemption (not to mention the undervalued, in my eyes, adaptation of King’s The Green Mile).
Richard Chizmar is a New York Times, USA Today, Wall Street Journal, Washington Post, Amazon, and Publishers Weekly bestselling author. He is the co-author (with Stephen King) of the bestselling novella, Gwendy’s Button Box. He has edited more than 35 anthologies and his fiction has appeared in dozens of publications, including multiple editions of Ellery Queen’s Mystery Magazine and The Year’s 25 Finest Crime and Mystery Stories. He’s also an accomplished screenwriter and the founder/guiding force behind Cemetery Dance. Recently, he took on another project: answering these questions about his work on Silverwood: The Door.
