Horror was in a time of transformation in 1994. John Skipp and Craig Spector’s final novel, Animals, had been published the previous year. The original Splatterpunk era was over. Necro Publications and the underground hardcore horror fiction wave was a couple of years ahead. Cemetery Dance had spearheaded the small press revolution, but it was still gaining momentum. The biggest thing in the genre, other than King and Barker of course, was the Dell/Abyss line of postmodern horror paperbacks.
I liked some of the Abyss titles and authors. Poppy Z. Brite and Kathe Koja were and are favorites. I liked Brian Hodge and Dennis Etchison. However, the books began to wear on me after a while. It seemed like some of the writers were trying too hard to be hip. I didn’t care for novels by Tanith Lee, Nancy Holder, and Jessica Amanda Salmonson. I lost faith in the Dell/Abyss brand and stopped buying the books.