Daphne Fama talks Monstrous Women

photo of author Daphne Fama
Daphne Fama

Daphne Fama’s gothic debut, House of Monstrous Women, is rich with Filipino folklore, female rage, ritual cannibalism, and matriarchal horror. It has been described as Silva Moreno-Garcia’s infamous novel Mexican Gothic — which this interviewer agrees solely based on the brilliant execution of the theme of generational trauma — meets the campy horror film Ready or Not, starring Samara Weaving. 

When she’s not writing about monsters and the women who love them, she’s writing about video games or adoring her partner and pup. Her favorite horror games are the Fatal Frame series (minus Maiden of Black Water) and Silent Hill. She loves found footage and folklore drenched horror movies. 

Fama’s social media is a celebration and dissection of Filipino folklore including the aswang — an umbrella term that refers to a wide array of monsters, from vampire-like creatures to shapeshifters. These entities became the key inspiration for House of Monstrous Women. You can find her on Instagram at @daphnefamawrites.Continue Reading

Review: House of Monstrous Women by Daphne Fama

cover of House of Monstrous WomenHouse of Monstrous Women by Daphne Fama
Berkley (August 12, 2025)
Reviewed by Haley Newlin

Every culture has a boogeyman, a shapeless entity that eats children, such as El Cuco in Spain, Portugal, and Latin America, or a shadowy, witch-like figure that eats and imprisons children, like Baba Yaga in Russia, Iraq, and Syria. In Daphne Fama’s Filipino Folk and Gothic Horror novel, House of Monstrous Women, it’s the aswang. Some declare the aswang monsters; others say they were people cursed “with a vicious hunger” and “who spent their lives like wolves cloaked in the fleece of lamb.”Continue Reading