Nobody could comfortably follow an act in indie horror fiction like Things Have Gotten Worse Since We Last Spoke, except Eric LaRocca with another release. Things Have Gotten Worse… broke every record for sales and reviews I have ever seen for an indie release. That book was released in June and just three months later, here we are with The Strange Things We Become.Continue Reading
As far as introductions to an author’s work goes, I can’t think of a better offering than a collection of three, novellas differing in style and substance but sharing the same universe and characters.
All three tales in In Nightmares We’re Alone are told from a first person POV. Greg Sisco takes readers through a character’s own, personal nightmare as they are living it. . .alone. But they’re not really alone, are they? We are with them.Continue Reading
My favorite book series for the longest time was “The Little House” books by Laura Ingalls Wilder. These books were set in the American Midwest in the late 1800s. Hearts Strange and Dreadful transports us to New England in 1821 and I, for one, could not have been more eager to make the trip back in time to this familiar era.Continue Reading
Women in Indie Horror have a powerful voice and if that’s a surprise to you, take note of the popular Best Of Lists from horror reviewers as 2020 comes to a close. You will see these names: Laurel Hightower, Gemma Amor, Samantha Kolesnik, Sara Tantlinger, Gwendolyn Kiste, Cynthia Pelayo, V. Castro, Stephanie Ellis, Jessica Guess, Briana Morgan, and many, many more.
One name I saved for last and special mention. Hailey Piper. Hailey is one to watch. She has had a stellar year of releases starting with the breakout novella, The Possession of Natalie Glasgow. Then it was just one winner after the next: Benny Rose, The Cannibal King (Unnerving), An Invitation to Darkness (Demain Pub), and several short stories in various anthologies.Continue Reading
Thomas Campbell famously remarked: “To live in hearts we leave behind is not to die.” This proves painfully true in Crossroads, the newest release from rising horror superstar Laurel Hightower. Her previous novel, Whispers in the Dark (2018), garnered tons of well-deserved accolades. This time around, Crossroads explores a mother, Chris, mourning the loss of her son, Trey. There is plenty of real-life horror in that itself. Things take a turn toward the supernatural as Chris recalls the concept of a crossroads demon, like the one that Robert Johnson was famously rumored to have sold his soul to in exchange for musical success. Continue Reading