Ronald Malfi is the award-winning author of the novels Floating Staircase, Snow, The Ascent, and several others. He currently lives along the Chesapeake Bay where he is at work on his next book.
Laurie Genarro’s estranged father has passed away, an apparent suicide, and Laurie, her husband, Ted, and ten-year-old daughter Susan have traveled from Connecticut to Maryland to deal with the estate. When they pull up to the house on Annapolis Road Susan comments, “It looks like a haunted house.” Little did they know what they’d find.Continue Reading
Long-time fans are likely to be the biggest benefactors of Working for Bigfoot, Jim Butcher’s collected trio of Harry-Dresden-meets-Sasquatch stories, but newbies (like me) may find it the perfect gateway into the world of the author’s popular Chicago-based wizard.Continue Reading
Those of us who’ve read our work in public understand how difficult it is to keep an audience engaged for longer than about 15 or 20 minutes. Unless you’re a skilled performer (Tom Monteleone comes to mind among that group), the audience will get restless if you go on much longer than that.
Which is why the producers of audiobooks so often turn to actors as narrators. Or, as in the case of “Drunken Fireworks,” the new audiobook-only story from Stephen King, to someone like Tim Sample, who has produced the “Postcards from Maine” segment for CBS Sunday Morning. Other people in his category who come to mind are Garrison Keillor of The Prairie Home Companion or, a personal favorite, Stuart McLean from The Vinyl Cafe. These are raconteurs, people you don’t mind listening to for extended periods of time as they spin out their stories.Continue Reading
If White Knuckle reads like the tie-in novel to a classic 1980s slasher flick, it’s understandable – author Eric Red counts the original screenplays for 1980s horror classics The Hitcher and Near Dark among his accomplishments. White Knuckle benefits from Red’s cinematic background, as he tells the story – a rig-driving serial killer plays a deadly game of cat-and-mouse with a determined, if inexperienced FBI agent – at a breakneck pace right from page one.
Lisey Landon had a word for the people who clamored for the fragments, snippets and memorabilia of her dead husband’s literary estate: Incunks. Is there is a similar word for those who seek the remnants of a living (though perhaps inactive) author?
Morris Bellamy is obsessed with John Rothstein, a writer cut from the same cloth as J.D. Salinger. Rothstein withdrew from the world in 1960, living in New Hampshire a mile from his nearest neighbor. Now almost eighty, he is most famous for a trilogy featuring protagonist Jimmy Gold.
Bellamy has read the first two books, The Runner and The Runner Sees Action, countless times, but the final book only once, so much does he loathe the fate that befell a character who is more alive to him than most real people. He thinks Rothstein sold out, made Gold go establishment in The Runner Slows Down (the series titles are reminiscent of John Updike), where Gold winds up married with kids and working in advertising.
In 1978, convinced that Rothstein must have continued writing in the two decades since his last story appeared in The New Yorker, Bellamy enlists the help of two clueless accomplices and invades Rothstein’s farmhouse. They uncover wads of cash and, more importantly to Bellamy, scores and scores of ledgers containing Rothstein’s handwriting.
By all rights, Bellamy should have been caught soon after the robbery, but, like Brady Hartsfield in Mr. Mercedes, luck is on Bellamy’s side. Sort of. He isn’t arrested because of this incident but rather because of something that happens subsequently. His Achilles’ heel is that he can’t handle being made to feel stupid. He’d already spent nine months in juvenile detention after a drunken rampage sparked by an argument with his mother over the Rothstein novels. He blames her for his incarceration—he’s never takes responsibility for his own actions. This time, his drunken misadventures end in a far worse outcome and he is sentenced to life in prison—before he has the chance to savor the spoils of his robbery.
Though nominally a sequel, Finders Keepers works perfectly well as a standalone novel. It intersects with Mr. Mercedes via the City Center Massacre, where Hartsfield killed several people and maimed others with a stolen Mercedes. In the second book of a proposed trilogy, that incident is represented by the Saubers, a family who fell on hard times during the economic downturn. Tom Saubers was waiting in line at the job fair that fateful day. He survived, but was seriously injured and ends up hooked on painkillers during his rehabilitation. There are frequent loud arguments with his wife, mostly over money.
Then thirteen year old Pete Saubers stumbles upon a buried treasure. Not only does the trunk he discovers in a vacant lot near his house (the same one Morris Bellamy grew up in) contain stacks of cash, it also holds intriguing, handwritten ledgers. At the time, Pete has no idea who John Rothstein is, but over the following years he becomes familiar with the man’s work.
In Pete’s mind, this is a case of “finders keepers,” but if he gives the money to his parents, they’ll want to report it to the cops. So, he mails them $500 each month anonymously. The Saubers convince themselves it’s further compensation for Tom’s injuries. It won’t make them wealthy, but it’s enough to silence the worst of the arguments. Pete’s discovery represents the turning point for his family.
But the money runs out four years later.
By then, Pete understands the true value of the ledgers, which contain poems, short stories and two unpublished Jimmy Gold novels that complete the cycle. Liquidating them is a problem, especially for a high school sophomore. If he turns them in, he won’t get anything more than a pat on the back, and he wants to raise enough money so his younger sister, Tina, can go to private school. She’s smart, but falling through the cracks at public school. He’s forced to seek the help of a shady individual, which sets into motion a catastrophic sequence of events that jeopardizes his entire family.
For the first 150 pages, the story bounces around between 1978 and 2009-2013, relating incidents in Bellamy’s and the Saubers’ lives. Then Det/Ret Bill Hodges gets involved and the pace of the novel accelerates to breakneck speed, with the second half covering only a few days.
The novel is dedicated to John D. MacDonald, who wrote the introduction to Night Shift and penned a series featuring Travis McGee. McGee helped people who had things stolen from them in a way that precluded legal recourse. For his services, he kept fifty percent of whatever he recovered. Half of something was better than nothing, he reasoned.
As with Mr. Mercedes, Finders Keepers is set in the “real world,” where Stephen King is a person who writes books, movies are adapted from them and popular tropes have entered the cultural awareness. And yet, it can’t be a coincidence that Brady Hartsfield resides in Room 217 of the Traumatic Brain Injury Clinic. Can it?
Hodges, slimmer and healthier than when he first retired, is in a similar business, a company called Finders Keepers he formed after he wriggled out of the trouble he found himself in because of his rogue investigation into the Mercedes Killer case four years earlier. When first seen in 2014, he’s repossessing a stolen Lear Jet from a con man. His fee isn’t half of the jet’s value, but it’s a tidy sum nonetheless. Plus, he brings the culprit to justice and puts a feather in his former partner’s hat, another move toward reconciling their rocky relationship.
Holly Gibney, the awkward and damaged woman who emerged to the forefront in Mr. Mercedes, is now Hodges’ assistant. She runs the office, keeps the files and performs computer research to help Hodges track his targets. She’s not completely healed—she still has numerous quirks—but her self-confidence has been boosted by recent experiences.
Hodges’ other “irregular,” Jerome Robinson, is at Harvard. His younger sister Barbara happens to be good friends with Pete Saubers’ sister, which is how Hodges gets involved. The disreputable bookstore owner Pete consults about the manuscripts puts the teenager in a difficult spot. The stress takes a toll on him and Tina notices the change in her brother’s behavior. However, Pete rebuff’s Hodges’ offer of assistance.
Morris Bellamy is paroled from prison after nearly four decades. Finally given a chance to recover the ledgers, he is incensed to discover that someone has beaten him to the punch. He has a suspect, though: the one person who knew about them when he was arrested. This puts him on a collision course with Pete Saubers and, ultimately, with Bill Hodges. Hodges’ investigation isn’t really the typical stuff of a detective novel—with the assistance of Jerome and Holly, they try to help Pete out of his predicament without understanding until late in the game exactly who is after him or why.
In the novel, King discusses the world of rare books and literature. He talks about natural selection in terms of which authors’ works survive over the decades and which don’t. The power of a story to captivate plays an important part in the novel’s resolution, as does the question of which is more important: the writing or the writer. Bellamy and Annie Wilkes share a common belief that their favorite authors owe them something when a series of books takes a direction they don’t like.
At times, Finders Keepers enters Kate Atkinson territory. Coincidence (or co-inky-dink, as one character puts it) plays a part in the proceedings. Pete finds Bellamy’s stash shortly after the Emergency Fund for victims of the City Center Massacre runs out. He approaches the bookseller with the ledgers barely a week before Bellamy goes looking for them. And Bellamy gets closer to the ledgers than he could possibly imagine due to a coincidence of geography.
And what of Brady Hartsfield? At the conclusion of Mr. Mercedes, King hinted that we hadn’t seen the last of him. That despite the grievous injury he received at the hands of Holly and Hodges’ happy slapper, there was still some life left in the young psychopath. Hartsfield is Hodges’ obsession. The retired detective wonders if he’s faking his condition, so he visits him frequently to try to catch him out. In the final pages of Finders Keepers, King lays the groundwork for the third book in the series, tentatively titled The Suicide Prince. It seems that Hodges is in for a rematch with his old nemesis.
 Another MacDonald novel, The Executioners, the inspiration for the movies Cape Fear, makes a cameo appearance in Finders Keepers in much the same way that a couple of King novels cameoed in Travis McGee novels