Longtime Cemetery Dance pal Kevin Lucia has partnered with Horror Oasis for an amazing giveaway: sign up for the Horror Oasis newsletter and get five e-books featuring some of Kevin’s short stories for free!
The stories offered are “Therapy,” “Lament,” “A Circle that Ever Returneth,” “When We All Meet at the Ofrenda,” and “Almost Home.”
Kevin’s a busy man these days, writing new fiction, working on his YouTube show “Into the Abyss,” and much more! You can keep up with all of his shenanigans at his website.
One of the absolute delights of digging through the horror genre’s past is discovering stories and characters which pre-date and pre-figure contemporary stories and characters I’ve enjoyed. In The Philosophy of Horror, Noel Carroll posits that horror is one of the few literary genres which consistently builds upon its past, in that its practitioners not only consciously pay their respects to their history in the form of homages and pastiches, but they also attempt to create something new out of the old, in some cases reinventing a trope, subverting it, or, in the case of Paul Tremblay’s Head Full of Ghosts or Kristi DeMeester’s Beneath, reinventing, subverting, and paying homage all at once.Continue Reading
When you engage in any kind of artistic “career” over a certain period of time, lots of preconceived notions are shed. Nowhere is that truer than in writing. It’s part of the gig. Over time, idealistic goals either vanish altogether, or, in the best case scenario, transform into more obtainable goals.
For me, it was the notion of writing full time. Writing as the day job. Spending my workday solely in my invented worlds. Many of my fellow writers have gone through the same transition. Realizing that for whatever reason, writing as a full-time career simply wasn’t in the cards.
When I began my exploration into the history of the horror genre, accepting this as a reality became a lot easier. It amazed me how many wonderful writers I encountered who never broke into a “full time” writing career. In some cases, they wrote one or two stories, and never wrote again.Continue Reading
Possessed by Peter Laws Alison and Busby (July 2020) 330 pages; $4.57 paperback; $4.34 e-book Reviewed by Kevin Lucia
I first encountered Peter Laws in his nonfiction book The Frighteners: A Journey Through Our Cultural Fascination With the Macabre. I stumbled over it quite by accident on Amazon, looking for who knows what, and of course by Reverend Peter Laws caught my eye. An ordained minister writing a nonfiction book about how it’s totally normal to love the dark and the weird? Sign me up.Continue Reading
Writing this column is occasionally daunting. I often grapple with the unfortunate reality that not only is it impossible for me to completely cover every important horror/spec fic writer, it’s also hard to read everything written by the writers I highlight. In some cases — writers with modest outputs, or contemporary writers I’ve been reading right along — that’s not such a difficulty.
However, with other writers, such as the focus of today’s column — Algernon Blackwood — I simply have to be content with believing I’ve read enough of their work to offer an informed opinion and recommendation. Even so, there’s still that little irrational insecurity (anyone who knows me knows I’m nothing more than a bundle of irrational insecurities) someone will pipe up in the comments, “Oh, but have you read THIS story by INSERT AUTHOR NAME HERE? You haven’t? Oh.”Continue Reading
As many of you know, I began this column (almost five years ago, which is a little mind-blowing) with the intention of chronicling the writers who impacted me during a very transitional period in my writing career. Writers who exposed me to new things, new kinds of horrors and writing styles. However, a year or so ago I realized this column should evolve and start featuring newly discovered contemporary writers right alongside the masters of years gone by. The first of these newly discovered writers was Peter Laws. Today’s featured writer is Kristi DeMeester, author of the amazing, beautifully bleak novel Beneath, and the powerful short story collection Everything That’s Underneath.Continue Reading
If you’re a horror writer or even just a Stephen King fan, you’ve probably read his treatise on the writing biz, On Writing, multiple times. And for good reason, because it’s one of the best books on writing there is, imparted in that casual storyteller way only King has mastered. If I were to recommend only three writing books to prospective writers, On Writing would be the first book I’d recommend. A close second would be Zen in the Art of Writing, by the venerable Ray Bradbury.Continue Reading
Todd Keisling’s Devil’s Creek recently made it onto the Final Ballot for the Bram Stoker Award in Superior Achievement in a Novel, and there’s good reason for that. It’s very likely the best thing I read in 2020, and also one of my favorite contemporary horror novels, period. Reviewers have compared it to Stephen King’s Salem’s Lot, and while usually I might roll my eyes slightly at such a comparison, in this case it’s very apt. Continue Reading
I’m only an armchair observer and by no means an expert, but it seems in the last six years the horror genre has witnessed a blossoming short story anthology market. And no offense to anyone, but I mean good markets offering quality stories and top-notch production values, not lots of people discovering the novelty of quick and easy self-publishing in order to issue sub-standard collections through Lulu or Createspace, which seemed very common about eight or nine years ago. (Again, I apologize for any snark; that’s just my opinion, only).Continue Reading
I apologize for my absence. This past summer I had major reconstructive surgery on my foot. Unfortunately, it took a lot out of me. However, I’m ready to resume my exploration of the works of horror which have played a role in my development as a writer, so I hope you’ll rejoin me on this journey.
P. Gardner Goldsmith’s Fishing is a hallucinatory, Kafka-esque, surreal ride which invokes reflections of Charles Beaumont and Rod Serling by way of Ray Garton and even Richard Laymon. Gardner’s terse, tightly-controlled prose thrums with drive and energy, and even though it’s precise and efficient, it occasionally breaks out into a lyricism invoking ghosts of Ray Bradbury himself.Continue Reading
Eden by Tim Lebbon Titan Books (April 2020) 384 pages; $11.99 paperback; $8.99 e-book Reviewed by Kevin Lucia
It’s amazing how quickly nature overcomes what man has built. During quarantine, I’ve spent hours walking paths in the woods I haven’t for years, visiting old camping spots, and one spot in particular: a clearing near a creek where, five years ago, we built a fire pit with cinder-blocks, erected a small, portable charcoal grill, and built several wooden tables and chairs.Continue Reading
If you’ve read doungjai gam’s glass slipper dreams, shattered and savored that collection’s wonderfully raw emotion, then her recent novella from Nightscape Press—llustrated by the immensely talented Luke Spooner—is a must buy. In it, gam takes all of the intensity and power of her verse and packs it into prose, weaving a highly emotional and devastating tale which will leave you gasping for breath and, quite possibly, weeping at its end.Continue Reading
While taping a recent episode of their YouTube show Into the Abyss, author CW Briar launched into a Q&A session with co-host Kevin Lucia regarding Kevin’s new book, Mystery Road. We thought you would enjoy it, so Kevin has made it available below!
It’s amazing — and, somewhat depressing — to consider that, even if you’re a prodigious reader, there will always be more books to read than there are hours and days in a year. I try to console myself with that fact when I keep hearing about this author I should read, or that author, especially when they’re authors I’ve been meaning to read for years. So, when Nicole Cushing’s The Half-Freaks fell into my hands, I took the chance to finally read something by an author I’ve been “meaning to read” for years.Continue Reading