Review: The Drift by C.J. Tudor

cover of The Drift by C.J. TudorThe Drift by C.J. Tudor
Ballantine Books (January 31, 2023)
352 pages; $28 hardcover; $13.99 e-book
Reviewed by Dave Simms

It’s always a wonderful thing when readers discover a talented new writer whose every offering is rock solid, the quality high yet never failing to break out of comfort zone. C.J. Tudor has become something of a superstar in the thriller and darker tales in the past five years. From the most recent The Burning Girls, an almost folk horror thriller, to her debut The Chalk Man, one of the best thrillers in recent memory, Tudor has played it small, meaning the settings have centered around small, claustrophobic towns and characters who are anything but what readers expect them to be. With The Drift, the author goes big. High concept, end of the world scenario, and a situation that’s horrific, weaving in terror that would find itself familiar in tales of that guy from Maine.

Continue Reading

Review: The Burning Girls by C.J. Tudor

cover of the paperback edition of The Burning Girls by C.J. TudorThe Burning Girls by C.J. Tudor
Ballantine Books (February 2021)
352 pages; paperback $17; hardcover; $19.79; e-book $11.99; audiobook $28
Reviewed by Haley Newlin

Even though it’s not fully dark outside and all the lights are on, the cottage always feels full of shadows.

I read C.J. Tudor’s The Burning Girls right after Adam L.G. Nevill’s Cunning Folk. Both have made me as obsessed with folk horror as their protagonists are with their town’s lore.

And readers can’t help but sense an ominous feeling of following hypnotic sinister shadows to their own entombment as they tear through this bloody mystery.

Following an entanglement of tragedy for protagonist Jack Brookes, Tudor takes readers to Chapel Croft, an insular village with a gruesome, twisted history built on the burning of religious martyrs, missing girls, and a series of questionable/unsolved deaths.

Here, Jack becomes Chapel Croft’s new vicar after her predecessor’s untimely and bizarre death. Jack envisions a fresh start for her and her teenage daughter Florence — Flo, for short — but quickly finds her heavy conscience and nagging trauma only adds fuel to the town’s ever-burning flames of chaos and suspicions.

What starts as misfortune and a labyrinth of smoke and mirrors becomes life and death for Jack and Flo. Haunted by headless, armless, burnt figures — the burning girls, which, according to the town lore, means something bad will befall them — Jack and Flo unveil a trail of conspiracies and buried secrets.

Tudor weaves a classic haunting tale for a new generation with imagery that felt like a revival of The Wicker Man and the brilliant pairing of horror and heart leveling up to Stephen King in Pet Sematary.

As Tudor always does, The Burning Girls exceeded my expectations. It’s like following a path of steps into an inkblot of darkness. The wind blows, and the warning sign of smoke is in the air. Yet, you have to see the spectral for yourself because you know, deep in your bones, it’s not a trick of the light.

Tudor’s The Burning Girls is my favorite novel from the author yet. Its unfurling chills and brilliant depiction of the ghost of grief and guilt seared together with burning questions of disappearances and murder made this one of my favorite reads of the year.

Tudor has made a life-long fan out of me. Fans of Mike Flanagan’s Midnight Mass and Cunning Folk by Adam L.G. Nevill, this one’s for you.

Rising Icons of British Horror: A Chat with Catriona Ward and CJ Tudor

banner graphic that says Cemetery Dance Interviews

Horror is happening right now in the UK and women are right there on top of the book charts. I was honored to chat to two absolute icons, Catriona Ward and CJ Tudor, and find out if it is all heaving bosoms and beguiling men in cloaks or if these British babes are breaking the mold?

Continue Reading