Nightworld. For F. Paul Wilson fans, it’s often in the top two or three novels by the legend, surpassed only by the first book in the Repairman Jack series, The Tomb. Nightworld signaled the end of civilizations as we know it (kinda fitting these days, isn’t it?) and was so popular, Wilson rewrote it to fit the series canon after the original Adversary sextet concluded. While that novel hit on all cylinders and checked every box that satisfied both thriller and horror fans across the globe, plenty of mysteries remained. Wilson has plugged some of those, most notably with last year’s Jack novel, The Last Christmas, and prior to that, Wardenclyffe.
Keith Minnion has long been a force in the horror genre, both as an author and artist. He made his name as an illustrator for several magazines and publishers, most notably and recently for the Stephen King/Richard Chizmar novels Gwendy’s Button Box and Gwendy’s Magic Feather. His short stories have been making the rounds since 1979 and his two collections have garnered high praise.
His first novel The Boneyard, immensely readable and well-written, tears into ground that feels untrodden and fresh. Finding something new these days is tough; finding something that is both new and successful in execution is much tougher. This novel nails it on both counts.
A Midnight Dreary (The DeChance Chronicles, Vol. 5) by David Niall Wilson
Crossroad Press (January 2019)
218 pages; $25.99 hardcover; $12.99 paperback; $3.99 e-book
Reviewed by Dave Simms
A novel that features Edgar Allan Poe is always something worth reading, especially as a character who is larger than life, shedding light into his mysterious past and sad fate. Add in dimensional and time travel, creatures of all sorts, the Brothers Grimm, and classic mythology, and the reader is in for a treat.