Exhumed is my humble attempt to read and review every short story & novel excerpt ever published in Cemetery Dance magazine. In their 32 years of publication, that comes to a total of 577 (and counting!) pieces spread out over 77 issues. For a comprehensive list of issues 1-75, you’ll want to check out Michael P. Sauers’ Cemetery Dance Magazine Index.
Since each Exhumed post covers just two pieces (one “old” and one “new”), I think I’m going to be doing this for a while. I sure hope you’ll join me along the way.
ALSO, to better satiate your reading needs, starting in 2021 all reviews of “new” stories will come from CD issues that are still in print (#65, #69, #71, #73, #74/75,, & #77… they’re all available right here).
SIDE NOTE: I’m always looking for requests from this lot, so please do comment letting me know which “new” story you’d like me to review.
Feel free to read each story along with me or just take it all in while I do the hard work and wax poetic with my observations. Either way, grab your shovel and dig in. There’s no telling what we’ll unearth together.
As promised last time, this installment of Exhumed will feature works by David Starkey and Keith Minnion.
Starkey’s story, “In Utero,” appears in CD#2 (1988). Minnion’s piece, titled “Down There,” is from CD#73 (2016).
Author and artist Keith Minnion has returned with a personal novel that’s part police procedural, part supernatural mystery. Alongside The Boneyard, one of the best horror novels of the past ten years, and the recent collection, Read Me, readers are treated to something new, although there are some tricky — and cool — connections to the aforementioned book.Continue Reading
Keith Minnion has long been a force in the horror genre, both as an author and artist. He made his name as an illustrator for several magazines and publishers, most notably and recently for the Stephen King/Richard Chizmar novels Gwendy’s Button Box and Gwendy’s Magic Feather. His short stories have been making the rounds since 1979 and his two collections have garnered high praise.
His first novel The Boneyard, immensely readable and well-written, tears into ground that feels untrodden and fresh. Finding something new these days is tough; finding something that is both new and successful in execution is much tougher. This novel nails it on both counts.Continue Reading
Sometimes, people excel in multiple creative fields, displaying talents many would kill for. Folks such as Neil Gaiman, Joe Hill, Clive Barker, and the author of this collection, Keith Minnion. Those familiar with the iconic magazine Cemetery Dance will recognize the name as the most innovative illustrator in each issue. Those who picked up the Stephen King/Richard Chizmar bestseller of last year, Gwendy’s Button Box, might notice the illustrations in that book look familiar. Continue Reading
An Interview with Richard Chizmar and Brian James Freeman: Talking “Odd Numbers” and “How the Wind Lies”
In April, Keith Minnion’s White Noise Press is publishing a “flipbook” of two stories: “Odd Numbers” by Richard Chizmar and “How the Wind Lies” by Brian James Freeman. White Noise Press produces beautiful, hand-crafted chapbooks in very limited numbers, attractive to own and collect. And as the line-up for this latest chapbook attests, readers get great fiction from well-known genre authors.Continue Reading