Keith Minnion has long been a force in the horror genre, both as an author and artist. He made his name as an illustrator for several magazines and publishers, most notably and recently for the Stephen King/Richard Chizmar novels Gwendy’s Button Box and Gwendy’s Magic Feather. His short stories have been making the rounds since 1979 and his two collections have garnered high praise.
His first novel The Boneyard, immensely readable and well-written, tears into ground that feels untrodden and fresh. Finding something new these days is tough; finding something that is both new and successful in execution is much tougher. This novel nails it on both counts.Continue Reading
Sometimes, people excel in multiple creative fields, displaying talents many would kill for. Folks such as Neil Gaiman, Joe Hill, Clive Barker, and the author of this collection, Keith Minnion. Those familiar with the iconic magazine Cemetery Dance will recognize the name as the most innovative illustrator in each issue. Those who picked up the Stephen King/Richard Chizmar bestseller of last year, Gwendy’s Button Box, might notice the illustrations in that book look familiar. Continue Reading
An Interview with Richard Chizmar and Brian James Freeman: Talking “Odd Numbers” and “How the Wind Lies”
In April, Keith Minnion’s White Noise Press is publishing a “flipbook” of two stories: “Odd Numbers” by Richard Chizmar and “How the Wind Lies” by Brian James Freeman. White Noise Press produces beautiful, hand-crafted chapbooks in very limited numbers, attractive to own and collect. And as the line-up for this latest chapbook attests, readers get great fiction from well-known genre authors.Continue Reading