I was fortunate enough to see The Dark Tower on Tuesday evening at the Bangor Mall Cinemas 10, an event sponsored by Zone Radio. The audience was filled with people who won tickets from the station. In addition to getting a chance to see the film early, attendees also won some King-related merchandise as door prizes, including Dark Tower novel sets, audio books and signed ARCs of the final three volumes in the series. Dark Tower t-shirts were flung into the audience, too.
In March, 2012, while I was writing The Dark Tower Companion, I spoke with Akiva Goldsman about his plans to adapt the Dark Tower series with Ron Howard. Clearly things have changed significantly in the past five years, but his thoughts at the time show where he was coming from and might indicate where the adaptations could be headed. As we anticipate this week’s release of The Dark Tower, enjoy this excerpt from that interview.
In his new introduction to “Hearts in Atlantis,” included in Hearts in Suspension from the University of Maine Press, Stephen King says that the sixties were probably the most crucial and formative period of his life. This collection of essays (and the one piece of fiction) focuses primarily on a four-year period starting in the fall of 1966 and ending in 1970, shortly after the shootings at Kent State. These were turbulent times in America, and influential years for the students attending the University of Maine in Orono (UMO).
What We Can Learn from Ur 2.0
In On Writing, Stephen King presents his theories and philosophies about the art and craft of writing. The book is especially popular among writers, including those who don’t, in general, read his novels.
In one section, he demonstrates his revision process. As a case study, he chose the opening pages of “The Hotel Story,” later retitled “1408.” The book reproduces manuscript pages, complete with editorial marks and his annotations, explaining why he chose to make certain changes to the original text.
We don’t often get the chance to see inside the creative mind at that level. I was pleased to be able to include some first draft manuscript pages of King’s work in the Stephen King Illustrated Companion because they demonstrate more of this phenomenon: pages from The Shining, for example, that show how King originally conceived the scene in which Danny has a strange encounter with a fire hose.
This week, in Entertainment Weekly, King tells us How TV ruined baseball.
As you’ve probably heard by now, King’s short story “N.” is being adapted as an animated comic by the team at Marvel. During the month of August, a new 1-2 minute episode of the story appears each weekday, for a total of 25 installments. There are many ways to see this on the web and on cell phones, but why not just check back here each day when the new one goes live?
Or you can wait until November and get the limited collector edition of Just After Sunset, which will be packaged with a DVD containing all 25 episodes. King is optimistic about the video’s prospects. “I think they’re readers,” he says of likely video viewers. But he admits that the venture is “something of a test” whose outcome isn’t certain. The story will also be released as a comic book miniseries in early 2009.
If you’ve been waiting for news about the illustrated edition of The Little Sisters of Eluria plus The Gunslinger coming from Donald M. Grant, here’s the latest: The book has been sent to the printer and is being proofed. There will be a traycased and a slipcased edition, both illustrated by Michael Whelan. It will contain new art as well as the art originally published in the first edition of The Gunslinger. Grant says: “Price, release date and other details will be posted on our web-site and published in our newsletter. We expect that this will be announced in four to six weeks.”
Pocket books will be issuing a 10th-anniversary trade paperback edition of Bag of Bones, featuring bonus text from King this fall. It includes a Q&A with King where he talks about ghosts, secrets, and being alive.
The Children of the Corn remake is gearing up to start filming in the Quad Cities area of Iowa during September. The remake is being written, directed and produced by Donald Borchers, a producer on the original movie, which was filmed in the Sioux City, Iowa, area and spawned numerous sequels. The budget for the production is estimated at $2 million. Borchers says, “It’s no longer requisite to have a happy ending. We wanted to stay faithful to the decisions in [King’s] original story.”