At first glance, On Quiet Earth reads like a typical zombie survivor novel. The plot is formulaic—survivors band together, try to outrun zombies, and live in a post-apocalyptic world. What makes Kelly’s take on this genre unique is his sparse prose which, coupled with the psychological aspects of the book, make for an interesting zombie read.Continue Reading
George Romero’s impact on the horror genre cannot be overstated. It also cannot easily be summed up in a paragraph or two, so I won’t waste our time together. What I will tell you is that the things that made his work so impactful—the purity of his vision, the weaving of social commentary throughout his narratives, the unflinching approach to scenes of visceral horror—are preserved, upheld, and honored by the man chosen to finish Romero’s last work: Daniel Kraus.
Before we talk about The Epic of Gilgamesh, I want to touch on folklore, myths, and religion. As stated previously, my goal with this column is to present a history of horror fiction from primitive man up to today’s Kindle revolution. In doing that, I will undoubtedly anger some people. (Indeed, judging by the recent histrionics of the addled S.T. Joshi, I already have.) But while I’m happy to piss people off by claiming there’s common ground between quiet horror and splatterpunk, or discussing the possibility that America’s oldest mass market paperback publisher was partially funded by organized crime, it is not my intent to anger or offend anyone by disparaging their personal religious beliefs.Continue Reading