People ask me all the time who the next Jason, Michael or Freddy will be. I tell them there’s a better chance of a Glenn Miller-hip hop genre emerging on pop radio than ever seeing the likes of our favorite killing machines from the ’80s. They were a product of a very special time in horror cinema. The best we’ve been able to come up with since then is Saw. A puppet and dying old dude really don’t shiver me timbers. Continue Reading
1988’s Halloween 4: The Return of Michael Myers is neither the most beloved nor the most reviled entry in the franchise. It’s a bit on the bland side for me (Michael’s mask, in particular, lacks any personality whatsoever), but man—I do love these opening credits.Continue Reading
Hip hop music and horror movies go way back. Sometimes the two came together as a promotional gimmick (see Freddy Krueger’s collaborations with Will Smith and The Fat Boys), sometimes it was a case of an artist paying homage to (or making fun of) the horror icons of their time.Continue Reading
One of the hardest things for those who followed John Carpenter in adding to the Halloween movie franchise to get right has been the mask worn by Michael Myers. Nothing has matched (or even come close to matching) the soul-chilling look of that first mask, the now-famously-modified William Shatner hood that Carpenter used to such great effect.
But, man, if you thought the filmmakers have had a tough time nailing down that iconic look, wait ’till you see some of the misguided attempts from merchandisers.Continue Reading
Each year, fans from all over the country travel to California to visit a small house in Pasadena. It’s an unremarkable house, save for the fact that it’s immortalized on film as the house where six-year-old Michael Myers killed his sister, Judith.