The City of Corpses (Book two of the Lost Carcosa Series) by Joseph Sale
Blood Bound Books (January 16th, 2024)
The synopsis: Dark fantasy and horror combine in this epic narrative of war, betrayal, love, and spirituality…Reeling from betrayal, Alan, Cassilda, LeBarron, and Petruccio must go into hiding; the only place that seems safe is Alar, an underwater kingdom lying at the bottom of Lake Hali. But all is not well in Alar. Dangers lurk around every corner. And a sorceress now rules the city, one whose powers challenge even those of Carcosa’s princesses, Cassilda and Cali…Meanwhile, Pe’kar, the great enemy, unleashes his second legion upon Carcosa, intent to finally raze the city to the ground and become undisputed ruler of the black planet. How can Alan and his fellowship save Carcosa when they can hardly save themselves? The answer lies within…
The City of Corpses is the second Book of Lost Carcosa, an epic fantasy-horror that reimagines the astonishing mythos of Robert W. Chambers. Combining Clive Barker’s eroticism and fantasy with Stephen King’s pulse-pounding narrative, The City of Corpses will please fans of Imajica, Weaveworld, The Dark Tower, H. P. Lovecraft, Eric LaRocca, and Alistair Rennie.Continue Reading
Rebecca Cuthbert is a dark fiction and poetry writer living in Western New York. She loves ghost stories, folklore, witchy women, and anything that involves nature getting revenge. Her debut poetry collection, In Memory of Exoskeletons, is out now with Alien Buddha Press, and her hybrid poetry and story collection, Self-Made Monsters, will arrive in Fall of 2024. Her non-fiction book, Creep This Way
Clay McLeod Chapman writes books, comic books, children’s books, as well as for film and television. His most recent novel, What Kind of Mother and Ghost Eaters are grief horror stories. Chapman’s vibrant personality and energy are magnetizing, and seemingly contradictory to his writing material. Todd Keisling and I joked that the Whisper Down The Lane author is “like a cup of coffee” — rejuvenating.
In true Splatterpunk style, John McNee’s 
