Silverwood: The Door is the follow-up to Silverwood, an original video series from Tony Valenzuela’s Black Box TV (episodes are available on YouTube). Brian Keene acts as showrunner for a writers room featuring Cemetery Dance founder and publisher Richard Chizmar, Stephen Kozeniewski, and the Sisters of Slaughter – Michelle Garza and Melissa Lason. The result is a 10-episode series, released in weekly installments in both prose and audiobook formats beginning in October. The team promises a mix of horror styles encompassing slashers, splatterpunk, psychological, Lovecraftian, and more.Continue Reading
I’ve read a post-apocalyptic novel or two in my day, and a common thread that runs through them is that when the bomb drops or the plague hits or whatever apocalyptic thing it is that happens happens, people stop going to work. The apocalypse, it seems, is an unimpeachable reason to play hooky.
Not so in Ling Ma’s entertaining, thought-provoking debut novel, Severance. In Severance, when the apocalyptic thing happens — in this case it’s a disease called Shen Fever — the unaffected minority keep going to work. For some, it’s a coping mechanism. For others, it’s the promise of a hefty bonus, or the idea that their loyalty to the company will get them ahead when this all blows over.
Somewhere along the way, Friday the 13th got a new mascot. Instead of an unlucky black cat — back arched, fur standing on end, claws bared, hissing — the official symbol of this unofficial holiday became a mute serial killer in a hockey mask.
His name is Jason, and today is HIS day. Today, you won’t be able to look at social media without seeing his masked mug on every other post. There will be lists about his best kills, and debates about who is the best “Final Girl” (it’s Ginny, from Part 2), and arguments over which is his best movie (it’s The Final Chapter).
Here at Cemetery Dance, we love movies, but we live for books. So on this, the last Friday the 13th of 2018, I thought it would be appropriate to take a look at the Jason Voorhees story as it has played out in print. As you’ll see, the authors who have tackled the character of Jason Voorhees over the years have taken him on a ride as wild — and wildly uneven — as the film franchise itself.Continue Reading
Read enough horror, and you start feeling like you can predict where a book or story is going to go within a few pages or chapters. I’m not saying that all horror is predictable or formulaic; just that enough of it is that some reviewers (like me) might find themselves getting a little cocky after a few successful predictions. Then someone like Chad Lutzke comes along with a novella like Stirring the Sheets, and gleefully knocks you off your high horse.Continue Reading
If you follow Brian Keene on social media, you probably noticed he’s been teasing us all a lot lately. I don’t mean teasing in a mean, name-calling, bullying kind of way; I mean he’s been dangling a mysterious new project in front of us like a carrot on a stick. Finally, during a May 11 telethon that featured a rap battle and Keene wearing tights, among other things (oh, and that raised over $21,000 for the Scares That Care charity!), the beans were spilled: Keene has joined forces with Serial Box and a room full of talented horror writers to produce a new prose fiction series called Silverwood: The Door.Continue Reading
Just when I thought I was out, they pull me back in.
While The Godfather Part III is not the most revered entry in that series, that Al Pacino line is one of the franchise’s most memorable quotes. The idea behind it—the notion that people play certain inescapable roles in their life, no matter how hard they may try to change—is the basis for quite a bit of crime fiction, and it forms the backbone of Laird Barron’s new novel, Blood Standard.Continue Reading
I had certain expectations for Unbury Carol. That was foolish. I should know by now, after reading much of Josh Malerman’s output (except, somehow, the one that got everybody talking about him to begin with: Bird Box), that he is not going to deliver the expected. So, when I allowed the title and the synopsis and the cover to lead me to expectations of a western/horror hybrid that would be a dark cross between a fairy tale and a Hammer movie…well, I should have known that wasn’t what I was going to get.Continue Reading
Mary SanGiovanni is a prolific author and podcaster, and she’s getting ready to add another title to the list: editor. Recently, SanGiovanni announced that she is joining forces with respected publisher Thunderstorm Books to form a new, female-centric imprint. In the following interview, SanGiovanni discusses her approach to creating and curating this new line of horror fictionContinue Reading
Over the years, the Hellraiser mythology has become something of a hash, combining elements of Clive Barker’s original novella The Hellbound Heart with bits from the Hellraiser movies (mainly the first two in the franchise: Hellraiser and Hellbound: Hellraiser II). Nowhere is this more evident than in The Scarlet Gospels. In Barker’s 2015 novel, the cenobite known as Pinhead (but not to his face; no, never to his face) was a sometimes confusing mix of the elegant sadist from Hellbound Heart and a bloodthirsty, Hollywood-style slasher.Continue Reading
Quiet horror is, to me, the most effective style of horror, especially when it comes to written horror. Shocks, gore, jump scares—when done right, those things work in the moment. But quiet horror, when done right, lingers. Stays with you. Comes back to you at the worst (i.e., the best) possible times, like when you’re just about to drift off to sleep and you hear a soft thump behind the closet door, or when you catch a glimpse of something out of the corner of your eye that disappears when you look straight at it. Shock hits you and then wears off a second later and you’re laughing, shaking your head, saying “They got me again.” Quiet horror hangs around, and when it comes back to you, nobody is laughing.Continue Reading
The Listener Preview Event
The Alabama Booksmith, Birmingham, Alabama
December 5, 2017
by Blu Gilliand
More than a dozen devoted fans (some driving from more than three hours away) braved a rainy Alabama night to gather at The Alabama Booksmith for a “preview party” for Robert McCammon’s upcoming Cemetery Dance novel The Listener.Continue Reading
Like all great artists, Dave McKean has a style that is immediately recognizable as his and his alone. His unique visuals have graced everything from comic books (perhaps most notably his eight-year run as cover artist for Neil Gaiman’s Sandman series and his collaboration with Grant Morrison on the graphic novel Arkham Asylum) to album covers. book covers….even stamps. So, what happens when you ask a group of authors to filter that style through their own distinct voices?Continue Reading
Back in 1994, Joe R. Lansdale wrote a story called “Bubba Ho-Tep” about an elderly Elvis Presley teaming up to fight a mummy with a fellow nursing home resident who thought he was JFK, and I read it and thought, “Welp, it doesn’t get much crazier than that.” Boy, was I wrong.Continue Reading
In his introduction, accomplished author and editor Vince Liaguno describes the theme of Unspeakable Horror 2: Abominations of Desire as “desire gone awry.” This theme winds through a strong slate of stories selected by Liaguno for his follow-up to the Bram Stoker Award-winning collection Unspeakable Horror (2008). As we often see in real life, these stories portray desire as a catalyst for more than pleasure; often, desire leads to unintended consequences, bad decisions, and terrible results.Continue Reading
John Brhel and Joe Sullivan grew up consuming the short, sharp shocks of horror fiction anthologies in the ’80s and ’90s. After several successful writing projects, they’ve finally found the perfect way to channel their love of twisted tales in their new anthology, Corpse Cold. They took the project to Kickstarter. and, with just under a week left ’til the deadline, they’ve blown past their $3,000 goal.
Brhel (who, when he isn’t writing short stories, writes the “My First Fright” column for Cemetery Dance) took a few minutes to answer some questions about the origins and approach to Corpse Cold.