If you know anything about Cemetery Dance, you know that the arrival of October…The Spooky Season…is a very special time of year for us. To celebrate, we’ve invited some of our favorite spinners of spooky tales to share their favorite Halloween traditions and memories with us.
Today we’re joined by Stephen Graham Jones, whose novel My Heart is a Chainsaw took the horror genre by storm last year and will, in true slasher tradition, be followed by at least two sequels. Continue Reading
Stephen Graham Jones is to slashers what peanut butter is to jelly. Separately they are still awesome, but together they are perfection. With the popularity of the genre on the rise again due to movies such as Fear Street and the new Halloween Kills, and books from powerhouses such as Grady Hendrix, I got to sit down to chat with Stephen about his own latest release, My Heart is a Chainsaw.
Sometimes movies take their inspiration from books and sometimes books are inspired by movies. In the case of My Heart is a Chainsaw, author Stephen Graham Jones lets his “horror movie fan” flag fly inside the soul of his teenage protagonist, Jade Daniels.Continue Reading
So Shanna got a new job at the movie theater, we thought we’d play a fun prank on her, and now most of us are dead, and I’m really starting to kind of feel guilty about it all.
Stephen Graham Jones packs a lot of information about his new book Night of the Mannequins into that opening sentence. You get a hint of events to come, a clear idea of the tone, and an important clue about the attitude of the narrator, all in less than 40 words. That, my friends, is talent.Continue Reading
I read an interview with Stephen Graham Jones where he said, “I just figure I am Blackfeet, so every story I tell’s going to be Blackfeet.” (Uncanny Magazine/Julia Rios)
This one, simple statement is manifested in SGJ’s body of work; each book wildly different from the last, but distinctly identifiable as his own because they bear his fingerprints, unique storytelling voice and personal context.Continue Reading
Mr. Jones doesn’t know it yet, but we have a lot in common. When writing, we both dig deep for the little boy inside that’s packed full of maybe too much emotion, then put him in a situation where maybe we could never survive ourselves; maybe we wouldn’t want to even try. Then dig deeper still for all that hurt and confusion from our own lives invested in this and that, take it and use it in stories that are meant to do much more than entertain, but to touch people, make them consider. Mapping the Interior does that perfectly.Continue Reading
The werewolves of Mongrels roam the South like a pack of feral dogs, surviving on the very instincts and abilities that often work directly against them. They live in ratty trailers, work an endless parade of menial jobs, subsist on road kill and strawberry wine coolers. They sneak into town under assumed names and sneak out under the cover of night when things go bad. And they always go bad.Continue Reading
Paper (n): material manufactured in thin sheets from the pulp of wood or other fibrous substances, used for writing, drawing, or printing on
Cut (v): make (a movie) into a coherent whole by removing parts or placing them in a different order.
The Top Werewolf Films You (Probably) Haven’t Seen But Should: Stephen Graham Jones Talks ‘Mongrels’
When I initially pitched the idea for this column to the editors at Cemetery Dance Online, it was a very, uh… loose pitch. The “hook” was me discussing horror movies and horror fiction, wherever they happen to intersect.
Amazingly those suckers visionaries at CD were cool with that. Also I keep coming up with jokey clickbait headlines, so that probably helps. There is a list of “Top Werewolf Films” somewhere in this interview, but you have to read to find it.
Having no set format means I get to have guests. Which is a long-winded way of saying that, this month: I wanted to talk to one of my favorite authors! And he said yes!Continue Reading