Mr. Jones doesn’t know it yet, but we have a lot in common. When writing, we both dig deep for the little boy inside that’s packed full of maybe too much emotion, then put him in a situation where maybe we could never survive ourselves; maybe we wouldn’t want to even try. Then dig deeper still for all that hurt and confusion from our own lives invested in this and that, take it and use it in stories that are meant to do much more than entertain, but to touch people, make them consider. Mapping the Interior does that perfectly.
The werewolves of Mongrels roam the South like a pack of feral dogs, surviving on the very instincts and abilities that often work directly against them. They live in ratty trailers, work an endless parade of menial jobs, subsist on road kill and strawberry wine coolers. They sneak into town under assumed names and sneak out under the cover of night when things go bad. And they always go bad.
Cut (v): make (a movie) into a coherent whole by removing parts or placing them in a different order.
The Top Werewolf Films You (Probably) Haven’t Seen But Should: Stephen Graham Jones Talks ‘Mongrels’
When I initially pitched the idea for this column to the editors at Cemetery Dance Online, it was a very, uh… loose pitch. The “hook” was me discussing horror movies and horror fiction, wherever they happen to intersect.
And while that loosey-goosey connective theme has probably turned off some readers (“now we’re just reading a list of books he likes? Get out of your own butt, guy!”), it’s meant that I basically get to write about whatever I want and have it get a bunch of eyes on it.
suckers visionaries at CD were cool with that. Also I keep coming up with jokey clickbait headlines, so that probably helps. There is a list of “Top Werewolf Films” somewhere in this interview, but you have to read to find it.
Having no set format means I get to have guests. Which is a long-winded way of saying that, this month: I wanted to talk to one of my favorite authors! And he said yes!