By now you’ve likely heard of Stephen King’s “Dollar Baby” program, in which he grants the rights to adapt one of his short stories to fledgling filmmakers for a buck. Frank Darabont is perhaps the best-known graduate of the “Dollar Baby” program, having adapted King’s short story “The Woman in the Room” before going on to helm one of the most acclaimed King adaptations of all time, The Shawshank Redemption (not to mention the undervalued, in my eyes, adaptation of King’s The Green Mile).
John Brhel and Joe Sullivan grew up consuming the short, sharp shocks of horror fiction anthologies in the ’80s and ’90s. After several successful writing projects, they’ve finally found the perfect way to channel their love of twisted tales in their new anthology, Corpse Cold. They took the project to Kickstarter. and, with just under a week left ’til the deadline, they’ve blown past their $3,000 goal.
Brhel (who, when he isn’t writing short stories, writes the “My First Fright” column for Cemetery Dance) took a few minutes to answer some questions about the origins and approach to Corpse Cold.
An Interview with Chris Morey: Staring into the ABYSS
Dark Regions Press has been a staple of the dark fiction publishing scene for 30 years, releasing works from authors such as Clive Barker, Joe R. Lansdale, Rick Hautala, Tim Waggoner, and many more. Owner/publisher Chris Morey takes great pains to lead his team in not only finding great stories, but in presenting those stories in impeccably designed editions. His latest project is I AM THE ABYSS, an anthology featuring ten novellas focused on the afterlife. Recently, Morey took a few moments away from preparing for the launch of the book’s Kickstarter campaign to talk to Cemetery Dance Online. Continue Reading