David Vollmand is like a lot of people: he has a job that confines him to a chair and a screen every day; he has a good friend to tip a beer with after work; he has a loyal dog waiting for him at home; and he has an unrequited love from many years ago. Like many people, he finally gives in to temptation and hops on the Internet to see where “the one that got away” got away to.
Unlike many people, reconnecting with an old flame could cost him his
Lisa Morris certainly isn’t the first eight-year-old child to fib about her health so her parents won’t cancel a much-anticipated trip to a giant theme park. She is, however, the first child whose fib led to approximately 10 million deaths and a dramatic shift in the way the human immune system works.Continue Reading
I’ve had the pleasure of reviewing several Joe R. Lansdale novels, collections and stories in my time. It’s almost to the point where I’ve run out of superlatives to share; where the limitations of my vocabulary and ability make me want to just say, “Here’s a new Lansdale book. It’s good, as usual. Go throw money at it.”
But Lansdale deserves better, and you do, too. So, please follow along as I attempt to find new and interesting ways to heap praise upon Lansdale and his new collection, Driving to Geronimo’s Grave and Other Stories.Continue Reading
Over the years, the Hellraiser mythology has become something of a hash, combining elements of Clive Barker’s original novella The Hellbound Heart with bits from the Hellraiser movies (mainly the first two in the franchise: Hellraiser and Hellbound: Hellraiser II). Nowhere is this more evident than in The Scarlet Gospels. In Barker’s 2015 novel, the cenobite known as Pinhead (but not to his face; no, never to his face) was a sometimes confusing mix of the elegant sadist from Hellbound Heart and a bloodthirsty, Hollywood-style slasher.Continue Reading
Like all great artists, Dave McKean has a style that is immediately recognizable as his and his alone. His unique visuals have graced everything from comic books (perhaps most notably his eight-year run as cover artist for Neil Gaiman’s Sandman series and his collaboration with Grant Morrison on the graphic novel Arkham Asylum) to album covers. book covers….even stamps. So, what happens when you ask a group of authors to filter that style through their own distinct voices?Continue Reading
Back in 1994, Joe R. Lansdale wrote a story called “Bubba Ho-Tep” about an elderly Elvis Presley teaming up to fight a mummy with a fellow nursing home resident who thought he was JFK, and I read it and thought, “Welp, it doesn’t get much crazier than that.” Boy, was I wrong.Continue Reading
In what is already being looked back on as a groundbreaking ten-year run, Subterranean magazine published a staggering array of stories featuring one elite, award-winning author after another. Three years after the last issue was published, The Best of Subterranean arrives as an overdue celebration of one our finest, most lamented genre magazines.Continue Reading
The majority of slasher fiction—whether it’s short stories, books, or movies—tends to focus on the hunt. Here’s a group of thinly-sketched victims, cannon fodder to be creatively knocked off one-by-one; and here’s a killer, often silent, usually masked, his or her motivations as mysterious as their identity. What comes after is, more often than not, a by-the-numbers recreation of the stalk-n-slash formula that’s been a staple of horror since the 1970s.*Continue Reading
Infernal Parade is the second volume compiling stories created by Clive Barker to accompany figures created in conjunction with Todd McFarlane. The first, Tortured Souls, benefited because it began life as a novella that was broken up to go along with the packaging of the various figures. Infernal Parade is a series of character sketches meant to lend a little backstory to the figures, making it feel incomplete when pulled together in one volume.Continue Reading
“I was living in a pulp writer fury, a storm of imagination.”
That’s how author Joe R. Lansdale describes his early years, that delicate time when a steady diet of television shows, comic books and Edgar Rice Burroughs novels cemented his desire to become a writer. Dead on the Bones: Pulp on Fire is full of stories in which Lansdale seeks to honor those early influences that have given him—and, in turn, his readers—so much.Continue Reading
The Matthew Corbett books have historically been hefty affairs—Speaks the Nightbird, the first in the series, clocked in at over 800 pages, and the others have gone 400 or more. The lone exception was the fifth book, 2014’s River of Souls, which was a lean 256 pages. It’s my personal favorite of the series, the perfect mix of Robert McCammon’s incredibly detailed world building and action/thriller pacing.
Freedom of the Mask has put some of the weight back on—my advance copy hit 530 pages—but maintains the breathless pace of its predecessor. There’s enough story packed in it for two books, but it’s filler-free, and for good reason: there’s a ticking clock hanging over McCammon’s head now. He’s announced that the series will go nine books and no further, which puts us deep in the overall Corbett story arc at this point. McCammon is very calculated in the way he handles each book’s immediate plot while moving all the pieces toward the series conclusion. Continue Reading
The limited edition hardcover treatment for a short story might seem like overkill, but some pieces deserve to be highlighted on their own. Such is the case with This Year’s Class Picture, a classic zombie tale by Dan Simmons that first appeared nearly 25 years ago in John Skipp and Craig Spector’s stellar anthology Still Dead: Book of the Dead 2.
Ms. Geiss is dealing with the aftermath of the zombie uprising as best she can – staying vigilant, fortifying her sanctuary, keeping a watchful eye out at all times. She’s also trying to maintain some sense of normalcy, albeit through some rather extreme measures. Ms. Geiss was a fourth grade teacher in another life and another world; a dedicated educator who chose the school she taught in for years as her safe place during the end of the world; a woman who now maintains and attempts to teach a small class of undead children in her former classroom.Continue Reading
I don’t know how the Lansdale brothers divvied up the writing duties on Hell’s Bounty, and, truth be told, it doesn’t matter. Storytelling runs deep in the Lansdale family, and Joe and John’s new novel is a seamless powder keg of a collaboration, packed tight with wild, weird western fun.
Something has emerged from an old mine shaft near the town of Falling Rock. Moving about as it does on bat wings, leaving a whiff of sulfur in its wake, chances are it’s nothing good. Typical for Falling Rock, which seems to attract bad things – and bad people. Take Trumbo Quill for example, a man bad enough to shoot another man dead just for accidentally sitting on his hat. Or Smith, a newly-arrived bounty hunter whose explosive confrontation with Quill lands him, literally, in Hell.Continue Reading
An Interview with Richard Chizmar: Looking Forward to A Long December
Richard Chizmar is perhaps best known as the founder of Cemetery Dance magazine and Cemetery Dance Publications. He is also an accomplished writer, with fiction appearing in dozens of publications, including Ellery Queen’s Mystery Magazine and The Year’s 25 Finest Crime and Mystery Stories. HIs fiction has netted him several prestigious awards, including two World Fantasy Awards, four International Horror Guild Awards, and the Horror Writers Association’s Board of Trustees Award.
Recently, Chizmar announced that Subterranean Press will be publishing A Long December, a massive collection of thirty-five stories spanning his career. The book comes twenty years after Chizmar’s first collection, Midnight Promises, itself a finalist for a World Fantasy Award. Advance buzz on A Long December has been strong, with novelist Scott Smith (The Ruins, A Simple Plan) saying, “…Chizmar does a tremendous job of peeling back his world’s shiny layers, revealing the rot that lies underneath. His stories feel like so many teeth: short and sharp and ready to draw blood.”
Read on for insight from the author about this upcoming collection, including what was behind his decision to publish it through a press other than his own. Continue Reading