Review: Driving to Geronimo’s Grave and Other Stories by Joe R. Lansdale

Driving to Geronimo’s Grave and Other Stories by Joe R. Lansdale
Subterranean Press (October 2018)
272 pages; $26.70 hardcover
Reviewed by Blu Gilliand

I’ve had the pleasure of reviewing several Joe R. Lansdale novels, collections and stories in my time. It’s almost to the point where I’ve run out of superlatives to share; where the limitations of my vocabulary and ability make me want to just say, “Here’s a new Lansdale book. It’s good, as usual. Go throw money at it.”

But Lansdale deserves better, and you do, too. So, please follow along as I attempt to find new and interesting ways to heap praise upon Lansdale and his new collection, Driving to Geronimo’s Grave and Other Stories.Continue Reading

Dead Trees: The Drive-In by Joe R. Lansdale

The year was 1988. I had been a serious horror reader for years and things were really starting to get interesting. We had it all then. Big names, legends, were still publishing: Robert Bloch, Ray Russell, Manly Wade Wellman, Hugh B. Cave, and others. Newer writers like Dennis Etchison, Richard Christian Matheson, Ramsey Campbell, and Michael McDowell were getting into high gear. Writers were migrating from the SF field. And there was a new, streetwise style of horror breaking barriers, from writers like John Skipp, Craig Spector, David J. Schow, Ray Garton. It was a heyday, and it seemed like every new author on the scene I heard about was well worth my time and money.

So when I read a triple review by the great Stanley Wiater in Fangoria magazine about a writer named Joe R. Lansdale, I took notice. The reviewed works in question were Act of Love, The Nightrunners, and Dead in the West.Continue Reading

Review: The Magic Wagon by Joe R. Lansdale

The Magic Wagon by Joe R. Lansdale
BookVoice Publishing (2018)
$50 limited edition signed hardcover (500 copies)
Reviewed by Chad Lutzke

First, a word about the introduction by Lansdale himself––a backstage pass to Mr. Lansdale’s writing method and history of The Magic Wagon. There’s a chance I liked it so much because we happen to have the same view on what makes a story and how to have fun writing and how pantsing (for us) is what keeps the fun going. The discovery as we write. Personally, it was like a nice little validation from the man himself that there ain’t nothing wrong with writing words down and just letting them take you wherever. Continue Reading

Review: Bubba and the Cosmic Blood-Suckers by Joe R. Lansdale

Bubba and the Cosmic Blood-Suckers by Joe R. Lansdale
Subterranean Press (October 2017)
200 pages; $31.84 hardcover; $6.99 e-book
Reviewed by Blu Gilliand

Back in 1994, Joe R. Lansdale wrote a story called “Bubba Ho-Tep” about an elderly Elvis Presley teaming up to fight a mummy with a fellow nursing home resident who thought he was JFK, and I read it and thought, “Welp, it doesn’t get much crazier than that.” Boy, was I wrong.Continue Reading

Review: ‘Hap and Leonard: Savage Season’ adapted by Jussi Piironen

Hap and Leonard: Savage Season adapted and illustrated by Jussi Piironen
Short, Scary Tales Publications/IDW (October 2017)
124 pages; £39.95 signed, numbered hardcover; $17.99 paperback; $7.99 e-book
Reviewed by Blu Gilliand

Joe R. Lansdale’s “Hap and Leonard” series isn’t the first thing that comes to my mind when considering what books would benefit from being adapted in graphic novel form. Lansdale’s series, about a couple of blue collar buddies whose keen sense of right and wrong gets them into escalating amounts of trouble with bad guys and good guys alike, is elevated by the author’s sharp dialogue and natural storytelling ability—two things which could easily be lost in translation when moving to the more visual medium of comics.Continue Reading

Onscreen Mojo: An Interview with Joe R. Lansdale

Joe R. Lansdale

Many colorful descriptors have been affixed to describe the work of ten-time Bram Stoker Award-winning author Joe R. Lansdale, but reigning champion of mojo storytelling (as coined by Lansdale’s friend and webmaster Lou Bark) is the most fitting way to express his dynamic style. Throughout a prolific career, Lansdale has produced an astounding assortment of unique tales gracefully two-stepping between the pulp and the profound. His work is gritty, funny, and violent, characterized by biting dialogue and Lansdale’s ability to seamlessly cross genres while remaining conscious of history and storytelling tradition. Lansdale’s distinct literary voice regales his readers with tales of rough-and-tumble anti-heroes ready to throw down against dangerous criminals, serial killers, and occasional otherworldly monsters running amok in East Texas.Continue Reading

Review: ‘Dead on the Bones: Pulp on Fire’ by Joe R. Lansdale

dead_on_the_bones_by_joe_r_lansdaleDead on the Bones: Pulp on Fire by Joe R. Lansdale
Subterranean Press (December 2016)
296 pages; $40.00 hardcover
Reviewed by Blu Gilliand

“I was living in a pulp writer fury, a storm of imagination.”

That’s how author Joe R. Lansdale describes his early years, that delicate time when a steady diet of television shows, comic books and Edgar Rice Burroughs novels cemented his desire to become a writer. Dead on the Bones: Pulp on Fire is full of stories in which Lansdale seeks to honor those early influences that have given him—and, in turn, his readers—so much.Continue Reading

Review: 'Hell's Bounty' by Joe R. Lansdale and John L. Lansdale

Hells_Bounty_by_Joe_R_Lansdale_and_John_L_LansdaleHell’s Bounty by Joe R. Lansdale and John L. Lansdale
Subterranean Press (February 2016)
190 pages; $40 hardcover
Reviewed by Blu Gilliand

I don’t know how the Lansdale brothers divvied up the writing duties on Hell’s Bounty, and, truth be told, it doesn’t matter. Storytelling runs deep in the Lansdale family, and Joe and John’s new novel is a seamless powder keg of a collaboration, packed tight with wild, weird western fun.

Something has emerged from an old mine shaft near the town of Falling Rock. Moving about as it does on bat wings, leaving a whiff of sulfur in its wake, chances are it’s nothing good. Typical for Falling Rock, which seems to attract bad things – and bad people. Take Trumbo Quill for example, a man bad enough to shoot another man dead just for accidentally sitting on his hat. Or Smith, a newly-arrived bounty hunter whose explosive confrontation with Quill lands him, literally, in Hell.Continue Reading