In his introduction to this, his latest collection, Joe R. Lansdale writes, “It’s no secret that I like to write a variety of stories in a variety of genres, and my favorite of those is the Lansdale genre.”
Lansdale goes on to explain what that genre is, but all you really need to do to understand the “Lansdale genre” is to read the stories that follow the introduction. Reading these stories is like taking a peek into Lansdale’s mind, a one-of-a-kind universe where cowboys fire six-shooters at Tyrannosaurus Rexes; where apes don space helmets and fly to the moon; where one-eyed space aliens tend bar in an old mining town saloon.Continue Reading
I took a few road trips in my youth. While they were marked with plenty of shenanigans and questionable decisions (as was most of my youth), none of them came close to the craziness experienced by the women in Jane Goes North, Joe Lansdale’s new novel from Subterranean Press. It’s probably a good thing, too; Lansdale’s women barely flinch in the face of the inconveniences and dangers he tosses at them, while I would have crumbled like a cheap cookie.Continue Reading
I think that, sometimes, in the midst of all the discussion about craft and theme and structure, we—meaning writers and readers and reviewers—forget that this stuff is supposed to be fun. It’s so refreshing, then, when an author like Joe R. Lansdale comes along, manuscript in hand and shit-eating grin on his face, to remind us of that very fact.Continue Reading
I’ve had the pleasure of reviewing several Joe R. Lansdale novels, collections and stories in my time. It’s almost to the point where I’ve run out of superlatives to share; where the limitations of my vocabulary and ability make me want to just say, “Here’s a new Lansdale book. It’s good, as usual. Go throw money at it.”
But Lansdale deserves better, and you do, too. So, please follow along as I attempt to find new and interesting ways to heap praise upon Lansdale and his new collection, Driving to Geronimo’s Grave and Other Stories.Continue Reading
The year was 1988. I had been a serious horror reader for years and things were really starting to get interesting. We had it all then. Big names, legends, were still publishing: Robert Bloch, Ray Russell, Manly Wade Wellman, Hugh B. Cave, and others. Newer writers like Dennis Etchison, Richard Christian Matheson, Ramsey Campbell, and Michael McDowell were getting into high gear. Writers were migrating from the SF field. And there was a new, streetwise style of horror breaking barriers, from writers like John Skipp, Craig Spector, David J. Schow, Ray Garton. It was a heyday, and it seemed like every new author on the scene I heard about was well worth my time and money.
So when I read a triple review by the great Stanley Wiater in Fangoria magazine about a writer named Joe R. Lansdale, I took notice. The reviewed works in question were Act of Love, The Nightrunners, and Dead in the West.Continue Reading
First, a word about the introduction by Lansdale himself––a backstage pass to Mr. Lansdale’s writing method and history of The Magic Wagon. There’s a chance I liked it so much because we happen to have the same view on what makes a story and how to have fun writing and how pantsing (for us) is what keeps the fun going. The discovery as we write. Personally, it was like a nice little validation from the man himself that there ain’t nothing wrong with writing words down and just letting them take you wherever. Continue Reading
Back in 1994, Joe R. Lansdale wrote a story called “Bubba Ho-Tep” about an elderly Elvis Presley teaming up to fight a mummy with a fellow nursing home resident who thought he was JFK, and I read it and thought, “Welp, it doesn’t get much crazier than that.” Boy, was I wrong.Continue Reading
Joe R. Lansdale’s “Hap and Leonard” series isn’t the first thing that comes to my mind when considering what books would benefit from being adapted in graphic novel form. Lansdale’s series, about a couple of blue collar buddies whose keen sense of right and wrong gets them into escalating amounts of trouble with bad guys and good guys alike, is elevated by the author’s sharp dialogue and natural storytelling ability—two things which could easily be lost in translation when moving to the more visual medium of comics.Continue Reading
Many colorful descriptors have been affixed to describe the work of ten-time Bram Stoker Award-winning author Joe R. Lansdale, but reigning champion of mojo storytelling (as coined by Lansdale’s friend and webmaster Lou Bark) is the most fitting way to express his dynamic style. Throughout a prolific career, Lansdale has produced an astounding assortment of unique tales gracefully two-stepping between the pulp and the profound. His work is gritty, funny, and violent, characterized by biting dialogue and Lansdale’s ability to seamlessly cross genres while remaining conscious of history and storytelling tradition. Lansdale’s distinct literary voice regales his readers with tales of rough-and-tumble anti-heroes ready to throw down against dangerous criminals, serial killers, and occasional otherworldly monsters running amok in East Texas.Continue Reading
“I was living in a pulp writer fury, a storm of imagination.”
That’s how author Joe R. Lansdale describes his early years, that delicate time when a steady diet of television shows, comic books and Edgar Rice Burroughs novels cemented his desire to become a writer. Dead on the Bones: Pulp on Fire is full of stories in which Lansdale seeks to honor those early influences that have given him—and, in turn, his readers—so much.Continue Reading
I don’t know how the Lansdale brothers divvied up the writing duties on Hell’s Bounty, and, truth be told, it doesn’t matter. Storytelling runs deep in the Lansdale family, and Joe and John’s new novel is a seamless powder keg of a collaboration, packed tight with wild, weird western fun.
Something has emerged from an old mine shaft near the town of Falling Rock. Moving about as it does on bat wings, leaving a whiff of sulfur in its wake, chances are it’s nothing good. Typical for Falling Rock, which seems to attract bad things – and bad people. Take Trumbo Quill for example, a man bad enough to shoot another man dead just for accidentally sitting on his hat. Or Smith, a newly-arrived bounty hunter whose explosive confrontation with Quill lands him, literally, in Hell.Continue Reading