The end is drawing nigh. The end of the world? Pshaw. The end of the year, certainly. This will probably be my last update for 2012, and what better day to do it than on 12/12/12?
Last Friday, King made an appearance at the Tsongas Center at UMass Lowell. During the day, he talked to a creative writing class and that evening he took part in a conversation with faculty member and writer Andre Dubus III. Dubus interviewed him for the first 30 minutes, and King took questions from the audience during the final 30 minutes. In the middle, he treated the audience to the world premiere of a new short story called “Afterlife,” which is not scheduled for publication at this time. Earlier in the day, he talked at length about the novel he is currently working on, describing the genesis and how it developed from a short story idea into a 500 page manuscript. Mr. Mercedes is more of a mystery novel and it has no supernatural elements. You can find video of the entire event at the UMass Lowell website.
Look for the rare King short story “The Glass Floor” in issue #69 of Cemetery Dance magazine. This is the Glenn Chadbourne issue, and my buddy Glenn has put together special illustrations for this creepy tale, King’s first professional sale, originally published in 1967 and only reprinted once since then.
The 24-part graphic adaptation of “Little Green God of Agony” is now finished.
The long-delayed soundtrack for Ghost Brothers of Darkland County will be released on March 19th, 2013. The (enhanced CD) Standard Edition features the complete soundtrack, dialog excerpts and digital libretto. The (2CD/1DVD) Deluxe Edition contains the complete soundtrack (with and without dialog), deluxe art work, handwritten lyrics, specially printed libretto and the “Making of Ghost Brothers” mini-documentary DVD featuring in-depth interviews with King, Mellencamp and Burnett along with other bonus material. Digital editions for tablets, smartphones and e-readers will allow users to interact with the complete soundtrack + digital libretto, as well as exclusive video and graphic materials. King and Mellencamp are still exploring the possibility of bringing the show to Broadway, and King thinks that it might make a good movie, too.
Under the Dome will be a series on CBS next summer. This isn’t going to be a literal translation, though, and neither is it going to be a miniseries. Writer Brian K. Vaughan is using the novel as a launch pad for an open-ended series that could potentially continue beyond the initial 13-week run. Perhaps it will be something like The Dead Zone series, which ran for several years, or like SyFy’s Haven, which has been renewed for a fourth season.
John Cusack will play the lead in an adaptation of Cell from Cargo Entertainment. Richard Saperstein, who produced 1408, will co-produce this feature. No word on when production might begin. And in other casting news, Chandler Riggs (The Walking Dead) and Joel Courtney (Super 8) are joining the cast of Mercy, a feature based on “Gramma.”
Ben Affleck is having a hard time wrapping his head around his proposed adaptation of The Stand. “I like the idea,” he told GQ. “It’s like The Lord of the Rings in America. And it’s about how we would reinvent ourselves as a society. If we started all over again, what would we do?” The film is still on his radar, but it won’t be the next thing he works on. “The script is not ready yet, it needs a lot more work.”
Jonathan Demme had sufficient problems with 11/22/63 that he decided to step away from the project. “This is a big book, with lots in it,” he told Indiewire. “And I loved certain parts of the book for the film more than Stephen did. We’re friends, and I had a lot of fun working on the script, but we were too apart on what we felt should be in and what should be out of the script. I had an option and I let it go. But I hope it’s moving forward, I really want to see that movie.”
The San Francisco Opera will present the world premiere of Tobias Picker’s Dolores Claiborne on Sept. 18 next year, the first of six performances running through October 4. The libretto is by J.D. McClatchy. Mezzo-soprano Dolora Zajick will sing the title character, soprano Elizabeth Futral will perform Vera Donovan, Susannah Biller the daughter Selena St. George, Wayne Tigges the husband Joe St. George, and Greg Fedderly will be Detective Thibodeau. George Manahan conducts and James Robinson directs.
Remember that famous “Study, Dammit” cover from the Maine Campus? The one adapted at King’s website to say “Read the FAQ, Dammit”? Well, the original artwork was discovered recently and you can now purchase copies, with proceeds going to support both The Maine Campus and scholarships at the University of Maine. Visit http://www.studydammit.com/.
Cemetery Dance announced the publication of my signed, limited edition chapbook, Twenty-First Century King recently. The 50-page booklet compiles my reviews of every book King has published in the 21st century, starting with “Riding the Bullet” and ending with The Wind Through the Keyhole. That adds up to 21 reviews and 21,000 words of text. Seems like a theme—the mystical number 21. There are only 750 copies. They make great stocking stuffers for the King fan in your life.
And, last but not least, I recently announced my third book, The Dark Tower Companion, to be published by New American Library (Penguin) in April 2013. This massive companion is 50% longer than The Road to the Dark Tower. It covers not only the eight books in the series, but also the Marvel graphic novel adaptations. I interviewed King for the book, along with Robin Furth, Richard Isanove (colorist), Peter David (script), Jae Lee (artist) and most of the subsequent artists. I also, much to my great delight, got to talk with Ron Howard and Akiva Goldsman about how they plan to adapt the series. The book features a comprehensive glossary and two maps drawn by none other than…me! It will be published as a trade paperback and a Kindle eBook, both of which can be pre-ordered at Amazon.
This is the perfect gift for fans of Stephen King and John Mellencamp – the libretto of their acclaimed Southern Gothic supernatural musical Ghost Brothers of Darkland County, with hand-written notes on the development of the play, Stephen King’s complete script, plus two CDs and a DVD featuring the songs and interviews with Steve, John and Musical Director, T Bone Burnett.
I’ve slid down the rabbit-hole and what’s down there is dark and serious. This is not play-acting or some waking bad dream she’s having. She’s changed, somehow overnight. I don’t know how I know this but I sense it as surely as I sense my own skin. This is not Sam, my Sam, wholly sane and firmly balanced. Capable of tying off an artery as neatly as you’d thread a belt through the loops of your jeans.
