I know, I’m seriously late in reviewing the latest big screen adaptation of a Stephen King novel. Hopefully better late than never! I finally got a chance to see Mike Flanagan’s tour-de-force film this week and I am so glad I got to see it on the big screen. And I can’t wait to see it again, although that may have to wait, because I don’t think it’s going to be in theaters much longer. Continue Reading
Let’s get this out of the way right up front. Yes, It Chapter Two is nearly three hours long. Did it feel like it? Not in the least. Because my phone was turned off during the press screening I attended on Tuesday evening, I had no sense of the passage of time, but I never felt the movie dragged. Not for a moment. I saw it on an IMAX screen, the first time I’ve seen anything on a screen that big in many years. It’s hard to say if it’s worth the premium, but the experience felt immersive to me.
The movie is R-rated, with good reason. It’s pretty darned scary, and very, very bad things happen to cute little kids. I admit, without reservation, that I was jolted into yelling out loud on at least a couple of occasions, which hardly ever happens to me. While the movie has more than its fair share of jump scares, it’s also tense, full of dread, and frightening.
It Chapter Two picks up exactly where we left off two years ago, with the young Losers in the aftermath of their battle with Pennywise, promising to come back if the killings in Derry, Maine start again.
In 2018, Castle Rock, the town Stephen King introduced in The Dead Zone and returned to numerous times in subsequent works, isn’t on the map any more. A few years ago, the town voted to disincorporate itself. The historic downtown is mostly home to boarded-up businesses. Nan’s Luncheonette burned under mysterious circumstances a while back. The nearest Wal-Mart is some sixty miles distant. The town’s main employer is Shawshank Prison, twenty miles away. A considerable percentage of the people behind bars in that establishment are from Castle Rock.Continue Reading
The Dark Tower trailer we’ve all been waiting for is finally here. Let’s get that out of the way straight off:
However, before the trailer showed up at 9:19 am Keystone Earth Time today, we were treated yesterday to some Twitter banter between Idris Elba and Matthew McConaughey as they laid the groundwork for a couple of teaser trailers that contain some footage not found in the official trailer.Continue Reading
There are many things that are integral to Halloween: jack o’ lanterns, ghost stories, Michael Myers and the Great Pumpkin all come to mind. Also, the annual celebration/parodying/lampooning of horror that is the “Treehouse of Horror” episodes of “The Simpsons.”Continue Reading
We’ve been spoiled in recent years by getting two novels from Stephen King. 2016 will see the end of that streak. The recently published End of Watch is the only book from King we’ll see this year. Later this fall, though, we’ll get Hearts in Suspension, edited by Jim Bishop, a collection of essays by King and others about his time as a student at the University of Maine. The publisher says that King’s essay is quite long (the longest of the set of about ten essays by various authors), and that the essay is “funny, truthful, and an involved work about Steve’s experiences during the 60’s, 70’s and the anti-war work of the Vietnam era, and so much more.”Continue Reading
Featured review: The Shining: Studies in the Horror Film
I don’t make a habit of reviewing books that I’m involved with. However, I’ll make an exception in the case of The Shining: Studies in the Horror Film. My essay takes up only about 2% of the book’s 750 pages. Full disclosure, though: I know the book’s editor, Danel Olson, personally. He lives a couple of miles from me, we’ve gone to see movies together and I’ve spoken to his college classes on a couple of occasions.
Having gotten all of that out of the way, this is the sort of book I wish I’d had access to when I was writing my essay, which is called “The Genius Fallacy: The Shining’s ‘Hidden’ Meanings.” Continue Reading
At a recent event, King said he was hard at work on the third volume in the series, which has the working title The Suicide Prince. The previous book, Mr. Mercedes, won the Edgar Award for best novel. King was present to accept it, as he was also at the banquet to present the Ellery Queen Award to Charles Ardai, editor and founder, Hard Case Crime.
On November 3, we’ll get King’s next collection, The Bazaar of Bad Dreams. King will introduce each of the eighteen stories and two poems, providing “autobiographical comments on when, why and how he came to write it”, as well as “the origins and motivation of each story.” The contents are: “Mile 81,” “Premium Harmony ,” “Batman and Robin Have an Altercation,” “The Dune,” “Bad Little Kid,” “A Death,” “The Bone Church,” “Morality,” “Afterlife,” “Ur,” “Herman Wouk is Still Alive,” “Under the Weather,” “Blockade Billy,” “Mister Yummy,” “Tommy,” “The Little Green God of Agony,” “That Bus is Another World,” “Obits,” “Drunken Fireworks,” and “Summer Thunder.” The cover is being gradually revealed at King’s official website.
Several of these stories are quite rare or haven’t been generally available. “Bad Little Kid,” for example, was only released in French and German previously. A few were only available electronically, and “Under the Weather” only appeared in the paperback edition of Full Dark, No Stars. A few of the stories are brand new. Among this number is “Drunken Fireworks,” which will be published as an audiobook read by Maine humorist Tim Sample on June 30. The story will also stream in its entirety on select CBS radio stations nationwide on July 2nd, in keeping with its Fourth of July theme.
Other publication news
Hard Case Crime has announced they will publish an illustrated edition of Joyland this September, featuring cover artwork by Glen Orbik, a map of Joyland illustrated by Susan Hunt Yule and more than twenty interior illustrations by Robert McGinnis, Mark Summers and Pat Kinsella. Note that this is not a limited edition. Hard Case Crime will publish as many copies as are needed to satisfy demand for the book. In related, sadder news, Orbik died recently at the age of 52 from cancer.
The Shining: Studies in the Horror Film is now available for pre-order from Centipede Press. This 752-page book, edited by Danel Olson, features a new introduction by Academy-Award winning director Lee Unkrich, and nearly two dozen new interviews with cast and crew members, reprint interviews, and a handful of excellent essays (plus one from yours truly). The book also features an amazing assortment of behind the scenes photographs, most never before published, crisp frame enlargements from the film, and a special gallery of poster artwork inspired by the movie. The book will be shipping later this month.
This is unexpected and welcome news: Sony Pictures has teamed with MRC to co-finance the Dark Tower adaptation. Sony will distribute what is planned to be the first in a series of movies. A complementary TV series is also being developed by MRC. The new script is primarily drawn from The Gunslinger and the relationship between Roland and Jake, using a brand new script co-written by Akiva Goldsman and Jeff Pinkner. No director has been attached yet, but it’s the most promising news in forever.
Will Poulter (We’re the Millers) is in negotiations to play Pennywise in the upcoming two-part movie adaptation of It directed by Cary Fukunaga.
The principle cast for 11/22/63 (Hulu, early 2016) has been announced: James Franco (Jake Epping), Chris Cooper (Al Templeton), Sarah Gadon (Sadie Dunhill), Cherry Jones (Marguerite Oswald), Daniel Webber (Lee Harvey Oswald), George MacKay (Bill Turcotte), Lucy Fry (Marina Oswald), and Leon Rippy (Harry Dunning). Academy Award winner Kevin Macdonald will direct and executive produce the first two hours of the nine-hour event series.
Brad Pitt’s Plan B has optioned feature rights to The Jaunt. The company has attached Andy Muschietti and Barbara Muschietti, the duo behind the 2013 horror film Mama.
Vincenzo Natali (Cube) is adapting “In the Tall Grass,” the novella cowritten by King and Joe Hill. Principal photography is scheduled for September in the Toronto area.
If you read back over my previous several posts here, you’ll see that they’ve all been leading up today, the launch of Season 5 of Haven, the Syfy TV series loosely based on The Colorado Kid. This season will consist of 26 episodes, spread over the fall and spring in two 13-episode blocks. I visited the set at the end of June, when they were working on the 7th and 8th episodes. This morning, I had the chance to see tonight’s episode, “See No Evil,” which starts immediately after the final moments of Season 4, at which point William had been tossed through the portal under the lighthouse and Audrey had become her original form of herself, Mara, a trouble-maker in the most literal form.
In the first episode, something destroys the lighthouse and the cavern beneath and, presumably, the portal. The main characters are scattered far and wide before the blast, so for a while no one knows where anyone else is, and some time is spent in getting everyone back together. Nathan is the first one to encounter “Audrey,” but she’s not the woman he loves. Not on the surface, anyway. Mara (and kudos to Emily Rose for creating such a different personality, someone who is as gleefully malign as William) has an agenda, and she’s not going to let anyone stand in her way. She wants to get William back, something she can only achieve by a doorway or, rather, via a thinny, which will be a familiar concept to Dark Tower fans. However, something vexes her plans. And Nathan hasn’t given up hope that Audrey is still inside somewhere and he can bring her back.
On another front, Duke is trying to find Jennifer, who is the only lighthouse person unaccounted for. And, of course, there’s a Trouble, which manifests itself in people having their eyes and/or mouths sewn shut with a leather cord that defies all efforts to remove it. Though everyone tries to impress on Dwight the importance of reining in Mara, he knows this Trouble has the potential to be deadly, so that’s his #1 priority. The repercussions of Audrey giving Duke back his Trouble in the penultimate episode last season also start to come to light, and it’s a doozy. And, based on the previews for the season I’ve seen so far, there are going to be callbacks to a lot of past Troubles. Mara made ’em, so she could potentially use them as weapons to achieve her nefarious goals.
And I’m very worried about Dave Teagues. Is he having morphine-induced nightmares or terrifying memories?
Interested in learning more about the origins of the Troubles? There’s a 16-page mini-comic in the Season 4 DVD, and a web series called Haven Origins coming on September 12. Here’s a trailer for it.
King will embark on a six-city book tour to promote the release of Revival. He will appear in New York City (Nov 11), Washington, DC (Nov 12), Kansas City, MO (Nov 13), Wichita, KS (Nov 14), Austin, TX (Nov 15) and South Portland, ME (Nov 17). Further details regarding the itinerary will be posted on King’s official website on September 15th.
Issue 1 of The Prisoner, the first cycle adapting The Drawing of the Three from Marvel, came out this week. For the first time, these comics are being offered digitally as well as in print.
The PBS series Finding Your Roots will feature King in its first episode of the new season on September 23. In this promo, King is shown a photo of his father and in this one, he learns more about his distant ancestors.
Big Driver will premiere on Lifetime on Saturday, October 18 at 8pm ET/PT. The movie stars Maria Bello, Olympia Dukakis, Joan Jett,Will Harris and Ann Dowd (from The Leftovers). The script is by Richard Christian Matheson, with Mikael Salomon directing. Here is a teaser video.
Mr. Mercedes will be a 10-episode TV series. Jack Bender will be on the production team.
CBS has ordered a “put pilot” (a serious commitment) from Warner Bros. TV for a series based on “The Things They Left Behind.” It is described as a supernatural procedural drama in which an unlikely pair of investigators carry out the unfinished business of the dead.
Mark Romanek will direct Overlook Hotel, the prequel to The Shining.
Now that Cell has wrapped, King teased what he could about the film. “The movie is not totally close to the original screenplay that I wrote,” he said. “But I’ll tell you what, the end of it is so goddamn dark and scary. It’s really kind of a benchmark there.”
The Stand director Josh Boone says: I finished writing the script maybe a month ago. Stephen [King] absolutely loved it. It’s, I think, the first script ever approved by him. [It’ll be] a single version movie. Three hours. It hews very closely to the novel…I don’t imagine we would shoot the movie until next Spring at the earliest. His full comments are available at Collider.
In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.
In another part of town, months later, a retired cop named Bill Hodges is still haunted by the unsolved crime. When he gets a crazed letter from someone who self-identifies as the “perk” and threatens an even more diabolical attack, Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing another tragedy.
Brady Hartfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again. Only Bill Hodges, with a couple of highly unlikely allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady’s next mission, if it succeeds, will kill or maim thousands.
Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.
This is just one of two novels we’ll see next year, the other being Revival. There’s a new King short story, “Summer Thunder,” in the CD anthology Turn Down the Lights. Editor Rich Chizmar says it “might be one of the most heartbreaking post-apocalyptic tales we’ve ever read.”
King joined Twitter late last week. Within minutes he had 30,000 followers and the number has since climbed to nearly 200,000. You don’t need to join Twitter to see his feed, though. Just click here.
Samuel L. Jackson will play Tom McCourt in the movie adaptation of Cell, joining John Cusack for the second time (1408). There were some amusing follow-up articles in which Jackson confessed that he didn’t know that his character was gay in the novel. The film will be directed by Tod “Kip” Williams (Paranormal Activity 2). Production is scheduled to begin in January.
Long-time King fan Josh Boone (The Fault in Our Stars) plans to adapt Lisey’s Story. King had a cameo in Boone’s debut, Stuck in Love. Boone talks about how King responded when he sent some books to be autographed when he was 12 in this article.
Add another title to the list of remakes or reworkings. Bob Weinstein is developing a proposed 10-part series with Frank Darabont, based on Dimension’s film version of The Mist. Juan Carlos Fresnadillo (28 Weeks Later) is in talks to direct Pet Sematary. The day after it was announced that Scott Cooper was considering Christian Bale for the theatrical version of The Stand, the director left the project. Paul Greengrass is now being courted to help the film. Cary Fukunaga is currently attached to the remake of It.
Doctor Sleep, which has been out for less than a week, went straight to the top of all of the major bestseller lists. According to USA Today, it is King’s seventh book to debut at #1 since he moved to Scribner in 1998. For those of you who think that the book’s ending invites yet another sequel, King told USA Today that Doctor Sleep will be “my first and only solo sequel.”
You can find my review in Cemetery Dance #70. I joined the Lilja and Lou podcast for a discussion of The Shining leading up to Doctor Sleep’s publication day. Apparently it was the most listened-to installment of their podcast series. I also wrote a brief article for the Early Reader’s Club about crossovers between Doctor Sleep and other novels (not just King’s). I don’t think I’ve ever had an online article generate that many comments!
King will be making three stops on his book tour for Doctor Sleep. First, he’ll appear with his son, author Owen King, in New York City on September 24th at 7:30 PM, presented by The Center for Fiction at the Gerald Lynch Theater at John Jay College. Then he’ll be at the Colorado Chautauqua Auditorium in Boulder on Wednesday, September 25th at 7:30 PM. His final appearance is an event hosted by Harvard Book Store at 7 PM on September 27th at the Memorial Church, One Harvard Yard, in Cambridge, MA. See King’s official web site for links to the various sites and the full details of each event.
Under the Dome has been a big hit for CBS. Factoring time-shifting viewers and people downloading it on Amazon, more than 15 million people have been tuning in. Last week, CBS announced that they are renewing the series for a second season. The first episode of the 2014 series will be written by King. A lot of people have been complaining about how much the series diverges from the novel. King addresses these complaints here. On CBS Sunday Morning, King took the producers to the Maine town that was the inspiration for Chester’s Mill: Stephen King and his compulsion to write. And this was pretty funny: On David Letterman, Bruce Willis joked that he was joining the series, playing “the guy who lives right next door to the dome.” Because of the realities of filming outdoors, the producers have had to make some concessions about the weather. It’s impossible, for example, to eradicate the wind, so they published the rules of Under the Dome.
During a Q&A session promoting Under the Dome, King said that he’s halfway through a novel called Revival. During his interview at Mark Twain House (see above), he said, “The main character is a kid who learns how to play guitar, and I can relate to this guy because he’s not terribly good. He’s just good enough to catch on with a number of bands and play for a lot of years. The song that he learns to play first is the song that I learned to play first, which was ‘Cherry, Cherry’ by Neil Diamond. One of the great rock progressions: E-A-D-A.”
Once upon a time, not so terribly long ago, I pretended to be Scarecrow Joe as part of the promotion leading up to the hardcover release of Under the Dome. I wrote the kid’s blog entries and ran his twitter feed. Colin Ford (We Bought a Zoo) will play him in the CBS TV series that debuts on June 24th. That’s the first casting news to be announced. There’ll be a promotional ad for the series during the Super Bowl. Neal Baer serves as showrunner. DreamWorks’ Stacey Snider is executive producing with Spielberg, King, Baer, Brian K. Vaughan (who wrote the pilot), Justin Falvey and Darryl Frank. Here’s an interview with King and Vaughan about the adaptation. Filming starts in Wilmington, NC in February. The thirteenth and final episode will reveal a vital piece of information about the town’s situation, but will be open-ended, the hope being that the series will be renewed and there will be more adventures in Chester’s Mill.
The third season of Haven ended with a series of bangs last night as the final two episodes were aired. What a cliffhanger it was, too. We learned some new information (who’s the Colorado Kid’s father? Who’s in charge of the guard?) but now we have to wait months and months to find out what will become of Audrey and Nathan and company. Turning Duke into a teenager, albeit briefly, was a stroke of brilliance.
The signed, limited edition of The Shining from Subterranean Press will go on sale at approximately 12:00 PM, EST, on Wednesday, January 23. The artist for this edition is Gabriel Rodriguez (of the comic series Locke & Key).
There’s a three page interview with King in the January 11 issue of Entertainment Weekly about Doctor Sleep. “6 Books We Can’t Wait For — Stephen King on His Shining Sequel” I haven’t found it online yet, though.
PS Publishing is going to do two 30th anniversary editions of King’s books this year. Their plan is to get the books out as close to the original publication dates as possible: Christine (with an introduction by Michael Marshall Smith) in late April and Pet Sematary (with an introduction by Ramsey Campbell) in mid-November. The books will have wraparound covers, two-page endpapers back and front (each one different) and full color wraparound artwork on a special slipcase plus six interior b&w illustrations. The artists will be signing the tip sheets and they’re hoping to include King’s signature as a facsimile. Print run should be 300-400 numbered copies.
Part 1 of the two-part Sheemie’s Story is now out from Marvel, with the concluding section coming out in February. After that, another two-part series called Evil Ground launches in April. It’s described as a prequel to “The Little Sisters of Eluria.” Here’s the blurb: “While traveling through the Desatoya Mountains towards Eluria, Roland comes across a haunted camp. While there, he relives one of his past adventures, in which he and his ka-tet fought Farson’s forces, only to be trapped by supernatural enemies”
Sony Pictures announced recently that the Carrie remake has been pushed back from its March 15 release to October 18.
The Facebook page Blumhouse Productions has released two behind the scenes photos for the movie Mercy, based on King’s short story “Gramma.” Dylan McDermott joined the cast recently, along with Frances O’Connor, Chandler Riggs and Joel Courtney. Peter Cornwell is directing. See more here.
The big news today (other than Hurricane Sandy, of course) is Subterranean Press’s announcement that they will be publishing a signed/limited edition of The Shining next year. There’ll be a numbered edition of 750, a lettered edition of 52 and an unsigned trade edition. It will feature over 40 illustrations by acclaimed artist Dagmara Matuszak. The signed editions will be signed by Stephen and the artist. Preorders for this offering will begin in January 2013. News regarding preorders will be sent first from Subterranean Press through their newsletter, so anyone interested is urged to sign up at their site.
Issue 25 of Screem magazine is shipping soon. It contains my interview with Mark Pavia about his film The Night Flier and his anthology project in development, The Reaper’s Image. I also have an essay about the various King-based anthology projects over the years.
Have you been checking out the webcomic adaptation of “The Little Green God of Agony” at King’s official website? Adapted by well-known comic artist Dennis Calero, the webcomic will run in serial installments on Mondays, Wednesdays, and Fridays for eight weeks. King’s opinion? “It rocks most righteously.”
To date, three of the four novellas from Different Seasons have been adapted to film. Scott Teems is working on a script for the remaining novella, “The Breathing Method.” Scott Derrickson (director of Sinister) will direct, assuming it gets financing.
Universal is working with the same production company (Jason Blum’s Blumhouse Prods.) on a fantasy-horror film based on “Gramma.” The film will be called Mercy, with Peter Cornwell directing from a script by Matt Greenberg (1408). Frances O’Connor is set to star. The story was previously adapted by Harlan Ellison for The New Twilight Zone in 1986.
The Gunslinger section of the Marvel graphic novels is finished. Next up is Sheemie’s Tale, a two-parter that debuts in January 2013. By the way, Robin Furth’s The Complete Concordance has been revised and updated to include The Wind Through the Keyhole. It will be released on November 9.
A year ago, a group of high school students in Sussex, NB, Canada, embarked on a project whereby they hoped to entice King to visit their school, which is located a few hundred miles from Bangor. They started a letter-writing campaign, sending hundreds of requests to his office. They created videos and rap songs. Finally, their persistence paid off. In late October, King was a surprise visitor to the school, where he spent an hour with a small group of writing students critiquing their work and another hour with a larger group in the school auditorium. No journalists were invited to the event, but articles ran after the fact in the Bangor Daily News and many Canadian markets. Here is the CBC news coverage, including a video news clip and an audio news report. Even better, the students recorded the appearance and made two YouTube videos, a 5-minute synopsis and a 30-minute extended version.
The cover art for Joyland (see right) was released today. The book, from Hard Case Crime, will be released on June 4, 2013. The original publication will be in paperback only. Other editions (hardcover, electronic, audio) are possible but not currently scheduled. Joyland takes place in a small-town North Carolina amusement park, where college student Devin Jones arrives to work as a carny for the summer, but he ends up experiencing much more than he bargained for when he confronts the legacy of a vicious murder and the fate of a dying child. Read the entire press release.
Three months after Joyland, we’ll get Doctor Sleep, the sequel to The Shining. The publication date was announced earlier this week: September 24, 2013. The story picks up with Dan Torrance (formerly Danny), who is now middle-aged and working at a hospice in rural New Hampshire. He meets Abra Stone, a very special twelve-year old girl he must save from a tribe of murderous paranormals known as The True Knot, quasi-immortal creatures that live off the ‘steam’ that children with the ‘shining’ produce when they are slowly tortured to death.
Have you ever read “Weeds,” the rare King story that was the basis for “The Lonesome Death of Jordy Verrill” in Creepshow? If not, check out Shivers VII, which also features stories by Clive Barker, Ed Gorman, Bill Pronzini and many others, including me!
King’s short story “Batman and Robin Have an Altercation” appeared in the 9/12 issue of Harper’s Magazine, the first time he has published with them. “In The Tall Grass,” his collaboration with Joe Hill, first published in Esquire last summer, will be released as an audio book and an eBook in October. I wrote an essay about the story behind the story of “A Face in the Crowd” (which came out as an eBook and in audio on August 24) for FEARNet: Faces in the Crowd.
Movie news: Joan Allen will play the lead in The Good Wife, which should start filming next month. Rachel Nichols is in negotiations to join Justin Long in The Ten O’Clock People.
A group of filmmakers are working on a documentary called Unearthed & Untold: The Path to Pet Sematary. They have have already shot every location and filmed over two dozen interviews with the cast, crew and Maine locals who worked on the production, most of whom have never been interviewed on camera about their role in the film. John Campopiano says, “Our goal is to show the unique bridging of a relatively small Hollywood production with a small Maine community who continue to think highly of its involvement in the film. We’re also seeking to explore the legacy the film has established and how its core themes are being taught and explored in the film and academic worlds.”
Warner Bros.is quietly exploring the possibility of a prequel to The Shining. The studio has solicited Laeta Kalogridis and her partners to produce the proposed film, which would focus on what happened before the Torrances arrived at The Overlook. A WB spokeswoman cautioned that the project was in a very early stage and not even formally in development.
King, Dave Barry and The Rock Bottom Remainders, appeared on The Late, Late Show with Craig Ferguson. You can see it in its entirety here.
Earlier this week I received an advanced copy of Carrie: The Musical – Premiere Cast Recording from Ghostlight Records. For the first time ever, the music from the infamous Broadway adaptation is available, revised and updated for its recent reincarnation that closed after less than 50 performances (which is about ten times more than the original version). One motivation behind the reboot was to come up with a musical that could be licensed for productions across North America. The CD booklet has a reflection on the show’s history written by Lawrence D. Cohen, who wrote the book for the play as well as the script for the Brian De Palma film. Here’s a video for the opening song, “In.”