Traditionally, in stories modeled after the Hero’s Journey, the main character receives a call to action, which he or she initially resists. Take, for example, Bilbo Baggins, who is cajoled out of his comfortable, quiet life to go on an adventure by Gandalf. In Stephen King’s fantasy stories, the characters are self-motivated. No one has to urge Jack Sawyer to light out for the Territories—he has a good reason to embark on a perilous journey. Similarly, Roland Deschain chooses his mission to find and save the Dark Tower, even though it will take him on a wild journey for the rest of his natural days. No one conscripts him. (Although, to be fair, sometimes his characters are yanked into a quest without being given any choice in the matter.)
In Fairy Tale, Charlie McGee Reade also decides for himself to go on a magical adventure although, when he sets out, he has no idea what dangers he will face and what will be asked of him while he attempts to achieve his goal.
There’s a lot going on in Ben Baldwin’s artwork on the cover of the Cemetery Dance edition of Gwendy’s Final Task, coauthored by Stephen King and Richard Chizmar. The dominant figure is the enigmatic Richard Farris, who has burdened Gwendy Peterson with custody of a mysterious and dangerous box of buttons on two previous occasions. In the foreground we see an illustration of a town or a city and what looks to be a rocket or a shooting star.
But what’s that behind Mr. Farris? Could it be…could it possibly be…the Dark Tower? This image generated a lot of discussion and debate when it was first revealed. The Gallery Books cover for the final book in the Gwendy trilogy puts the question to rest—the central image is the Tower and, in the foreground, a field of red roses.
The first time Billy Summers killed a man, he was barely twelve. By the time he’s eighteen, he’s a sniper with the Marines in Iraq, where he notches up another two dozen kills. Instead of re-upping, he tries to find work back in the States. One of his former Marine friends asks him to kill someone. Thus begins Billy’s career as an elite hitman. His only condition is that his victims have to be demonstrably bad men. He’s not a sociopath driven to kill — he’s just good with a gun. He can hit targets from an incredible distance and then vanish like Houdini without being identified or caught. Now, at the ripe old age of 44, he’s looking to retire. One last job and he’s done.Continue Reading
This Sunday, January 12th, HBO premieres the first two episodes of their 10-episode adaptation of The Outsider. Is it good? Absolutely. One of the best. Before I get into that, let me take a little step back.Continue Reading
There’s a lot to like in Mike Flanagan’s adaptation of Gerald’s Game, a book long thought to be unfilmable since so much of it consists of internal dialog, with the main character handcuffed to a bed for much of it.Continue Reading
The world has ended in many ways in post-apocalyptic fiction, but Owen and Stephen King have created a scenario unlike any other. It happens all at once, around the globe. Women who go to sleep (or are already asleep when the epidemic begins) won’t wake up. They form cocoons and go into a kind of hibernation. Disturbing sleeping women is a bad, bad idea: they attack anyone who breaks through the gauzy material.
Apparently pitching story ideas is a thing in the King family. Sleeping Beauties came about because Owen King suggested this idea to his father; it sounded like a Stephen King kind of story. The elder King immediately thought of all the possible ramifications of this concept, but told Owen he should write it. Eventually they agreed to work on it together.Continue Reading
It’s unusual for a Stephen King book to be out of print, but that’s been the case with Creepshow, the 1982 adaptation of the George Romero-directed, King-scripted move of the same name. The original edition published by Plume has only been available on the collector’s market—usually at a cost well above its original $6.95 price tag.
If you’ve been holding out, your luck’s about to change. In honor of the 35th (!) anniversary of the book and movie, Gallery 13 is releasing a brand new edition of Creepshow. It arrives May 9 full intact and nearly identical to the original edition, albeit with a slightly higher cover price ($18) and some minor cosmetic differences.Continue Reading
The Dark Tower trailer we’ve all been waiting for is finally here. Let’s get that out of the way straight off:
However, before the trailer showed up at 9:19 am Keystone Earth Time today, we were treated yesterday to some Twitter banter between Idris Elba and Matthew McConaughey as they laid the groundwork for a couple of teaser trailers that contain some footage not found in the official trailer.Continue Reading