Not long now until End of Watch comes out, the final installment in the Mr. Mercedes trilogy. King is doing a major tour for this book, with twelve stops between June 7 and June 18. The June 16 event in Albuquerque is of particular interest because George R.R. Martin will be interviewing King. Most of the events have already sold out (some in almost record time), but you can find the list of venues here.
After years of saying “no news yet” with reference to the Dark Tower movie, things are finally moving forward. The current release date is set at February 17, 2017, and the following people have been cast: Idris Elba (Roland), Matthew McConaughey (Man in Black), Jackie Earle Haley (Richard Sayre), Fran Kranz (Pimli Prentiss), Tom Taylor (Jake), Abby Lee (Tirana) and Katheryn Winnick (unknown). Some early photos from the set appeared a few days ago, and some of them disappeared soon after!Continue Reading
Happy New Year — and welcome to the first News from the Dead Zone of 2016. A leap year. A year in which we will see at least one new novel from Stephen King (End of Watch, June) and one major miniseries adaptation (11.22.63). Probably more good stuff, but that’s all we’re sure of at the moment.Continue Reading
I suppose everyone’s busy reading or listening to Revival, right? The book has been out for a week now, and King has wrapped up his six-city tour in support of the novel. He also made a couple of media appearances:
Excerpts from the audio version, read by David Morse, are being released over the next seven weeks at Experience Revival.
King talked about a few projects he might like to work on in the future. He’s interested in returning to the Dark Tower someday, probably to tackle The Battle of Jericho Hill. He wants to write a story about Franny falling down a well after she and Stu head for Maine. And he hopes to work with Peter Straub on a third book about Jack Sawyer. This one garnered the most interest, especially after a photo emerged of the two of them together following King’s signing in New York. However, his administrative assistant indicated that this won’t necessarily happen soon, despite intentions. Read her statement here.
I hope you’re checking out the journey Rich Chizmar is taking at Stephen King Revisited. Starting a couple of weeks ago, he is reading all of King’s books in publication order, including collections, Bachman books and non-fiction. At a pace of 2-3 books per month, we estimate this endeavor will take around two years. I’m along for the ride, writing historical background essays for each book. There are also guest essayists who’ll be appearing from time to time. For example, Ray Garton wrote about Carrie. This week we took on book #2: ‘Salem’s Lot. My essay went up yesterday and Rich’s today. Check ’em out and come on this incredible journey with us.
We now have the title for King’s next story collection: The Bazaar of Bad Dreams will contain twenty stories (not yet identified), and will be published by Scribner in November 2015.
Before that, though, on June 2, 2015, we’ll have Finders Keepers, the follow-up to Mr. Mercedes. Today, Scribner released the book’s description. It’s fairly detailed, so if you want to read the book unspoiled, you might want to skip it!
“Wake up, genius.” So begins King’s instantly riveting story about a vengeful reader. The genius is John Rothstein, a Salinger-like icon who created a famous character, Jimmy Gold, but who hasn’t published a book for decades. Morris Bellamy is livid, not just because Rothstein has stopped providing books, but because the nonconformist Jimmy Gold has sold out for a career in advertising. Morris kills Rothstein and empties his safe of cash, yes, but the real treasure is a trove of notebooks containing at least one more Gold novel.
Morris hides the money and the notebooks, and then he is locked away for another crime. Decades later, a boy named Pete Sauberg finds the treasure, and now it is Pete and his family that Bill Hodges, Holly Gibney, and Jerome Robinson must rescue from the ever-more deranged and vengeful Morris when he’s released from prison after thirty-five years.
Not since Misery has King played with the notion of a reader whose obsession with a writer gets dangerous. Finders Keepers is spectacular, heart-pounding suspense, but it is also King writing about how literature shapes a life—for good, for bad, forever.
In an interview in June, King revealed his first thoughts about Revival. “It’s too scary. I don’t even want to think about that book anymore…It’s a nasty, dark piece of work.” A couple of months later, on his Twitter feed, he described it as “a straight-ahead horror novel. If you’re going to buy it, better tone up your nerves.”
Those comments, along with his publisher’s statement on the back of review copies that she asked him whether the book “really had to be this dark,” will probably remind people of King’s thoughts about Pet Sematary. After he finished writing that book, he deemed it too gruesome and disturbing to be published. His wife concurred, so a mythos developed around it. How bad could it be? As it turned out, pretty gruesome. Pretty disturbing.
Are comparisons between Revival and Pet Sematary appropriate? Well, yes and no. The first time I read Pet Sematary, I had to put it down from time to time because I could see where King was headed and I wasn’t ready to go there yet. It’s relentlessly bleak from the beginning.
Revival doesn’t start out seeming like it will be a dark book, but it does have a different feel to it. It’s hard to put my finger on it, but there’s something about the voice that stands apart from King’s other books.
The story begins in the 1960s, when Jamie Morton is six years old. He’s the youngest of five children and part of a loving family. They live in Harlow, Maine, his parents are normal and decent, as are his siblings. They attend Sunday services at the Methodist church.
A new minister comes to Harlow, a man named Charlie Jacobs who has a beautiful wife and a young son who everyone in the community dotes on. Looking back, Jamie refers to Jacobs as his “fifth business,” a movie term for an agent of change who pops out of the deck at odd times during a person’s life. You might be tempted to think Jacobs is evil, Randall Flagg in another guise, but that’s not the case. Jacobs and Jamie have a pleasant first meeting in the yard where the young boy is playing with toy soldiers, a recent birthday gift. Neither is Jacobs like the vile, pernicious title character in “The Bad Little Kid,” who keeps showing up time and again.
And yet there is a pervasive sense of dread and foreshadowing of terrible things to come. Jacobs casts a shadow over Jamie during their first meeting. There are hints that the Morton family’s future won’t be rosy. However, when the first crisis comes, it happens to Reverend Jacobs. A calamity befalls his family and, in the aftermath, his faith in God is tested and found wanting. He is forced to leave Harlow, and he falls out of Morton’s life for decades.
As a teenager, Jamie Morton develops a certain level of skill with a rhythm guitar. He and some of his school friends form a band and they play around the region throughout high school. His shyness fades and his popularity soars. He gets a long-term girlfriend. After school, he plays with a number of moderately successful groups. He’ll never be the front man, nor will his guitar chops bring him fame and fortune, but he’s solid, reliable, and can be called upon to fill in when needed. Reliable, that is, until life on the road leaves him vulnerable to various temptations, most notably heroin. He becomes so unreliable in his mid-thirties that his current bandmates take off without him, leaving him stranded in a motel.
He’s pretty much at rock bottom, which is when he again meets up with Charlie Jacobs, who now calls himself Dan Jacobs and is working in a carnival. Jacobs always had a fascination with electricity that borders on obsession. Back in Harlow, he used a homemade gadget to shock Jamie’s older brother out of a psychosomatic bout of muteness. He’s upped the ante now, and is using electricity as part of his act, creating stunning and unbelievable “Portraits in Lightning” of young women.
Jacobs recognizes Jamie…and his addiction, too. He treats Jamie, using a more advanced version of the technology he used on his brother, and Jamie’s addiction is gone. Just like that. He no longer craves heroin. Oh, there are side effects, to be sure, but they seem minor and, with time, they go away.
By now, we’re a third of the way through the book, and nothing truly sinister has happened. By the same point in Pet Sematary, Church had already come back from the dead. I say this to temper expectations that may derive from early comments about the book. Don’t get me wrong: this is a very dark book, but much of the darkness is reserved for the last thirty pages or so, when everything goes horribly wrong in ways readers are not likely to anticipate.
The story is told through the memories of Jamie Morton, who we see from the time he is six until he’s nearly sixty. Is there another King book that encompasses such a long span of a character’s life in such detail? None come to mind. Jamie’s life isn’t exactly overshadowed by the former Rev Jacobs, who goes on to become a televangelist called Pastor Danny, but he never seems to be able to shake himself free of the man, either. Jamie’s not a hero—he’s just an ordinary guy, plugging along, making mistakes…and not making very much of himself, either. He gets a job at a recording studio in Colorado, where he has a comfortable life. But…
Whereas Mr. Mercedes took place in the “real world,” and all of its King references were to fictional events or to film adaptations, Revival is firmly set in the Stephen King universe. The story begins in Harlow, Maine, which borders Chester’s Mill (Under the Dome) and isn’t far from Castle Rock. Later, events move to Nederland, Colorado, which was the hometown of the Colorado Kid. There is a reference to the Joyland fairground, and mention is made of De Vermis Mysteriis, a grimoire invented by Robert Bloch that appears in “Jerusalem’s Lot.” There is a mysterious #19 or two, and reference to an enigmatic character from Insomnia, Dorrance Marsteller, aka Old Dorr.
Jacobs has come to believe that there exists a secret electricity. If he can tap into that, he will be able to accomplish great things. He has already invented revolutionary batteries and power generation devices that are far ahead of current technology, but he doesn’t use these to get rich, merely as stepping stones in his research. He has also healed afflictions in hundreds of people. However, not all of his experiments are as successful as his heroin cure for Jamie. Some of his patients suffer horrible side effects, and it becomes one of Jamie’s missions to keep track of all these missteps. For his part, Jacobs is willing to accept a few failures because, on the whole, he has helped more people than he harmed. People clamor for his assistance, as they did with Johnny Smith in The Dead Zone.
What does the book’s title mean? The word brings to mind tent revivals and evangelical preachers, and there’s an element of that here. Musicals and plays have revivals—it is derived from “reviving,” after all, as in bringing back to life. What exactly is Jacobs capable of if he finds his secret electricity?
It all comes down to the book’s climax, at which point Jacobs is a feeble old man and Jamie is no spring chicken. Jamie once again crosses paths with Jacobs, only this time the man’s darkest plan is about to come to fruition. How dark? Poe at his darkest. Lovecraft at his most fantastical and cynical. Think of the most pessimistic world view you can imagine and you probably won’t even be in the ballpark. Maybe there are worse things than dying, King suggests. Perhaps we should cling to this life with everything we’ve got.
This book is going to disturb people profoundly. I guarantee it.
If you read back over my previous several posts here, you’ll see that they’ve all been leading up today, the launch of Season 5 of Haven, the Syfy TV series loosely based on The Colorado Kid. This season will consist of 26 episodes, spread over the fall and spring in two 13-episode blocks. I visited the set at the end of June, when they were working on the 7th and 8th episodes. This morning, I had the chance to see tonight’s episode, “See No Evil,” which starts immediately after the final moments of Season 4, at which point William had been tossed through the portal under the lighthouse and Audrey had become her original form of herself, Mara, a trouble-maker in the most literal form.
In the first episode, something destroys the lighthouse and the cavern beneath and, presumably, the portal. The main characters are scattered far and wide before the blast, so for a while no one knows where anyone else is, and some time is spent in getting everyone back together. Nathan is the first one to encounter “Audrey,” but she’s not the woman he loves. Not on the surface, anyway. Mara (and kudos to Emily Rose for creating such a different personality, someone who is as gleefully malign as William) has an agenda, and she’s not going to let anyone stand in her way. She wants to get William back, something she can only achieve by a doorway or, rather, via a thinny, which will be a familiar concept to Dark Tower fans. However, something vexes her plans. And Nathan hasn’t given up hope that Audrey is still inside somewhere and he can bring her back.
On another front, Duke is trying to find Jennifer, who is the only lighthouse person unaccounted for. And, of course, there’s a Trouble, which manifests itself in people having their eyes and/or mouths sewn shut with a leather cord that defies all efforts to remove it. Though everyone tries to impress on Dwight the importance of reining in Mara, he knows this Trouble has the potential to be deadly, so that’s his #1 priority. The repercussions of Audrey giving Duke back his Trouble in the penultimate episode last season also start to come to light, and it’s a doozy. And, based on the previews for the season I’ve seen so far, there are going to be callbacks to a lot of past Troubles. Mara made ’em, so she could potentially use them as weapons to achieve her nefarious goals.
And I’m very worried about Dave Teagues. Is he having morphine-induced nightmares or terrifying memories?
Interested in learning more about the origins of the Troubles? There’s a 16-page mini-comic in the Season 4 DVD, and a web series called Haven Origins coming on September 12. Here’s a trailer for it.
King will embark on a six-city book tour to promote the release of Revival. He will appear in New York City (Nov 11), Washington, DC (Nov 12), Kansas City, MO (Nov 13), Wichita, KS (Nov 14), Austin, TX (Nov 15) and South Portland, ME (Nov 17). Further details regarding the itinerary will be posted on King’s official website on September 15th.
Issue 1 of The Prisoner, the first cycle adapting The Drawing of the Three from Marvel, came out this week. For the first time, these comics are being offered digitally as well as in print.
The PBS series Finding Your Roots will feature King in its first episode of the new season on September 23. In this promo, King is shown a photo of his father and in this one, he learns more about his distant ancestors.
Big Driver will premiere on Lifetime on Saturday, October 18 at 8pm ET/PT. The movie stars Maria Bello, Olympia Dukakis, Joan Jett,Will Harris and Ann Dowd (from The Leftovers). The script is by Richard Christian Matheson, with Mikael Salomon directing. Here is a teaser video.
Mr. Mercedes will be a 10-episode TV series. Jack Bender will be on the production team.
CBS has ordered a “put pilot” (a serious commitment) from Warner Bros. TV for a series based on “The Things They Left Behind.” It is described as a supernatural procedural drama in which an unlikely pair of investigators carry out the unfinished business of the dead.
Mark Romanek will direct Overlook Hotel, the prequel to The Shining.
Now that Cell has wrapped, King teased what he could about the film. “The movie is not totally close to the original screenplay that I wrote,” he said. “But I’ll tell you what, the end of it is so goddamn dark and scary. It’s really kind of a benchmark there.”
The Stand director Josh Boone says: I finished writing the script maybe a month ago. Stephen [King] absolutely loved it. It’s, I think, the first script ever approved by him. [It’ll be] a single version movie. Three hours. It hews very closely to the novel…I don’t imagine we would shoot the movie until next Spring at the earliest. His full comments are available at Collider.
The big news, of course, is the fact that Mr. Mercedes is the first book in a proposed trilogy. King has already finished the first draft of the second novel, which will be called Finders Keepers. The tentative publication date is sometime in the first half of 2015. King says that the three books “seem to revolve around the City Center Massacre that opens Mr. Mercedes.”
Before we get to Finders Keepers, though, we have Revival, which comes out in November. The newly released paperback edition of Doctor Sleep contains an eight-page excerpt of that novel. And there is a good possibility of a collection in late 2015, bringing together all of the recent short story appearances, including some of those that you can find on my list here. No word yet on whether there will be any brand new stories in the collection. The third book in the Mr. Mercedes trilogy will presumably be out in 2016. I don’t think we’ve known King’s publication schedule so far in advance since 1986-7, when we knew about the next four books he planned to publish.
Big news for people who haven’t had a chance to see Ghost Brothers of Darkland County yet. The musical play will go on tour this fall, with dates in Orono, Toronto, Philadelphia, Durham, Washington, D.C., Baltimore, Red Bank, N.J., Portland, ME, Boston, Providence, New York, Detroit, Chicago, St. Louis, Denver, Phoenix, Los Angeles and San Francisco in November and December. See the announcement here.
Just a few weeks until the return of Under the Dome, with the first episode scripted by King. You can see a 30-second clip of King reading the opening section of the episode. On June 23, CBS will run Inside Chester’s Mill, a one-hour special that features highlights from last season and new interviews with the cast and executive producers. In addition, the special will have an advance sneak peek at the season two premiere. The second season will be missing its original showrunner and executive producer Brian K. Vaughan.
Although it had a premiere in New York in April, there’s been very little news about the fate of the film version of A Good Marriage. Last week, though, it was announced that Screen Media Films acquired North American rights to the film, with plans to distribute it in early October, with a nationwide theatrical release accompanied by a day-and-date VOD platform release. “I’m delighted that A Good Marriage is going to be available to the movie going public very soon, and hope we can scare the hell out of millions of people,” King said. “To me, that’s always an exciting prospect.”
Josh Boone, currently riding high with his film adaptation of The Fault in Our Stars, promises a three-hour R-rated single film adaptation of The Stand with “an amazing A-list cast across the board…Every single one of those characters will be somebody you recognize and somebody you relate to. And it’s gonna be awesome.” The only person named as a potential cast member is Nat Wolff. Of course, Boone isn’t the first director to try to get a grip on this remake.
In other movie news, the story that is thus far only available in French and German, Bad Little Kid, has been optioned by Laurent Bouzereau , who wrote and directed the 2011 TCM film A Night at the Movies: The Horrors of Stephen King, which featured King discussing horror films and their popularity with moviegoers.
Oculus and Somnia director Mike Flanagan has committed todirect Gerald’s Game. Flanagan wrote the script with his writing partner Jeff Howard. There’s also an unconfirmed rumor that Gravity director director Alfonso has been approached to direct a prequel to The Shining titled The Overlook Hotel.
TNT is developing a TV series called The Shop, billed as a sequel to Firestarter. The drama centers on the insidious agency responsible for kidnapping and attempting to exploit the psychokinetic powers of a young girl named Charlie McGee in the original story. Now it’s 20 years later and Charlie has been tracked down by one of The Shop’s former members, Henry Talbot, who introduces her to a group of people with their own unique abilities. From the announcement: “It turns out The Shop is very much alive, bigger and badder than ever, and its dark experiments are unleashing terrifying new entities on the world. It’s now up to Talbot, Charlie and the rest of the team to find The Shop and destroy it for good.”
Here’s a fun dialog between King and Damon Lindelof, as captured by Entertainment Weekly.
The Marvel graphic novel adaptation of the Dark Tower series returns in September with the five-issue series The Prisoner, which tells the backstory of Eddie Dean before he met Roland. You can check out the cover and the first pages here. The artist is Piotr Kowalski. Here’s the promo text: As this tale of urban crime opens, you’ll meet Eddie Dean as an innocent child who grows into a troubled young man gifted with the ability to open doors to other worlds. Can he survive family tragedy, a haunting addiction, and the deadly forces that conspire to stop him from challenging the Man in Black? Eddie faces trials and tribulations at every turn – and the badlands of Mid-World can’t hold a candle to the dangers of Brooklyn in the 1960s! Witness the story of a young man on the path to an unlikely destiny and the most important journey of his life.
In case you haven’t heard the news yet, Cemetery Dance recently announced a deal to create Deluxe Special Editions of the six books King published with Doubleday. The series launches this summer with Carrie. Check the link for specifics, including the artist, cover art, and the extra material that will appear in the book.
We’re less than two months away from the publication date of Mr. Mercedes, and the first reviews have started to show up. Publishers Weekly’s review came first, calling it a “suspenseful crime thriller” and lauding King for his disturbing portrait of the book’s villain, Brady, “a genuine monster in ordinary human form who gives new meaning to the phrase ‘the banality of evil.'” Then came the Booklist review, which concludes: “No need to rev the engine here; this baby will rocket itself out of libraries with a loud squeal of the tires.” My review will appear in the next issue of Cemetery Dance magazine, but I loved it. I’ve been waiting for King to write a non-supernatural crime novel for ages and at last my wish is granted. And PW is right: Brady is one twisted guy. He’s not at all sympathetic, but he’s fascinating. And Bill Hodges is a comfortable narrator / protagonist to spend five hundred pages with. The audiobook will be narrated by Will Patton.
King’ second book of the year is Revival, which will be out on November 11. Here is the synopsis:
In a small New England town, over half a century ago, a shadow falls over a small boy playing with his toy soldiers. Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs. Jacobs; the women and girls feel the same about Reverend Jacobs—including Jamie’s mother and beloved sister, Claire. With Jamie, the Reverend shares a deeper bond based on a secret obsession. When tragedy strikes the Jacobs family, this charismatic preacher curses God, mocks all religious belief, and is banished from the shocked town.
Jamie has demons of his own. Wed to his guitar from the age of 13, he plays in bands across the country, living the nomadic lifestyle of bar-band rock and roll while fleeing from his family’s horrific loss. In his mid-thirties—addicted to heroin, stranded, desperate—Jamie meets Charles Jacobs again, with profound consequences for both men. Their bond becomes a pact beyond even the Devil’s devising, and Jamie discovers that revival has many meanings.
This rich and disturbing novel spans five decades on its way to the most terrifying conclusion Stephen King has ever written. It’s a masterpiece from King, in the great American tradition of Frank Norris, Nathaniel Hawthorne, and Edgar Allan Poe.
To thank all his German and French fans for their warm welcome during his Doctor Sleep book tour last fall, King wrote a novella, “Bad Little Kid”, which is available in e-book format in German (Böser kleiner Junge) and French (Sale Gosse). You can’t buy it in the US at the moment, but it is available in Canada and the UK (but not in English). I wrote an article / review for FEARnet, probably my last piece for that market, which was gobbled up by Comcast last week.
King will appear in a cameo role in the first episode of the second season of Under the Dome, which launches on June 30. According to an article in USA Today, he wrote the episode, titled “Heads Will Roll,” and will show up in the town’s diner as “just a citizen of Chester’s Mill for at least the moment.” Check out the article for a photo of King being served coffee at Sweet Briar Rose. Several new characters will be introduced this season, including barbershop owner Lyle Chumley (Dwight Yoakam), Big Jim’s late wife Pauline (Sherry Stringfield), his brother-in-law, Sam Verdreaux (Eddie Cahill), teacher Rebecca Pine (Karla Crome), Greg (Dwayne Boyd), and Melanie (Grace Victoria Cox), a character pulled from the lake by Julia at the end of the first season. If you haven’t seen it already, be sure to check out this promotional video of King “tweeting from the set.”
During his Emerald City Comicon Secret Origins panel, Peter David revealed that Marvel will resume adapting the Dark Tower series with The Drawing of the Three, without providing any timeline. He told the story of how he pitched the idea when King came to visit him while he was convalescing after suffering a stroke.
In other comic news, Walter Simonson’s 22-page Lawnmower Man Artist’s Edition portfolio, collecting the entire story into a deluxe portfolio from IDW, is set to arrive in time for San Diego’s Comic-Con International in July.
King has a short non-fiction piece called “The Ring” in Tin House, Issue, 59, Volume 15, Number 3. The theme for the issue is Memory and King’s 2-page essay is about their wedding rings and the day they got married.
Joyland, which is now available as an e-book for the first time, was nominated by the Mystery Writers of America for an Edgar in the Best Paperback Original category. Doctor Sleep was nominated for a Thriller Award in the Best Hardcover Novel category by the International Thriller Writers.
The latest movie adaptation, A Good Marriage, premieres in New York on Thursday, April 24.
Josh Boone (The Fault in Our Stars) is in early talks to take over as director of The Stand for Warner Bros. and CBS Films. He will be at least the fourth potential director for this project. Boone is also currently attached to direct a movie version of Lisey’s Story.
Cary Fukunaga, fresh off his recent success directing HBO’s True Detective, is working on a script for the two-part remake of It. It appears that the first part will be about the kids and the second part about the adults. Fukunaga said, “There will be no spider at the end of our movie. We’re definitely honoring the spirit of Stephen King, but the horror has to be modernized to make it relevant. That’s my job, right now, on this pass. I’m working on making the horror more about suspense than visualization of any creatures. I just don’t think that’s scary. What could be there, and the sounds and how it interacts with things, is scarier than actual monsters.”
The SyFy series Haven was renewed for 26 more episodes, 13 to air this year and 13 for 2015, although they are all supposedly part of a single season. In a related concept, Universal TV is adapting the short story “Ayana” into a TV drama set in a world of miracles. The series has not been picked up by a network yet, though.
King has been interviewed for the PBS series Finding Your Roots, where “we trace people’s habitypes, which tell where your ancestors came from.” Dr. Henry Louis Gates’ interview with King will air later this year.
In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.
In another part of town, months later, a retired cop named Bill Hodges is still haunted by the unsolved crime. When he gets a crazed letter from someone who self-identifies as the “perk” and threatens an even more diabolical attack, Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing another tragedy.
Brady Hartfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again. Only Bill Hodges, with a couple of highly unlikely allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady’s next mission, if it succeeds, will kill or maim thousands.
Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.
This is just one of two novels we’ll see next year, the other being Revival. There’s a new King short story, “Summer Thunder,” in the CD anthology Turn Down the Lights. Editor Rich Chizmar says it “might be one of the most heartbreaking post-apocalyptic tales we’ve ever read.”
King joined Twitter late last week. Within minutes he had 30,000 followers and the number has since climbed to nearly 200,000. You don’t need to join Twitter to see his feed, though. Just click here.
Samuel L. Jackson will play Tom McCourt in the movie adaptation of Cell, joining John Cusack for the second time (1408). There were some amusing follow-up articles in which Jackson confessed that he didn’t know that his character was gay in the novel. The film will be directed by Tod “Kip” Williams (Paranormal Activity 2). Production is scheduled to begin in January.
Long-time King fan Josh Boone (The Fault in Our Stars) plans to adapt Lisey’s Story. King had a cameo in Boone’s debut, Stuck in Love. Boone talks about how King responded when he sent some books to be autographed when he was 12 in this article.
Add another title to the list of remakes or reworkings. Bob Weinstein is developing a proposed 10-part series with Frank Darabont, based on Dimension’s film version of The Mist. Juan Carlos Fresnadillo (28 Weeks Later) is in talks to direct Pet Sematary. The day after it was announced that Scott Cooper was considering Christian Bale for the theatrical version of The Stand, the director left the project. Paul Greengrass is now being courted to help the film. Cary Fukunaga is currently attached to the remake of It.
King will be making three stops on his book tour for Doctor Sleep. First, he’ll appear with his son, author Owen King, in New York City on September 24th at 7:30 PM, presented by The Center for Fiction at the Gerald Lynch Theater at John Jay College. Then he’ll be at the Colorado Chautauqua Auditorium in Boulder on Wednesday, September 25th at 7:30 PM. His final appearance is an event hosted by Harvard Book Store at 7 PM on September 27th at the Memorial Church, One Harvard Yard, in Cambridge, MA. See King’s official web site for links to the various sites and the full details of each event.
Under the Dome has been a big hit for CBS. Factoring time-shifting viewers and people downloading it on Amazon, more than 15 million people have been tuning in. Last week, CBS announced that they are renewing the series for a second season. The first episode of the 2014 series will be written by King. A lot of people have been complaining about how much the series diverges from the novel. King addresses these complaints here. On CBS Sunday Morning, King took the producers to the Maine town that was the inspiration for Chester’s Mill: Stephen King and his compulsion to write. And this was pretty funny: On David Letterman, Bruce Willis joked that he was joining the series, playing “the guy who lives right next door to the dome.” Because of the realities of filming outdoors, the producers have had to make some concessions about the weather. It’s impossible, for example, to eradicate the wind, so they published the rules of Under the Dome.
During a Q&A session promoting Under the Dome, King said that he’s halfway through a novel called Revival. During his interview at Mark Twain House (see above), he said, “The main character is a kid who learns how to play guitar, and I can relate to this guy because he’s not terribly good. He’s just good enough to catch on with a number of bands and play for a lot of years. The song that he learns to play first is the song that I learned to play first, which was ‘Cherry, Cherry’ by Neil Diamond. One of the great rock progressions: E-A-D-A.”