British horror is on fire right now and there are some authors whose work is just meant for adapting for the big screen. Adam Nevill is certainly one of those people. The hard-working, sea-loving master of fright was able to sit down and answer some of my burning questions.
As an early adopter of Netflix, I take full responsibility for my part in the demise of the neighborhood video store. Little did I know that my yearning to get a new DVD each week for a low monthly fee (my first Netflix rental being 1978’s remake of Invasion of the Body Snatchers) would seal their doom. To be honest, I thought they would complement one another. There were just so many titles the little shop near me could handle. Netflix would simply fill in the gaps. And let’s not forget the biggest draw of Netflix back then—no late fees!
Ah, hindsight is always 20/20.
The Year in Review and a 2018 Preview
Last year was been a banner year in the Stephen King Universe, particularly with respect to the diverse cinematic adaptations of his novels. Let’s take a look back at the various treats we received during 2017, and a peek ahead to what we can look forward to in 2018.
Why Did it Have To Be Rats?
Rats have featured prominently in many Stephen King novels and stories. After the prom, Carrie White imagined rats crawling all over Chris Hargensen’s face. There were rats in the basement of the boarding house in ‘Salem’s Lot and in the walls of Chapelwaite in “Jerusalem’s Lot.” Rats in the sub-basement of the mill in “Graveyard Shift” and in the basement of the castle in Delain. Rats in Desperation, Nevada, in the ventilation system of Shawshank Prison and in the walls of Dooling Correctional Facility for Women. Drowned rats in the toilet bowls at Derry High School. Nigel the robot was programmed to get rid of the vermin in the Fedic Dogan, although he actually fed them to Mordred Deschain.
The Moonlight Man
There’s a lot to like in Mike Flanagan’s adaptation of Gerald’s Game, a book long thought to be unfilmable since so much of it consists of internal dialog, with the main character handcuffed to a bed for much of it.