Daphne Fama’s gothic debut, House of Monstrous Women, is rich with Filipino folklore, female rage, ritual cannibalism, and matriarchal horror. It has been described as Silva Moreno-Garcia’s infamous novel Mexican Gothic — which this interviewer agrees solely based on the brilliant execution of the theme of generational trauma — meets the campy horror film Ready or Not, starring Samara Weaving.
When she’s not writing about monsters and the women who love them, she’s writing about video games or adoring her partner and pup. Her favorite horror games are the Fatal Frame series (minus Maiden of Black Water) and Silent Hill. She loves found footage and folklore drenched horror movies.
Fama’s social media is a celebration and dissection of Filipino folklore including the aswang — an umbrella term that refers to a wide array of monsters, from vampire-like creatures to shapeshifters. These entities became the key inspiration for House of Monstrous Women. You can find her on Instagram at @daphnefamawrites.Continue Reading
Stephen King’s novel IT is getting a new, limited edition (only 500 copies) book from Folio Press that features illustrations from Jim Burns, who is probably best known for his science fiction and fantasy artwork. The limited edition also has an introduction from director Guillermo del Toro. Burns spoke to Cemetery Dance about getting involved with the project, his introduction to IT, working in the horror genre, and more.
Nick Peterson is a director and producer, working on everything from short films to commercials to music videos. The horror genre has long interested him, and he’s written his first graphic novel, 
Cemetery Dance is proud to present this special review/interview combo from Bram Stoker Award & 6x International Latino Book Award winning author 
Everyone’s a critic these days, but within the literary universe, the art of critiquing is no task for the meek. Dissecting the nuts-and-bolts of what makes a story work — or not — takes a trained eye. There are miles of distance between a one-star stinker and a five-star phenomenon, and recognizing those differences requires the work of the assertive; those unafraid to flay the flesh from characters and dig deep into the viscera of influences and motives, or to call out those narrative plot holes big enough to drive a truck through. It’s the business of Rick Hipson and the like, shored up by chops that take decades of commitment to develop. Or 
The famous and infamous EC Comics — known for horror classics like 
