Sometimes I feel like a treasure hunter when I pick up a new book. I hold it in my hands and I think, “Will this book be a bright, shiny gem?” I get excited about the prospect of discovering something new and precious.
I think Teeth by Kelli Owen is such a treasure; a true gem in vampire fiction. Continue Reading
Sometimes, in the genre of horror, a reviewer stumbles upon a dark, glistening vein in the granite of horror. Maybe the reviewer reads a book from a specific indie press and enjoys it so much, they find themselves reading other books they have to offer. Or maybe the reviewer finds an author and they run in a circle of like-minded authors who do collaborative work—so the reviewer finds not just one new favorite author, but several!
I found Aaron Dries in one of the aforementioned dark veins in the granite. Being the excitable and curious reader that I am, I bought myself some of his books. A Place for Sinners entices you with an intriguing premise; boiled down it amounts to the simplest of tropes: A traveling experience to the jungles of Thailand goes terribly wrong.Continue Reading
When does a zombie story become interesting again, after the glut that’s thicker than the goo between the undead’s ears? Answer: Dead Aware, a tale that’s enjoyable from start to finish, and was an unexpected pleasure. Told from the points of view of an undead couple—okay, that was enough to hook me from the get-go—Merry’s story chronicles Clara and Max Jacobs from living to dead to undead to… whatever.Continue Reading
The Apocalyptic Mannequin is a collection of poetry about the apocalypse, and those who survived. Wytovich attempts to tap into the emotions of survivors with her poetry, creating a cast of characters who explore their fears and pain; however, while there are some really inventive ideas and clever survivor stories in this collection, the majority of the poems ultimately fall short due to craft issues.Continue Reading
You read that right, folks. A book on the films of someone who has been often called one of the worst directors of our times. And it is only Volume One? They are making more? Someone has to watch 11 Uwe Boll films and then watch more of them?
Yup, and that person is Mat Bradley-Tschirgi. May some Being bless him, because this feels like a job of the damned right here.Continue Reading
On matters of horror fiction and what should or should not be defined as such, nobody gets the last word. For some people, a horror story is only as good as its ability to scare. For me, the horror genre is a spectrum, and feeling scared falls somewhere on that emotional spectrum along with a host of other feelings. Judging a book based on its ability to belong in a genre, employing the sole criteria of fear, is too subjective and limiting in my opinion.Continue Reading
I usually don’t read much fantasy. While a lot of it’s well-written, it’s just not necessarily my cup of tea. However, I thoroughly enjoyed C.W. Briar’s debut collection Wrath and Ruin a few years ago, so I felt more than confident in taking a chance on his fantasy about water witches. I’m happy to say it paid off. Continue Reading
It’s hard to believe that we’re here. We’ve arrived at Book Three in The Fearing series by John F. D. Taff. There’s only one left! I freely admit, this makes me a little sad. I’m also wondering, is there anyone out there that hasn’t heard of this series? I’ll pretend for a moment that if you’re reading this review, you know nothing about it and this will make me excited to convince you of its epic awesomeness.Continue Reading
I’ll be honest; I’m particularly conflicted on Rami Ungar’s debut novel, Rose. On one hand, I dig the heck out of the story being told here. On the other hand, there are some severe problems with how it is told that rub me very much the wrong way.Continue Reading
If there’s one thing we as horror fans have never been deprived of, it’s Stephen King adaptations. From major novels like The Shining and Misery to minor stories like “The Mangler” and “Secret Window, Secret Garden,” virtually every corner of King’s bibliography has been mined. If you count sequels and remakes, there are more than 80 film and television adaptations of King’s work…and counting.Continue Reading
Micro-fiction is a difficult genre to master. Like poetry, it’s built on the art of distilled language. Expressions of thoughts, emotions, fear, pain, joy, nightmares, and dreams, conveyed through precise word choice and imagery. And the key word here is precise. Micro-fiction can’t be just short. It must be powerful, evocative, emotional…using the very essence of language.Continue Reading
It’s the middle of October, just a couple of weeks away from Halloween as I write this, and I find myself (like, doubtless, many of you) in the midst of a horror movie marathon leading into my favorite holiday. Most of what I watch this time of year are classics that I’ve seen a time or two (or ten) before, and — again, I suspect, like many of you — I find myself constantly second-guessing the actions of the characters on the screen.Continue Reading
Let’s face it: No matter how little we may want to admit it, we’re all at least a bit broken. Something, somewhere in each of us shattered at some time or another. We’ve all felt displaced, alone, in the face of the feeling. The Place of Broken Things is centered around looking at those broken places both within us and without and about placing them in the world.Continue Reading
Suspense/thrillers with “twist” endings usually telegraph said endings, especially if you’ve read enough of them. The victim is really the killer, the killer is really the victim, or the last person you’d expect (because at this point, that trope is as well worn as any horror trope, making us immediately suspect the last person you’d suspect), or actually, it’s the person we thought was the villain all along. It’s why I tend to stick to supernatural horror in my reading these days, because I usually find the mystery in those stories more engaging.Continue Reading