What Screams May Come: No One Is Safe from Philip Fracassi

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No One Is Safe! by Philip Fracassi
Lethe Press (April 2024)

cover of No One Is Safe!The Synopsis

No One is Safe! presents fourteen stories of macabre, pulpy terror — a book filled with futuristic noir mysteries, science fiction thrillers, alien invasions, and old-school horror tales that will keep you up late into the night. Inside these covers, you’ll discover haunted dream journals and evil houses, birthday wishes gone wrong, a neighborhood cat that cures any disease, a flesh-eating beach, and mysterious skeletons on a hidden moon base. You’ll meet wise-cracking detectives, suburban vampires, murdered movie stars, and monsters of the deep. Don’t get too attached to the characters you’ll meet on these pages because anything can happen, and no one is safe.Continue Reading

The Cemetery Dance Interview: Philip Fracassi

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author Philip Fracassi
Philip Fracassi

Philip Fracassi is an award-winning, Bram Stoker-nominated author and screenwriter living it up in Los Angeles, California. His body of work includes short story collections Beneath A Pale Sky and Behold The Void while his full length novels include Gothic, A Child Alone With A Stranger and Boys In The Valley, which garnered high praise from Stephen King. As a screenwriter, Fracassi’s feature films have been distributed by Disney and Lifetime Television. He has also written a children’s book called The Boy with the Blue Rose Heart and a collection of poetry, Tomorrow’s Gone.

Between not holding his breath as several of his stories await their fate in various stages of film development, and working on his current book in progress, I somehow convinced Philip to share some of his coveted time with me. Come closer and listen in as we chat about the recent global trade release of Boys In The Valley, his intense writing process and the inner nuts and bolts of how it puts it all together.Continue Reading

Philip Fracassi talks GOTHIC on Citywide Blackout

Philip Fracassi recently appeared on the Citywide Blackout podcast to talk about his novel Gothic, available now from Cemetery Dance. Host Max Bowen introduces the interview, which you can listen to below:

A haunted item is a familiar element in horror novels, but a haunted desk? That’s a new one to me and I am here for it! Continuing our series of interviews with authors on Cemetery Dance,  Philip Fracassi joins me to talk about his recent novel Gothic.

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Review: Boys in the Valley by Philip Fracassi

cover of Boys in the Valley by Philip FracassiBoys in the Valley by Philip Fracassi
Earthling Publications (Halloween 2021)
$50 limited edition 
Reviewed by Dave Simms

Earthling Publications has set the highest bar for the Halloween season for close to two decades, bringing the best reads for the best of months. Boys in the Valley might very well be the publisher’s crowning achievement. Thank you Paul Miller for finding these diamonds in the dark and allowing horror aficionados to revel in the shadows of the highest quality of horror.

Everyone loves a great, apt comparison when seeking out the next great read, and some have likened this novel to Lord of the Flies. While that does connect, other titles set the stage for the crushing dread that is Philip Fracassi’s stunner. Imagine John Carpenter’s The Thing, John Farris’ Son of the Endless Night, and the hit television show Evil. Fracassi paints a bleak yet electrifying setting in St. Vincent’s Orphanage for Boys during a stifling winter in the turn of the century Pennsylvania wilderness that isolates the denizens of the home even further from civilization.

While Boys in the Valley is true horror, it also achieves what the best novels of the genre achieve: it transcends boundaries and explores the human nature and the heartfelt relationships that embrace readers before pulling them into the depths of their own personal emotions. Fracassi delves into this treatise on faith with a deft hand, choosing to embrace relationships rather than the hardcore restraints of organized religion. The plot delves into friendship, loyalty, coming of age, and peer pressure just as much as the impurity of evil itself, which further embroils the reader in the author’s grasp.

As for the story itself, Peter struggles with his looming decision to enter the priesthood for the most typical of reasons: the brotherhood of belonging that he’s never embraced versus the allure of Grace Hill, the farm girl he has grown up adoring. The relationships between the orphaned boys is also typical, as rivalries grow and fade, the young are taken in by the older, the warm-hearted are pitted against the jaded and numb. Father Andrew serves as the voice of compassion and reason while mentoring Peter amidst the harsher personalities who rule the home while harboring repressed hostilities under cover of religion.

When a group of men arrive at the orphanage, Peter watches his world disintegrate. Everything stable he’s held tight for years crumbles as one of the men is seemingly possessed. That evil is a virus which slowly spreads among the buildings, first attacking the boys psychologically and then disintegrating them from within.

Fracassi takes his time building the dread while keeping an eye on a steadily building pace that is akin to descending lava from a volcano. He uses Peter as a gauge of morality and humanity as the entity(ies) ravage the community, separating the boys akin to William Golding’s tale but with the paranoia of Carpenter’s classic. Boys in the Valley is both vicious and heartfelt, a story of crumbling innocence suffocating the relationships that should be sacred.

It’s a beautiful novel that should be — will likely be — remembered as one of the best of the young decade. A harrowing and unforgettable debut novel from Fracassi that should not be missed.

Review: 'Altar' by Philip Fracassi

altar_20front_originalAltar by Philip Fracassi
Dunhams Manor Press (April 2016)
53 pages; $7.19 paperback; $3.99 e-book
Reviewed by Josh Black

Have you ever been swimming in a lake, far from shore, and found yourself wondering what might be lurking in the black depths below? There’s a primal fear being tapped, and with Altar, Philip Fracassi taps into it not through a lake, but a public swimming pool. Brightly lit, sections clearly delineated, lifeguards at the ready should anyone find themselves in need of assistance… A few rough patches notwithstanding, it says a lot about Fracassi’s skill as a storyteller that this novelette works as well as it does.Continue Reading