In the thirty years since Richard Christian Matheson burst upon the scene with his brilliant collection Scars and Other Distinguishing Marks, many things have changed. Up until his arrival, the short-short story was the purview of a miniscule handful of writers—Fredric Brown, Henry Slesar, and O. Henry leap most readily to mind—who’d mastered the art of telling a tight, twisted tale with a punch at the end in one thousand words or less, on a fairly regular basis.
‘Tis the season…for horror? You betcha. Why should Halloween have all the fun? Editor Chris Morey and the team at Dark Regions Press put together an Indiegogo campaign earlier this year and the result is Christmas Horror Volume 1, a wonderfully enjoyable collection of horror stories for this horror fan’s second favorite holiday, right behind Halloween.
An Interview with John Skipp & Andrew Kasch:
Telling ‘Tales of Halloween’
One Halloween night. Ten interlocking tales. That’s the premise of Tales of Halloween, the new anthology film scheduled for limited theater and nationwide video on demand release on October 16. The movie boasts an impressive lineup of creative talent, including directors Lucky McKee (May, Red) and Neil Marshall (The Descent, Dog Soldiers), and the writer/director combo John Skipp and Andrew Kasch.
Skipp and Kasch were kind enough to take time away from their hectic pre-release schedule to talk about their segment of the film, how it all came together, and what it was like to film a Halloween movie in the middle of the Christmas season.
The Art of Horrible People by John Skipp
Lazy Fascist Press (August 2015)
176 pages, e-book $5.95, paperback $12.95
Reviewed by Blu Gilliand
On the back cover of John Skipp’s The Art of Horrible People, author Josh Malerman implores readers to “savor this book.” It’s a good suggestion, but difficult to follow with prose like this, which fully embodies the tried-and-true cliché of being difficult to put down.
The book collects nine stories written over the last decade, each of them featuring the razor-like wit and sharp insight which has characterized Skipp’s work all the way back to his days as a young (splatter)punk breaking into the business.