Joe R. Lansdale’s “Hap and Leonard” series isn’t the first thing that comes to my mind when considering what books would benefit from being adapted in graphic novel form. Lansdale’s series, about a couple of blue collar buddies whose keen sense of right and wrong gets them into escalating amounts of trouble with bad guys and good guys alike, is elevated by the author’s sharp dialogue and natural storytelling ability—two things which could easily be lost in translation when moving to the more visual medium of comics.Continue Reading
Many colorful descriptors have been affixed to describe the work of ten-time Bram Stoker Award-winning author Joe R. Lansdale, but reigning champion of mojo storytelling (as coined by Lansdale’s friend and webmaster Lou Bark) is the most fitting way to express his dynamic style. Throughout a prolific career, Lansdale has produced an astounding assortment of unique tales gracefully two-stepping between the pulp and the profound. His work is gritty, funny, and violent, characterized by biting dialogue and Lansdale’s ability to seamlessly cross genres while remaining conscious of history and storytelling tradition. Lansdale’s distinct literary voice regales his readers with tales of rough-and-tumble anti-heroes ready to throw down against dangerous criminals, serial killers, and occasional otherworldly monsters running amok in East Texas.Continue Reading
“I was living in a pulp writer fury, a storm of imagination.”
That’s how author Joe R. Lansdale describes his early years, that delicate time when a steady diet of television shows, comic books and Edgar Rice Burroughs novels cemented his desire to become a writer. Dead on the Bones: Pulp on Fire is full of stories in which Lansdale seeks to honor those early influences that have given him—and, in turn, his readers—so much.Continue Reading
I don’t know how the Lansdale brothers divvied up the writing duties on Hell’s Bounty, and, truth be told, it doesn’t matter. Storytelling runs deep in the Lansdale family, and Joe and John’s new novel is a seamless powder keg of a collaboration, packed tight with wild, weird western fun.
Something has emerged from an old mine shaft near the town of Falling Rock. Moving about as it does on bat wings, leaving a whiff of sulfur in its wake, chances are it’s nothing good. Typical for Falling Rock, which seems to attract bad things – and bad people. Take Trumbo Quill for example, a man bad enough to shoot another man dead just for accidentally sitting on his hat. Or Smith, a newly-arrived bounty hunter whose explosive confrontation with Quill lands him, literally, in Hell.Continue Reading