“If the horror story is our rehearsal for death, then its strict moralities make it also a reaffirmation of life and good will and simple imagination – just one more pipeline to the infinite.” – Stephen King, Danse Macabre
Wisdom can be found in the most unlikely of places, and it is often within the greatest darkness that we find the greatest light.
Alright, alright. I’ll admit they’re clichés – but like most clichés, they also happen to be true. Anyone with a modicum of introspection and a rear view mirror will tell you that it’s the tough times in life we seem to learn and grow from the most. It is the darkness that makes us reach for the light and propels us to examine the human spirit and reevaluate our place and priorities in the world.
If there is anything I learned from Stephen King’s first foray into non-fiction, Danse Macabre, it is that those of us who love a good fright flick or scary read are attracted to the darkness for a wide variety of reasons – many of which leave us with a greater awareness of our inner fears, a questioning of our own mortality, and an increased appreciation that all of our limbs are still intact – or at the very least that our ankles aren’t being hobbled today. Continue Reading
Hunter Shea lives in New York with his family and one vindictive cat. Aside from writing horror he’s been involved in real life exploration of the paranormal, he interviews exorcists, and has been involved in other things that would keep normal people up at night.
The author started her academic career as a science geek, earned a degree in art, and, when she’s not making quilts or herding cats, writes tense thrillers as Tamara Jones and the award-winning Dubric Byerly Mysteries series (Bantam Spectra), as Tamara Siler Jones. Despite the violent nature of her work, Tam’s easygoing and friendly. Not sick or twisted at all. Honest.
The Best Horror of the Year Volume 7, edited by the amazing Ellen Datlow, brings together twenty-two diverse authors in a collection that features a little bit of everything the horror genre has to offer. It truly does have something for everyone. Ellen has been at this for a long time. An editor of science fiction, fantasy, and horror short fiction for more than 30 years and has more than 50 anthologies to her credit.
“Why aren’t more horror novels set in the workplace? Surely few things strike fear into the heart more than the squeak of the boss’ shoes rounding the credenza, a memo about an emergency sales meeting, or an accidental reply-all e-mail. Craig Horne didn’t think software firm CompWare’s downtick in business warranted the hiring of the consulting firm BFG Associates, but now it seems they’re stuck with them. Or him, to be precise: Regus Patoff, a bone-thin, flat-topped, bow tie–clad Mephistopheles whose initial thousands of e-mails and hundreds of meetings only hint at what’s to come. As he did in ![Pageflex Persona [document: PRS0000037_00021]](https://i0.wp.com/www.cemeterydance.com/extras/wp-content/uploads/2015/08/KingBastards-200x300.jpg?resize=200%2C300)
Brian Keene, a name synonymous with horror, and Steven Shrewsbury, best known for his work in the sword-and-sorcery genre, have combined their considerable talents and given us King of the Bastards. Told as a story to a small group of children, it was to be about their grandfather, the king…
The transition from writing horror to thrillers sounds like it should be an easy move, yet very few authors have mastered the art of actually “thrilling” the reader from the first page to the last without letting up. Tim Lebbon pretty much pulled off the task in his first attempt in a definite departure from horror and fantasy. That might be due in part to Lebbon’s training in endurance sports, entering triathlons, Iron Man, and Outlaw competitions. The man knows how to sustain pace and suspense.
