Haibun is an interesting form. From 17th-century Japan, the term was first used by haiku poet Basho to describe a hybrid writing style of terse prose accompanied by haiku. In her book The Golem & the Nazi, Anna Cates uses a Western version of this form to weave a very dark and fantastic spell for her readers.Continue Reading
Borderlands Press is soon to publish the first of three volumes of the complete short fiction of fan favorite F. Paul Wilson, and we’re very pleased to report we’re getting a few copies for our collectors!
This first volume collects all the stories Wilson published in the 70s and 80s. Presented in chronological order with introductory notes by the author, this is a monumental and historical document as well as a wonderful celebration of a staggeringly impressive career by one of our best.
Necronomicon: A Manual of Corpse Eating by Martin Llewellyn Biting Dog Press (December 2019)
42 pages; Limited Edition (35 copies) Reviewed by Rick Hipson
Welcome to a grotesque and fascinating journey into the historical depths of the Book of the Dead and its curator, the mad alchemist, Abdullah Alhazred. Martin Llewellyn, who provides translations from Alhazred’s ancient texts, proclaims he obtained the pages in error when they fell from another book he had requested from the Rare Books and Music in the British Library. Knowing he shouldn’t scour the third century torn, scorched and barely illegible texts, how could he resist? His translations now remain for your eyes only. Or, at least for those lucky enough to own one of only thirty-five copies produced.Continue Reading
NECRONOMICON illustrator George A. Walker (Photo courtesy Michelle Walker)
An Associate Professor at OCAD University of Toronto, George A. Walker is an award-winning Canadian wood engraver, teacher, book artist, author and illustrator who resides in Toronto, Ontario. Elected to the Royal Canadian Academy of Art for his contribution to the cultural area of Book Arts, George has exhibited his wood engravings and limited-edition books internationally for over twenty years through such presses as Cheshire Cat Press, Porcupine Quill Press, and Biting Dog Press. George has also created highly collectable, revered works such as The Mysterious Death of Tom Thompson (2011), Book of Hours: A 9/11 Story (2008) and The Raven by Edgar Allen Poe (2005) among many others. George continues to carve his visionary style and prowess into the woods of Canadian Maple, often making his paper by scratch, and inspires awe and wonder with every groove of his engraving tools.
Most recently, I sat down with George to discuss his design work on Necronomicon: A Manual of Corpse Eating, written by Martin Llewellyn. Originally published in 2019, it’s promotional push was interrupted by our current pandemic, but a proper launch party is planned for the near future. Sit back and enjoy as George and I discuss what drew him to this morbid and fascinating world of sacrifice and scientific controversy. Continue Reading
Martin Llewellyn is a graduate of King’s College in London, UK, where he studied literature and earned his doctorate. His novels include House of the Missing and Necronomicon: A Manual of Corpse Eating, which I was fortunate enough to chat with him about.
Necronomicon is a metafictional representation of Abdulah Alhazred polarizing medical practices as he evolved into ritualistic religious practices which eventually drove him insane during his pursuit to communicate with the Old Gods and achieve life beyond death.
Join Martin and I as we discuss teachings and inspirations surrounding his newest book, poignantly illustrated by the award-winning wood engraver, George A. Walker.Continue Reading
Writing this column is occasionally daunting. I often grapple with the unfortunate reality that not only is it impossible for me to completely cover every important horror/spec fic writer, it’s also hard to read everything written by the writers I highlight. In some cases — writers with modest outputs, or contemporary writers I’ve been reading right along — that’s not such a difficulty.
However, with other writers, such as the focus of today’s column — Algernon Blackwood — I simply have to be content with believing I’ve read enough of their work to offer an informed opinion and recommendation. Even so, there’s still that little irrational insecurity (anyone who knows me knows I’m nothing more than a bundle of irrational insecurities) someone will pipe up in the comments, “Oh, but have you read THIS story by INSERT AUTHOR NAME HERE? You haven’t? Oh.”Continue Reading
14-year-old Daphne Byrne lives in a world where she doesn’t belong. Her father was the only person who understood her, but he died in a disgraceful way, a way that gives gossips plenty to talk about. This is 1886 in New York, and Daphne’s morbid, literate, precocious personality doesn’t fit well in a time and place where women are expected to be docile and obedient. The other girls at school all make fun of her, so she doesn’t fit in anywhere.Continue Reading
Lori suffers from stress-induced migraines. She is enjoying a pain-free day shopping for groceries when she is approached by a woman crowding her personal space. Lori notices the woman has peculiar eyes… a slit instead of a round pupil.
Max Booth III is carving a niche out for himself as the king of premises that should not, in any way whatsoever, work. Yet, somehow, he does it. Every frickin’ time. Even with that anthology that every editor on the planet curses him for. I’ll be damned if he doesn’t pull it off again with We Need to Do Something.Continue Reading
Haley Newlin’s Take Your Turn, Teddy is a dark, psychological horror story exploring the manifestations of early childhood trauma. Newlin uses themes of domestic violence, anxiety, and isolation to create a provocative landscape, The Shadow, for her characters to encounter and battle. A disturbing glimpse of how a broken spirit can unleash powerful demons of the soul. Absolutely captivating, I couldn’t put it down.Continue Reading
Don’t you hate it when online columnists start a post by explaining why they haven’t posted in a while?
Me too. Me too.
Anyway, here’s a bullet list explaining why I haven’t posted in a while: 2019:
Moved
New job
Had a baby
2020:
COVID
Moved again
Another new job
Baby is a toddler now, & as much as I love her, she’s exhausting
So, since it’s obviously been a while…
*checks watch
*frowns
*checks calendar
Eh-heh.
*smiles
…let me remind everyone what this column is all about.Continue Reading
Abby Howard is a cartoonist whose interests include dinosaurs, horror, and Spoons, her beautiful cat. She’s been drawing comics since she first discovered there was such thing, eventually putting them online and gaining a following of over 30,000 fans. Her newest collection is The Crossroads at Midnight, a teen horror collection of five short comic stories.Continue Reading
As many of you know, I began this column (almost five years ago, which is a little mind-blowing) with the intention of chronicling the writers who impacted me during a very transitional period in my writing career. Writers who exposed me to new things, new kinds of horrors and writing styles. However, a year or so ago I realized this column should evolve and start featuring newly discovered contemporary writers right alongside the masters of years gone by. The first of these newly discovered writers was Peter Laws. Today’s featured writer is Kristi DeMeester, author of the amazing, beautifully bleak novel Beneath, and the powerful short story collection Everything That’s Underneath.Continue Reading