Barry Hoffman is a former inner city school teacher who founded Gauntlet Press Magazine, which focused on topics of censorship and controversial subject matters of the day. Barry is currently the founder and editor of Gauntlet Press Publications, a Bram Stoker award-winning independent specialty Press with numerous titles from legendary authors such as Richard Matheson, Ray Bradbury, Stephen King and Jack Ketchum., and is also an author in his own right with several titles to his name including the ongoing acclaimed Eyes series.
I recently sat down with Barry to discuss Gauntlet Press’s most recent title, Hope And Miracles: The Shawshank Redemption and The Green Mile (Two Screenplays By Frank Darabont). This signed limited book is due to release in December and, as of this writing, there is now a waiting list for the platinum edition signed by Morgan Freeman, Tom Hanks, Frank Darabont and Stephen King, among others; the edition also comes with a replica rock pick carved from a tree felled from the very set of The Shawshank Redemption.
Join us as we chat about this latest specialty release, certain to become one of Gauntlet’s crowning achievements. Barry details what it took to put this cinematic celebration together, what it means to have done so, and more. Continue Reading
When someone opens a Barry Hoffman novel, they know the story and characters will leave a scar. Like Jack Ketchum and the best of Richard Laymon, Hoffman never shies away from the ugly side of humanity and the horrors they inflict upon one another. His novels, which include the stellar Eyes series, have always tackled tough subjects, and he continues the trend with this story, one that was influenced by the rash of sexual assaults on college campuses across the country in the past year. Continue Reading
Barry Hoffman is back with a kick-ass thriller that is also a horror novel, crime novel, supernatural novel and more, all wrapped up in a story which races by in what can easily be called his best effort since his “Eyes” series. Blood Sacrifice brings into the fold a set of new characters which hopefully will be returning in future entries. Continue Reading
Hello again, folks. This is the 6th installment of monthly double reviews studying the structure of great horror fiction published in our beloved Cemetery Dance.
Last time I reviewed two Bentley Little titles: “The Janitor” from Cemetery Dance #1 (1988) and “We” from Cemetery Dance #64 (2010). This marked the 2nd time my little column compared an older and a newer story from the same author. I know I liked it, and readers seemed to as well.
Fortunately, I get to do this again this month with a pair of Barry Hoffman stories. His two pieces were published in Cemetery Dance in 1988 and 1997. And while they may not be separated by the two full decades like we saw with Mr. Little, Mr. Hoffman’s stories nevertheless show both growth over this span of time as well as a certain, unique thematic element.