The Mad Monk of Comics: The Life of Alan Moore

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alanmooreWith the Killing Joke movie selling like proverbial hot cakes, DC has managed to prove that what might be too risky for big screen adaption is a welcome addition to adult animation. Almost 28 years after the initial release of the graphic novel, the storyline is still considered one of the most pivotal stories in Batman history and has not only redefined the Caped Crusader but launched (with other notable works) the career of Alan Moore. But who is Alan Moore? What motivates the author to get up in the morning and what secrets does his beard keep? While we probably won’t know the answer to a lot of questions thanks in part to his propensity for being mysterious, we can at least look back at his history and make some educated guesses. Continue Reading

A Halloween Thing A Day: Terror on TV

In recent years, the weeks leading up to Halloween have become a period of frantic DVR cleansing. Whereas in the past we only had AMC’s week-long FearFest plus a handful of sporadic horror films on other channels to look forward to, the last couple of years have seen more and more stations up their horror content considerably during the month of October. This year promises a staggering amount of content—everything from the expected franchise marathons (Halloween, Friday the 13th) to the classic Universal horror films, a ton of kid-friendly scare fare, and much more.

Fortunately, there’s no need to wear out your remote control’s battery paging through your DVR guide in search of the good stuff. The kind folks at Nerd Much? have done the legwork, posting this comprehensive guide to televised terror—and they promise to update it as more networks release their schedules throughout the month. Keep an eye on it, and good luck in clearing out space on your DVR—you’re going to need it.

Blu Gilliand is the managing editor of Cemetery Dance Magazine and Cemetery Dance Online. He still has movies recorded on his DVR from last October that he didn’t get a chance to watch.

Brian Keene’s End of the Road: Confluence

The fog burned off with the sunrise, the new radiator worked fine, doing what radiators are supposed to do, and the storm was now yesterday’s memory. I reached Chattanooga in record time, arriving at noon. I was due to sign at a wonderful independent store called Star Line Books at three that afternoon. With time to kill, I checked into my hotel, and then met up with Eddie Coulter and Gavin Dillinger for drinks and a quick bite. Continue Reading

The Tao of the Cow

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The Tao of the Cow

Cow (Photo Copyright 2016 Brian Keene)
(Photo Copyright 2016 Brian Keene)

The storm reached its peak somewhere near the border of Virginia and North Carolina. The rain seemed to fall almost horizontally, and the wind rammed into vehicles, pushing cars and tractor trailers alike across entire traffic lanes. I gripped the wheel until my knuckles turned white, and chomped my cigar—a Drew Estate Tabak Especial—a little harder between my teeth. My coffee, long since cooled, sat perched against my crotch. Eyes on the road, I switched off my radio, and Clyde Lewis’s Ground Zero podcast vanished. I risked a glance in the back of the Jeep, making sure my cargo was safe and dry. Everything seemed fine. My duffel bag and laptop case were still there, as were the dozen boxes of Joe R. Lansdale’s books, which I was transporting to a convention for him. Continue Reading

Homecoming

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Homecoming

Sunlight reflected off Three Mile Island’s nuclear cooling towers as my plane landed. After three weeks of traversing California, Arizona, New Mexico, and Texas, I was home for seven days. The first thing I did (after getting my Jeep out of long-term parking) was drive to my ex-wife’s house. She and my son had been babysitting my cat while I was away. I hugged all three of them and then sat down on their couch and accidentally fell asleep for fourteen hours.Continue Reading

Once Upon a Time…

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Once Upon a Time…

For the last few months, this weekly column has focused on my current book signing tour for Pressure and The Complex. If I’ve done my job correctly so far, then you’ve gotten a good look at what such an undertaking is like for me at my age and at this point in our genre and industry’s history.

You’ve also probably seen the ghosts of Tom Piccirilli and J.F. Gonzalez flitting around between the sentences—sometimes subtly, and sometimes with hammer-force blows. They’re going to start making their presences known more fully in the weeks to come. But before I begin recounting the second leg of the book tour, and telling you about what went down in July and August, I thought perhaps we should travel back in time to the year 2008. Continue Reading

Housekeeping, First Leg

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Housekeeping, First Leg

If you’re just joining us, this is End of the Road—a weekly column in which I detail my nine-month promotional tour for my new novels Pressure and The Complex. I write about what I’ve learned out here on the road, and how the horror genre, our industry, our country, and myself have changed over the last twenty years. Last week’s column wrapped up the first leg of the tour. This week’s column will be short—just a few notes and addendums and bits of housekeeping that apply to those first seventeen installments of this weekly feature. What’s that? Yes, seventeen installments. There have been seventeen of these columns. If you missed one of them, you can find them all here. Continue Reading

The Time the Good Guys Won

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The Time the Good Guys Won

One of the mainstays of fandom is the convention. Pros and fans gathering together, interacting, buying and selling stuff, getting shitfaced. Sometimes deals are made. Indelible relationships are born. A good time is generally had by all.

One year at a large convention held in the Mid-Atlantic area, something not so festive was going on.Continue Reading

Genre Gentrification, or, “Queers Hate Techies”

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Genre Gentrification, or, “Queers Hate Techies”

Steven Shrewsbury, Brian, Christopher Golden, and James Moore - Isotope Comics, 2006. (Photo Copyright Steven Shrewsbury)
Steven Shrewsbury, Brian, Christopher Golden, and James Moore – Isotope Comics, 2006.
(Photo Copyright Steven Shrewsbury)

Last week, I mentioned that I’ve visited San Francisco’s Mission District well over a dozen times. One of those times was back in 2006, when Christopher Golden and I led a group of writers on what was supposed to be a trip to James Simes’s legendary Isotope Comics, but—due to the fact that none of our phones had GPS technology back in the ancient days of 2006—turned into a walking tour of the Mission District instead. Nate Southard refers to this fondly as “the sixty-block death walk.”

People (mostly out-of-towners who had heard sordid tales of how the Mission District was home to roving bands of homeless, drug addicts, and mentally ill people) admonished us to be careful. They didn’t think such a pilgrimage was a good idea. We explained to them that, if San Francisco’s Alan Beatts was a bookselling demigod, then James Simes was his comic book counterpart, and we had to go pay homage. “Stay in a big group,” people then advised us. “Stay together or you’ll get stabbed!”Continue Reading

A Message to the Next Generation

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A Message to the Next Generation

Brian, Alan Beatts and Jude Feldman. (Photo Copyright 2016 Brian Keene)
Brian, Alan Beatts and Jude Feldman.
(Photo Copyright 2016 Brian Keene)

Alan Beatts and Jude Feldman are badasses. Alan is a former private investigator, bodyguard, firearms instructor, and motorcycle repairman. Jude is a former welder and computer micro-assembly technician. They also run Borderlands Books in San Francisco, a name inspired in part by William Hope Hodgson’s horror-fantasy-science fiction classic House on the Borderland.

I was introduced to them by Richard Laymon back in 1999. I first visited Borderlands Books in 2001, right after they’d moved to San Francisco’s Mission District. Indeed, when I visited, they were still remodeling the place. I signed there later on that year with Gene O’Neill, Mike Oliveri, Michael T. Huyck, Geoff Cooper, and Gak. And I’ve lost track of how many times I’ve signed there—or shopped there—since. At least twice with J.F. Gonzalez, once with a large group from the World Horror Convention, once with my ex-wife, once with Nick Mamatas, once with Mary SanGiovanni, and so on. Basically, anytime I’m in San Francisco, I stop at Borderlands.Continue Reading

Veruca Salt Playing Pokemon Go: How I’m Dealing with the Manic Pace of Modern Fandom

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Veruca Salt Playing Pokemon Go: How I’m Dealing with the Manic Pace of Modern Fandom

(EDITOR’S NOTE: Adam wanted to tell you that he’s just released a brand-spankin’-new book, The Con Season, but was afraid to increase his already out-of-control word count, so I told him I would tell you. We now return you to this month’s edition of Paper Cuts.)

Twitter is a lot of things. It can be a place to get your news, try out your comedy chops or keep tabs on your friends.

As a tool for mass communication the social network is powerful enough to overthrow governments, but its uses can be as simple as some R&R spent hurling anonymous insults to let the world know how terrified you are of women.

But I digress.Continue Reading

Ad Capere Tenebris

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Ad Capere Tenebris

So, I’m boarding an airplane in El Paso, about to traverse the time zones once again and fly to San Francisco, when it occurs to me that the ISIS-fighter’s psychic suicide bomb is still in my carry-on bag. (If you don’t know what I’m talking about, then you need to read last week’s column). The totem is snuggled up against my laptop, three Yeti microphones, my digital voice recorder, an assortment of pens and Moleskin notebooks, half a tin of Altoids, a few cigars, a cigar cutter, and a hardcover of David Schow’s DJSturbia, which I bought way back in Burbank. Nobody in the TSA thought to question the trinket. Why would they? To them, it just looks like a small triangular wedge of red leather with a leather cord attached to it. But I know what it is, and now that I do, I can’t stop thinking about the damn thing.

This in turn leads to unkind thoughts concerning my mother.

Allow me to explain.Continue Reading

Time Bomb

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Time Bomb

All roads eventually lead to... (Photo Copyright 2016 Tod Clark)
All roads eventually lead to…
(Photo Copyright 2016 Tod Clark)

Last week’s column ended with high school football coach Tod Clark and I leaving a triumphant, standing-room-only signing in Phoenix, and climbing into his truck to head for Albuquerque. We’ll return to that in a moment. But first, I need to tell you about the bomb I was carrying with us.

Back in the eleventh installment of this column, I wrote: “A fellow Navy veteran gave me a Chief’s badge and a trinket taken from around the neck of a dead ISIS fighter (more on that a few columns from now), both of which I was very touched by.”

Well, here we are at “a few columns from now,” still in Phoenix. Tod and I have not yet gotten into the truck. Indeed, we haven’t even made it to that triumphant Phoenix signing yet. Instead, we are sitting in a hotel room with author Weston Ochse and publisher Paul Goblirsch of Thunderstorm Books.

How is that possible? Well, right now, we are traveling through time, you and I. Continue Reading

Missing in Action

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Missing in Action

I spent an afternoon recovering at the home of poet Linda Addison before my next signing at the Barnes and Noble in Tucson, and during that time, I’d begun to mull over something important. Before I tell you what it is, we have to backtrack a bit.

A decade ago, you could find my books in any bookstore. Indeed, most Borders and Barnes and Noble carried a few copies of each book in my backlist, thus creating a Brian Keene shelf, right next to Stephen King and Jack Ketchum. I can’t tell you how crucial this was to increasing my audience. If you’re a customer browsing the horror section (or even the alphabetical K section) your eyes are naturally going to be drawn to an entire row of books written by the same person, rather than a lone book by a lone author. Continue Reading

Tower of Babble

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Tower of Babble

Hello. If you’re just joining us, this is End of the Road—a weekly column in which I detail my nine-month cross-country promotional tour for my new novels Pressure and The Complex. I write about what I’ve learned out here on the road, and how the horror genre, and our industry, and our country, and myself have changed over the last twenty years. We now rejoin the column, already in progress.

The drive from San Diego, California to Tucson, Arizona is a lonely haul through a bleak and desolate stretch of sunbaked wasteland that resembles the set of a Mad Max movie. Or, at least, that’s how it felt to me. So far on this Farewell Tour, I’d had partners to ride with, but Jamie LaChance and Kasey Lansdale had now returned home, and I was alone in the rental car with only my thoughts for company. This wasn’t a good thing. Anyone who truly knows me will tell you that my thoughts do not, in fact, make for excellent company.Continue Reading