Happy New Year — and welcome to the first News from the Dead Zone of 2016. A leap year. A year in which we will see at least one new novel from Stephen King (End of Watch, June) and one major miniseries adaptation (11.22.63). Probably more good stuff, but that’s all we’re sure of at the moment.Continue Reading
There’s something for everyone in Stephen King’s latest collection. Even the most avid fans who try to track down each short story as it is released will find several new tales in The Bazaar of Bad Dreams.
Some of the stories were published in the customary places: magazines like The New Yorker, Playboy, Esquire, Tin House, The Atlantic, and Cemetery Dance or in anthologies like Turn Down the Lights and A Book of Horrors, but others were released in less usual places. “Ur” and “Mile 81,” for example, were only released as eBooks. “Blockade Billy” was originally a limited edition novella. “Drunken Fireworks” was previously available only in audio. You’ve only read “Under the Weather” if you bought the paperback version of Full Dark, No Stars. And “Bad Little Kid” is the strangest case of all, previously available only as an eBook in French or German. Two of the stories, “Mister Yummy” and “Obits,” have never been published anywhere before, in any language or using any technology.Continue Reading
In On Writing, Stephen King presents his theories and philosophies about the art and craft of writing. The book is especially popular among writers, including those who don’t, in general, read his novels.
In one section, he demonstrates his revision process. As a case study, he chose the opening pages of “The Hotel Story,” later retitled “1408.” The book reproduces manuscript pages, complete with editorial marks and his annotations, explaining why he chose to make certain changes to the original text.
We don’t often get the chance to see inside the creative mind at that level. I was pleased to be able to include some first draft manuscript pages of King’s work in the Stephen King Illustrated Companion because they demonstrate more of this phenomenon: pages from The Shining, for example, that show how King originally conceived the scene in which Danny has a strange encounter with a fire hose.Continue Reading
All good things must come to an end, and tonight marks the beginning of the end for the Syfy series Haven. For the past 65 episodes, since the series premiered in 2010, the residents of Haven have been dealing with the most recent outbreak of the Troubles, which are far worse this time around than they’ve ever been before, in part because people have been meddling with the works. If Nathan and Duke and Dwight and the rest of the merry band had simply let matters run their natural course, Audrey Parker would have gone into the barn and everything would have been fine for another generation. But, no! They had to try to fix things and, by doing so, everything has gotten exponentially worse.Continue Reading
Haven is set to return on October 8th for its final season. You may not have time to catch up on the 13 episodes that make up Season 5A, so this is a synopsis of events that I hope you’ll find helpful. If you want to read my posts about the characters and previous seasons, you can start here and work your way back. I’ll be updating the Who’s Who with info from Season 5A in due course, and I’ll have a sneak peak of Season 5B for you soon: I’ve already seen the first two episodes. Stay tuned. The game is changing in many different ways.Continue Reading
Next week will be busy for Stephen King. On September 9, he will be appearing in Cambridge, MA in conversation with Lee Child to promote the new Jack Reacher novel, Make Me. The next day, he will be among the eleven individuals receiving the National Medal of Arts from President Obama in the East Wing of the White House. The citation says, “One of the most popular and prolific writers of our time, Mr. King combines his remarkable storytelling with his sharp analysis of human nature. ” Then, on the following day, September 11, he will be a guest on Stephen Colbert’s Late Show during its inaugural week.Continue Reading
Featured review: The Shining: Studies in the Horror Film
I don’t make a habit of reviewing books that I’m involved with. However, I’ll make an exception in the case of The Shining: Studies in the Horror Film. My essay takes up only about 2% of the book’s 750 pages. Full disclosure, though: I know the book’s editor, Danel Olson, personally. He lives a couple of miles from me, we’ve gone to see movies together and I’ve spoken to his college classes on a couple of occasions.
Having gotten all of that out of the way, this is the sort of book I wish I’d had access to when I was writing my essay, which is called “The Genius Fallacy: The Shining’s ‘Hidden’ Meanings.” Continue Reading
Those of us who’ve read our work in public understand how difficult it is to keep an audience engaged for longer than about 15 or 20 minutes. Unless you’re a skilled performer (Tom Monteleone comes to mind among that group), the audience will get restless if you go on much longer than that.
Which is why the producers of audiobooks so often turn to actors as narrators. Or, as in the case of “Drunken Fireworks,” the new audiobook-only story from Stephen King, to someone like Tim Sample, who has produced the “Postcards from Maine” segment for CBS Sunday Morning. Other people in his category who come to mind are Garrison Keillor of The Prairie Home Companion or, a personal favorite, Stuart McLean from The Vinyl Cafe. These are raconteurs, people you don’t mind listening to for extended periods of time as they spin out their stories.Continue Reading
King’s 2010 book from Scribner will be a collection of four previously unpublished novellas. Full Dark, No Stars will be out in November, possibly on November 9. (Update: One of the novellas is about Hemingford Home.)
Mick Garris’s adaptation of Bag of Bones has switched gears. Previously planned as a feature film, it will now be turned into a television miniseries. Screenwriter Matt Venne is converting his film script into the miniseries format. Though no details about the network have emerged, Garris says that the deal is being finalized and he hopes to start shooting in the late spring to early summer.
He is Legend, the Richard Matheson tribute anthology Christopher Conlon edited in 2009 for Gauntlet Press, will be reprinted by Tor in trade hardcover this fall, with the paperback appearing sometime after that. The book contains the King/Joe Hill collaboration “Throttle.” There will also be a Japanese reprint.
SyFy announced it has cast Emily Rose as the lead in its upcoming series Haven, inspired by The Colorado Kid, which the network said will premiere later this year. Production begins this spring in Canada. Rose will play FBI agent Audrey Parker, who investigates a murder in the small town of Haven, Maine, and finds herself caught up in a web of supernatural activity among its citizens.
The schedule for the graphic novel adaptation of N. has finally been announced. Issue 1 (of 4) goes on sale in March. The creative team of Marc Guggenheim and Alex Maleev, also responsible for the Motion Comic version, tell the story of something terrifying hidden in Ackerman’s Field. “It’s absolutely thrilling for Marvel to be working on ‘N.’ again and having the honor to publish it as a comic book miniseries,” said said Ruwan Jayatilleke, Marvel Senior Vice President, Development & Planning, Print, Animation and Digital Media. “Both as a fan of the story and a producer on the ‘N.’ motion comic, I am absolutely psyched for the terrifying ride that Marc, Alex, and the editors have planned for readers!”
John Mellencamp has virtually completed recording and “assembling” the Ghost Brothers of Darkland County musical theater collaboration with King. They have edited the initial three-hour program down to two hours and 10 minutes—with a bit more editing still to come before producer T-Bone Burnett completes the tracks. When finished, the recording will be available in a novel book package containing the full text, two discs featuring the entire production of the spoken word script and songs performed by the cast, and a third CD of the songs only. The cast is led by Kris Kristofferson, in the role of Joe, the father, and Elvis Costello, as the satanic character The Shape. Rosanne Cash plays Monique, the mother, with the sons enacted by Will Daily (Frank), Dave Alvin (Jack), Alvin’s real-life brother Phil Alvin (Andy) and John (Drake). Sheryl Crow stars as Jenna and Neko Case is Anna, with boxing legend Joe Frazier playing caretaker Dan Coker and King himself in the role of Uncle Steve. The narrator is “24” star Glenn Morshower. Mellencamp stressed that the three-disc package is not a traditional audio book, but offers an experience more akin to listening to an old radio show with music; he further emphasized the challenge inherent in making such a project work. See Mellencamp’s official web site for more.
Twitter update: From Peter Straub “In about a year SK and I will begin planning a new book.”
The jig is up — I was Scarecrow Joe in the ARG promotion for Under the Dome. Read more about my experience here.
The March issue of Playboy will contain King’s poem “Tommy,” an eerie yet touching reminiscence of childhood friendships and the ways innocence and experience intertwine.
According to Producer Dan Lin, writer Dave Kajganich is expected to turn in a draft of his script for the planned remake of It over Christmas.
When’s the last time you got a say in what book Stephen King is going to write next? Never! But now King is asking for people to express their preferences between two possible novels. Voting is open at his official web site until Jan 1, 2010. Here is his message on the matter:
Hey, you guys–I saw a lot of you Constant Readers while I was touring for Under the Dome, and I must say you’re looking good. Thanks for turning out in such numbers, and thanks for all the nice things you’ve said about Under the Dome. There’ll be another book next year. It’s a good one, I think, but that’s not why I’m writing. I mentioned two potential projects while I was on the road, one a new Mid-World book (not directly about Roland Deschain, but yes, he and his friend Cuthbert are in it, hunting a skin-man, which are what werewolves are called in that lost kingdom) and a sequel to The Shining called Doctor Sleep. Are you interested in reading either of these? If so, which one turns your dials more? Ms. Mod will be counting your votes (and of course it all means nothing if the muse doesn’t speak). Meanwhile, thanks again for 2009.
According to Ms. Mod, this isn’t an either/or proposal–King may write both of these books. It’s more a matter of which one you’d like to see first.
The Torontoist has this summary of King’s discussion of Dr. Sleep: “Seems King was wondering whatever happened to Danny Torrance of The Shining, who when readers last saw him was recovering from his ordeal at the Overlook Hotel at a resort in Maine with fellow survivors Wendy Torrance and chef Dick Halloran (who dies in the Kubrick film version). King remarked that though he ended his 1977 novel on a positive note, the Overlook was bound to have left young Danny with a lifetime’s worth of emotional scars. What Danny made of those traumatic experiences, and with the psychic powers that saved him from his father at the Overlook, is a question that King believes might make a damn fine sequel. So what would a sequel to one of King’s most beloved novels look like? In King’s still tentative plan for the novel, Danny is now 40 years old and living in upstate New York, where he works as the equivalent of an orderly at a hospice for the terminally ill. Danny’s real job is to visit with patients who are just about to pass on to the other side, and to help them make that journey with the aid of his mysterious powers. Danny also has a sideline in betting on the horses, a trick he learned from his buddy Dick Hallorann.”
In the aftermath of that statement, numerous news sources assumed that King was committed to writing the novel, which caused him to issue a sort of retraction via Entertainment Weekly. “It’s a great idea, and I just can’t seem to get down to it,” says the author in an e-mail. “People shouldn’t hold their breath. I know it would be cool, though. I want to write it just for the title, Dr. Sleep. I even told them [at the book signing], ‘It will probably never happen.'” Still, King — whose most recent novel is this month’s Under the Dome — can’t quite shut the door on the Shining sequel, adding, “But ‘probably’ isn’t ‘positively,’ so maybe.” The poll appeared on his website a few days later.
Concerning the next book (before he tackles either of these two), he said this in Toronto: “I have one (story) that’s kind of like Under the Dome, that I tried to write when I was 22 or 23 years old and I’m going to try to go back to that after this tour. I’d like to write that one. Beyond that, I have things that bounce around in my head. Dome bounced around a long time. I don’t keep a writer’s notebook of ideas because I’ve felt all my life that if I get a really good idea, it will stick.”
King’s appearance on The Hour can be found on the CBC website. Here is a one-minute clip of King and Cronenberg on stage in Toronto. Here are three video snippets from Talking Volumes in Minneapolis:
SyFy has ordered 13 episodes of Haven, the weekly TV series inspired by The Colorado Kid. Haven centers on a spooky town in Maine where cursed folk live normal lives in exile. When those curses start returning, FBI agent Audrey Parker is brought in to keep those supernatural forces at bay — while trying to unravel the mysteries of Haven. Producer Lloyd Segan talks about the show in this interview.
Casting has commenced for the reboot of Carrie: The Musical. The cast will feature Sutton Foster as gym teacher Ms. Gardner, Marin Mazzie as Margaret White, Molly Ranson as Carrie and Jennifer Damiano as Sue. Also revealed in the cast are “American Idol” finalist Diana DeGarmo (Hairspray, The Toxic Avenger) as Chris, Matt Doyle as Tommy and John Arthur Greene as Billy. The Carrie ensemble includes Corey Boardman, Lilli Cooper, Katrina Rose Dideriksen, Benjamin Eakeley, Emily Ferranti, Kyle Harris, Philip Hoffman, Kaitlin Kiyan, Max Kumangai, Mackenzie Mauzy, Preston Sadleir, Jonathan Schwartz, Bud Weber and Sasha Weiss. Producer Seller has reunited composer Michael Gore, lyricist Dean Pitchford and book writer Lawrence D. Cohen, whom took a crack at the stage show back in 1988 to reprise their roles for this update. You can actually check out an official Carrie: The Musical website with plenty of tid-bits on the original show, as well as info on the new one right here.
Among the news items arising from King’s public appearances this week:
Under the Dome may be an HBO miniseries. The rights to the novel were acquired by Steven Spielberg’s production company
King has written a screenplay for Cell, so he thinks that’s going to happen. He said that he had gotten so many complaints about the ending of the book that he changed everything.
He still plans to work on a sequel to Black House, though nothing is definite at this point
He wonders what became of Danny Torrance
He has an idea for a new Dark Tower book, the working title of which will be THE WIND THROUGH THE KEYHOLE. He has not yet started this book and anticipates that it will be a minimum of eight months before he is able to begin writing it.
King talks about his 10 longest novels in this combination print interview/podcast at Time.com. Note that the print section is shorter than what he actually says on the individual audio files.
The folks at McSweeney’s are producing a celebration of newsprint, a reimagined newspaper for their next issue. The 380-page San Francisco Panorama will be out in early December, and features an essay by King about the World Series. Check out the tease here.
JJ Abrams reinforces an earlier statement that he and Damon Lindelof are not working on a Dark Tower movie adaptation.”The ‘Dark Tower’ thing is tricky,” he said. “It’s such an important piece of writing. The truth is that Damon and I are not looking at that right now.” [read more]
Under the Dome by Stephen King
reviewed by Bev Vincent
Let’s get this out of the way: Under the Dome is not the second coming of The Stand. Both novels have impressive page counts and huge casts; however, there are fundamental differences between them.
King used the entire continental US as his tableau in The Stand, whereas in Under the Dome he is confined to Chester’s Mill, Maine. The Stand was a chess game, with King taking months of story time to maneuver his characters into position. Under the Dome is a rapid-paced game of checkers—with one piece in the back row already crowned before the start of play.
The books explore good and evil, but in The Stand these concepts were taken to an absolute level. God does not appear in the Dramatis Personae of Under the Dome. The most sincere “religious” character is a minister who doesn’t even believe in Him any more. The town leaders loudly proclaim their faith and “get knee-bound” in times of crisis, but are corrupt and decidedly un-Christian. Not Evil; merely evil.
The mysterious Dome that descends over Chester’s Mill on a sunny Saturday morning in mid-October somewhere between the years 2012 and 2016 is semi-permeable. People can communicate through it, but it is unmovable and, apparently, unbreakable. It isn’t really a dome; it has the same sock-shaped perimeter as the town’s borders with places like Castle Rock and TR-90, and extends upward over eight miles. There is limited air exchange, and a jet of water directed at the outside produces a fine mist inside. The electric lines are down but—thanks to the prevalence of generators in Western Maine—cell phones, cable TV and the Internet all work.
The world is aware of the town’s plight. CNN’s Wolf Blitzer and Anderson Cooper report on the phenomenon from outside the Dome and, later, from Castle Rock after armed forces establish a perimeter.
Though the town’s residents feel like ants under a magnifying glass, they have more pressing worries, like how long will their food and propane last, how will the Dome affect their weather, and when will the air no longer be safe to breathe? Those trapped by the Dome aren’t so different from people stranded in New Orleans after Katrina or on Little Tall Island in Storm of the Century.
There’s price gouging for commodities and a storeowner sells his overstock of questionable, stale-dated frozen food to unsuspecting customers.
These badly behaved people are small potatoes, though, compared to Big Jim Rennie, used car dealer, town selectman and operator of one of the largest meth labs in the country. When (if) the Dome is breached, Chester’s Mills will fall under intense scrutiny. He needs to dismantle the drug lab and return the town’s reserve propane tanks, which he appropriated for his illicit purposes. Like Flagg in The Eyes of the Dragon, Rennie is the power behind the throne, allowing a weak man to take the leadership position on the town council, and forcing through a malleable replacement when the sheriff’s pacemaker explodes after he gets too close to the Dome. He surrounds himself with stupid people who won’t question his orders or motives.
The book’s hero, Dale “Barbie” Barbara, an Iraq war veteran employed at the town diner, was already persona non grata in Chester’s Mill after a run-in with Rennie’s son and other punks. Recognizing his situation as untenable, he was hitchhiking out of town when the Dome appeared. Colonel James Cox, his former commanding officer, reactivates him to duty, and they share intelligence about the situation in the town and external efforts to penetrate the Dome.
One of the book’s themes can be found in the lyrics of a James McMurtry song: Everyone in a small town is supposed to know his place, and everyone supports the home team. When the President declares martial law in Chester’s Mill and installs Barbie as the interim leader, Rennie’s diseased heart goes into palpitations. Outside forces can’t implement this directive, though, so Rennie starts discrediting Barbie while turning the town into a municipal dictatorship. To discourage resistance, he beefs up the police department with ruffians and thugs. He stages riots to demonstrate the necessity of his actions. He also seizes the opportunity to settle old grudges.
Tempers fray as days pass and efforts to break through the Dome fail. People commit suicide. Others die in accidents and altercations, or are murdered when they threaten Rennie’s plans.
A small group of rebels forms around Barbie, including Julia Shumway, owner/editor of the town newspaper. Not only did she not vote for Rennie, she editorialized against him during election campaigns. The previous sheriff’s widow and the Congregationalist minister are co-conspirators. As the situation degrades, other people begin to question their allegiance to Rennie.
King uses the metaphor of addiction to explain the townspeople’s behavior. Anyone can become a drug addict after an injury because the body and the brain conspire to create imaginary pain to rationalize taking more painkillers. Rennie is the town’s brain and most residents go along with his deception. This is the way people like Rennie are allowed to take power, King says. On a larger scale, he might have turned into another Pol Pot or Hitler.
The book is populated with fascinating, three-dimensional characters, including a trio of precocious and resourceful children, two out-of-towners forced to become surrogate parents, a physician’s assistant pressed into running the hospital when the town’s only doctor dies, the owner of a megastore that stocks everything imaginable, an unstable man suffering from a brain tumor, and a few dogs who offer more than comic relief.
Crossovers to other King novels are slight, except for a symbol that should inspire discussions about the true nature of the Dome. Children experience visions of the near future, but there are few other supernatural elements—beyond the Dome itself.
One character with literary ambitions muses about the risks involved in writing a novel. “What if you spent all that time, wrote a thousand-pager, and it sucked?”
King need have no such fears. This thousand-plus-pager most definitely does not suck. For such a massive book it is an incredibly fast and breezy read. It has the urgent pace of Cell without the wonky pseudoscience, and the insightful depiction of small town politics of Needful Things—except the characters in Under the Dome are sympathetic.
It’s not The Stand II, but people who liked that book—or Desperation or ‘Salem’s Lot—will love this one.
Bev Vincent has been writing News from the Dead Zone since 2001. His first book, The Road to the Dark Tower, an authorized companion to Stephen King’s Dark Tower series, was published by NAL in 2004 and nominated for a Bram Stoker Award. He contributes a monthly essay to the Storytellers Unplugged, contributed to the serial novellas Looking Glass and The Crane House, and has published hundreds of book reviews and over 50 short stories, including appearances in Shivers (vols II and IV), Ellery Queen’s Mystery Magazine, Tesseracts Thirteen, Doctor Who: Destination Prague, and this magazine. His latest book is The Stephen King Illustrated Companion, available in November at Barnes & Noble. Visit him on the web at www.bevvincent.com
Just a few more days until Under the Dome arrives in stores. The signed, limited edition is already winging its way into the hands of buyers; some people have received their copies already. Next week will be a publicity-heavy week for King, with several televised and live appearances. He will be on Good Morning America on publication day (Tuesday, November 10), The Colbert Report (unschedules) and on The View (Friday, November 13) to help Whoopi Goldberg celebrate her birthday.
Celebrated short story writer Scott Snyder and artist Rafael Albuquerque will launch a new monthly comic book series from Vertigo in March 2010 with a unique contribution from King. The new ongoing series, American Vampire, will introduce readers to a new breed of vampire-a more muscular and vicious species of vampire with distinctly American characteristics. The series’ first story arc, to be told over the course of five issues, will feature two different stories, one written by Snyder, the other by King. King’s story provides the origin of the very first American vampire:Skinner Sweet, a bank robbing, murdering cowboy of the 1880s. Skinner is stronger and faster than previous vampires; he has rattlesnake fangs and is powered by…. the sun? Check out this article about the project at Newsarama. Here’s an interview with the artist.
Here’s a blog entry by Jay Franco, the editor of the 2010 Stephen King Library Desk Calendar, which contains contributions from a number of people that will be familiar to you. My essay is called “The Eyes Have It.”
King will have an article about this year’s world series in the next McSweeney’s, which is designed to look like a newspaper. Here is a full, mouthwatering tease for the issue.
Special report on “The Three Kings” filed by Bev Vincent
Stephen, Tabitha and Owen King read from their works at the Lutheran Church of the Reformation in Washington D.C. on April 4, 2008 as part of the PEN/Faulkner reading series. The event was originally scheduled to be held at the Folger Shakespeare Library, but due to demand it was moved to the larger venue across the street. I heard that over 500 tickets were sold.
Earlier in the day, the three authors met with students from several area high schools at the Library of Congress as part of the PEN/Faulkner Writers in Schools program.
Eager fans started gathering on the church steps early in the afternoon. The sign near the sidewalk announced “GOD RESCUES OUR LIVES FROM DEATH.” The steps grew crowded and the line extended down the sidewalk by the time the Will Call doors opened at 7 pm. Attendees were of all ages. Some were dressed in horror-themed t-shirts and a couple of guys looked like they just got off their motorbikes. People who had never met before but knew each other by screen names from message boards sought each other out. Precious books were tucked under arms or clutched to chests.
The first person I recognized was Norman Prentiss, who’ve I know from NECON and Shocklines. He was there with a friend. Four Cemetery Dance employees showed up shortly thereafter and joined our little group. I had to leave my place in line to pick up my tickets from the Will Call table–if you saw me rejoining my friends, I wasn’t cutting in line. I swear!
When the doors opened at 7:30, we found a pew with enough empty space on the right-hand side of the sanctuary. Three chairs were arranged on the left-hand side of the chancel where the authors would be seated. The first few rows of the sanctuary were blocked off for PEN/Faulkner members and affiliates. Attendees clustered around the center aisle so they could make a fast break for the Folger later to get in the queue for the book signing.
The rules concerning the event were announced frequently, and reiterated from the pulpit before the Kings took the stage. A young woman took photographs of the audience and the event for PEN/Faulkner.
After introductions, Tabitha King was the first to read. Each author was miked but, after a moment’s hesitation, she decided to read from the pulpit. She could barely see over the top (I was reminded of Queen Elizabeth’s visit to the White House several years ago), but she got a laugh when she said that her daughter, a minister, would be jealous. Her daughter’s congregation isn’t as large as the one seated before her, and the pulpit isn’t as nice, she said.
She read from a novel in progress called The Potter’s Rib, explaining that a “rib” is a tool potters use. She skipped the prolog, which she said was about the death of a cat. “It’s sad,” she said, her Maine accent making the second word long and flat. A woman goes to visit her ex-husband, who wants to consult with her about some expensive porcelain his new wife purchased. He suspects it might be counterfeit. The main character is non-committal, but the new wife, bearing a box of the pottery in question, appears at her door later that evening when she is getting ready for bed. During the reading, Tabitha stopped from time to time to make editorial comments about the work. In the midst of a passage about the history of porcelain, she said, “Isn’t this riveting? Don’t worry. There’s exciting stuff ahead.”
Owen followed his mother’s lead and stood behind the pulpit, looming over it. The story he selected was called “Nothing is in Bad Taste,” recently published in Subtropics 5. The editor who accepted the piece was in the audience. The story is about catch phrases that become part of a couple’s vocabulary. In this case, the phrase is “I just needed to park the car,” first uttered by a mental patient after he “parked ” on top of a homeless man after circling the hospital parking lot for a day and a half.
The protagonists use this phrase in various situations and gradually pervert it from its original form–it degenerates in parallel with their relationship. She wants her husband to work less and to move out of the city and start a family; he’s happy with the status quo. The story was well received by the audience, although Tabitha put her hands over her ears for a couple of passages that contained words that aren’t normally uttered from a pulpit. Because of the story’s length, Owen abridged on the fly.
Stephen high-fived Owen at the end of the reading. He remained in his chair and used the portable microphone rather than taking the pulpit. He read a passage from Duma Key, the section where Wireman tells Edgar about winning “la loteria”-the tragic story about what befell his daughter and wife.
At the end of the reading, a brief Q&A session was held, though the questions were predictable and mostly focused on Stephen, who tried valiantly to encourage audience members to ask questions of his wife and son. Most questions seemed to presume the answer; for example, Owen was asked if his father ever read him bedtime stories. Owen answered, “Yes.” After a pause he said, “I’ve been asked that question a lot before, and I know what people expect me to say.” There ensued a brief discussion between Stephen and Tabitha about whether they had read certain potentially damaging stories to their son.
The audience was released to join a queue across the street for a reception and book signing. Each author agreed to sign one book per attendee. Colored cards were distributed to prevent people from returning to the end of the line for a second pass. The line wound through the hall in the Folger where the reception was held and into the main library, past medieval manuscripts and tapestries. Quotes from Shakespeare were etched on the walls and mantles. (The library was one of the settings used by author Jennifer Lee Carrell in her novel Interred With Their Bones, which I like to call The Shakespeare Code.)
The three authors were seated side by side at long tables, with PEN/Faulkner staff facilitating by making sure books were opened to the page to be signed. The line moved quickly and smoothly because no inscriptions were allowed and photographs were prohibited, two things that can interrupt the flow at a signing. In little more than an hour, everyone was through the line and grazing on the remains of the fruit and cheese in the reception area.