It’s not every day that you get a brand new short story from Stephen King for free, right? Well, today is just one of those days. “A Death” will appear in print in the March 9 issue of The New Yorker, but the story is online right now. There’s also a brief Q&A with King on the New Yorker website.
“A Death” will be included in The Bazaar of Bad Dreams, King’s next collection, due out in November. Among the stories we expect to see in that collection are “Ur” and “Bad Little Kid,” which will be appearing in English for the first time anywhere. (I reviewed it for Fearnet last year.)
The forthcoming story “Drunken Fireworks,” which will be released in audio on June 30th, will also be in Bazaar. Here’s the publisher’s description: “In this new tour-de-force from Stephen King—unavailable in print or any other format—a salt-of-the-earth Maine native recounts how a friendly annual summer fireworks show rivalry with his neighbor across the lake gradually spirals out of control…with explosive results!”
Before that collection, though, we’ll get Finders Keepers on June 2, the follow-up to Mr. Mercedes. The audio version will once again be read by Will Patton. Here is the publisher’s copy for the novel:
“Wake up, genius.” So begins King’s instantly riveting story about a vengeful reader. The genius is John Rothstein, a Salinger-like icon who created a famous character, Jimmy Gold, but who hasn’t published a book for decades. Morris Bellamy is livid, not just because Rothstein has stopped providing books, but because the nonconformist Jimmy Gold has sold out for a career in advertising. Morris kills Rothstein and empties his safe of cash, yes, but the real treasure is a trove of notebooks containing at least one more Gold novel.
Morris hides the money and the notebooks, and then he is locked away for another crime. Decades later, a boy named Pete Sauberg finds the treasure, and now it is Pete and his family that Bill Hodges, Holly Gibney, and Jerome Robinson must rescue from the ever-more deranged and vengeful Morris when he’s released from prison after thirty-five years.
Not since Misery has King played with the notion of a reader whose obsession with a writer gets dangerous. Finders Keepers is spectacular, heart-pounding suspense, but it is also King writing about how literature shapes a life—for good, for bad, forever.
The Marvel graphic novel adaptation of The Drawing of the Three continues with the release of House of Cards #1 on March 24.
Under the Dome kicks off its third season with a two-hour premiere June 25. Marg Helgenberger has joined the cast for an extended story arc.
Sonar Entertainment will develop Mr. Mercedes as a limited series for television. David E. Kelley (Boston Legal, Ally McBeal, The Practice) is attached to write the script and Jack Bender (Lost) will direct.
James Franco has been cast as Jake Epping for 11/22/63, which will be a 9-hour series on Hulu.
Clarius Entertainment has acquired US rights to Cell, which was produced by Benaroya Pictures and The Genre Company. The plan is to release it theatrically later this year.
True Detective director Cary Fukunaga is on board for a new adaptation of It. At Sundance in February, he was a little vague, saying, “If that movie happens, it will be my first movie made in America.” He says he’s only thought about casting for Pennywise (without revealing who). The kids will mostly be unknowns, he says. He confirmed that the first movie will focus on the kids and a later film will do the adult story. He does not yet have a script for the second film.
If you read back over my previous several posts here, you’ll see that they’ve all been leading up today, the launch of Season 5 of Haven, the Syfy TV series loosely based on The Colorado Kid. This season will consist of 26 episodes, spread over the fall and spring in two 13-episode blocks. I visited the set at the end of June, when they were working on the 7th and 8th episodes. This morning, I had the chance to see tonight’s episode, “See No Evil,” which starts immediately after the final moments of Season 4, at which point William had been tossed through the portal under the lighthouse and Audrey had become her original form of herself, Mara, a trouble-maker in the most literal form.
In the first episode, something destroys the lighthouse and the cavern beneath and, presumably, the portal. The main characters are scattered far and wide before the blast, so for a while no one knows where anyone else is, and some time is spent in getting everyone back together. Nathan is the first one to encounter “Audrey,” but she’s not the woman he loves. Not on the surface, anyway. Mara (and kudos to Emily Rose for creating such a different personality, someone who is as gleefully malign as William) has an agenda, and she’s not going to let anyone stand in her way. She wants to get William back, something she can only achieve by a doorway or, rather, via a thinny, which will be a familiar concept to Dark Tower fans. However, something vexes her plans. And Nathan hasn’t given up hope that Audrey is still inside somewhere and he can bring her back.
On another front, Duke is trying to find Jennifer, who is the only lighthouse person unaccounted for. And, of course, there’s a Trouble, which manifests itself in people having their eyes and/or mouths sewn shut with a leather cord that defies all efforts to remove it. Though everyone tries to impress on Dwight the importance of reining in Mara, he knows this Trouble has the potential to be deadly, so that’s his #1 priority. The repercussions of Audrey giving Duke back his Trouble in the penultimate episode last season also start to come to light, and it’s a doozy. And, based on the previews for the season I’ve seen so far, there are going to be callbacks to a lot of past Troubles. Mara made ’em, so she could potentially use them as weapons to achieve her nefarious goals.
And I’m very worried about Dave Teagues. Is he having morphine-induced nightmares or terrifying memories?
Interested in learning more about the origins of the Troubles? There’s a 16-page mini-comic in the Season 4 DVD, and a web series called Haven Origins coming on September 12. Here’s a trailer for it.
King will embark on a six-city book tour to promote the release of Revival. He will appear in New York City (Nov 11), Washington, DC (Nov 12), Kansas City, MO (Nov 13), Wichita, KS (Nov 14), Austin, TX (Nov 15) and South Portland, ME (Nov 17). Further details regarding the itinerary will be posted on King’s official website on September 15th.
Issue 1 of The Prisoner, the first cycle adapting The Drawing of the Three from Marvel, came out this week. For the first time, these comics are being offered digitally as well as in print.
The PBS series Finding Your Roots will feature King in its first episode of the new season on September 23. In this promo, King is shown a photo of his father and in this one, he learns more about his distant ancestors.
Big Driver will premiere on Lifetime on Saturday, October 18 at 8pm ET/PT. The movie stars Maria Bello, Olympia Dukakis, Joan Jett,Will Harris and Ann Dowd (from The Leftovers). The script is by Richard Christian Matheson, with Mikael Salomon directing. Here is a teaser video.
Mr. Mercedes will be a 10-episode TV series. Jack Bender will be on the production team.
CBS has ordered a “put pilot” (a serious commitment) from Warner Bros. TV for a series based on “The Things They Left Behind.” It is described as a supernatural procedural drama in which an unlikely pair of investigators carry out the unfinished business of the dead.
Mark Romanek will direct Overlook Hotel, the prequel to The Shining.
Now that Cell has wrapped, King teased what he could about the film. “The movie is not totally close to the original screenplay that I wrote,” he said. “But I’ll tell you what, the end of it is so goddamn dark and scary. It’s really kind of a benchmark there.”
The Stand director Josh Boone says: I finished writing the script maybe a month ago. Stephen [King] absolutely loved it. It’s, I think, the first script ever approved by him. [It’ll be] a single version movie. Three hours. It hews very closely to the novel…I don’t imagine we would shoot the movie until next Spring at the earliest. His full comments are available at Collider.
The big news, of course, is the fact that Mr. Mercedes is the first book in a proposed trilogy. King has already finished the first draft of the second novel, which will be called Finders Keepers. The tentative publication date is sometime in the first half of 2015. King says that the three books “seem to revolve around the City Center Massacre that opens Mr. Mercedes.”
Before we get to Finders Keepers, though, we have Revival, which comes out in November. The newly released paperback edition of Doctor Sleep contains an eight-page excerpt of that novel. And there is a good possibility of a collection in late 2015, bringing together all of the recent short story appearances, including some of those that you can find on my list here. No word yet on whether there will be any brand new stories in the collection. The third book in the Mr. Mercedes trilogy will presumably be out in 2016. I don’t think we’ve known King’s publication schedule so far in advance since 1986-7, when we knew about the next four books he planned to publish.
Big news for people who haven’t had a chance to see Ghost Brothers of Darkland County yet. The musical play will go on tour this fall, with dates in Orono, Toronto, Philadelphia, Durham, Washington, D.C., Baltimore, Red Bank, N.J., Portland, ME, Boston, Providence, New York, Detroit, Chicago, St. Louis, Denver, Phoenix, Los Angeles and San Francisco in November and December. See the announcement here.
Just a few weeks until the return of Under the Dome, with the first episode scripted by King. You can see a 30-second clip of King reading the opening section of the episode. On June 23, CBS will run Inside Chester’s Mill, a one-hour special that features highlights from last season and new interviews with the cast and executive producers. In addition, the special will have an advance sneak peek at the season two premiere. The second season will be missing its original showrunner and executive producer Brian K. Vaughan.
Although it had a premiere in New York in April, there’s been very little news about the fate of the film version of A Good Marriage. Last week, though, it was announced that Screen Media Films acquired North American rights to the film, with plans to distribute it in early October, with a nationwide theatrical release accompanied by a day-and-date VOD platform release. “I’m delighted that A Good Marriage is going to be available to the movie going public very soon, and hope we can scare the hell out of millions of people,” King said. “To me, that’s always an exciting prospect.”
Josh Boone, currently riding high with his film adaptation of The Fault in Our Stars, promises a three-hour R-rated single film adaptation of The Stand with “an amazing A-list cast across the board…Every single one of those characters will be somebody you recognize and somebody you relate to. And it’s gonna be awesome.” The only person named as a potential cast member is Nat Wolff. Of course, Boone isn’t the first director to try to get a grip on this remake.
In other movie news, the story that is thus far only available in French and German, Bad Little Kid, has been optioned by Laurent Bouzereau , who wrote and directed the 2011 TCM film A Night at the Movies: The Horrors of Stephen King, which featured King discussing horror films and their popularity with moviegoers.
Oculus and Somnia director Mike Flanagan has committed todirect Gerald’s Game. Flanagan wrote the script with his writing partner Jeff Howard. There’s also an unconfirmed rumor that Gravity director director Alfonso has been approached to direct a prequel to The Shining titled The Overlook Hotel.
TNT is developing a TV series called The Shop, billed as a sequel to Firestarter. The drama centers on the insidious agency responsible for kidnapping and attempting to exploit the psychokinetic powers of a young girl named Charlie McGee in the original story. Now it’s 20 years later and Charlie has been tracked down by one of The Shop’s former members, Henry Talbot, who introduces her to a group of people with their own unique abilities. From the announcement: “It turns out The Shop is very much alive, bigger and badder than ever, and its dark experiments are unleashing terrifying new entities on the world. It’s now up to Talbot, Charlie and the rest of the team to find The Shop and destroy it for good.”
Here’s a fun dialog between King and Damon Lindelof, as captured by Entertainment Weekly.
The Marvel graphic novel adaptation of the Dark Tower series returns in September with the five-issue series The Prisoner, which tells the backstory of Eddie Dean before he met Roland. You can check out the cover and the first pages here. The artist is Piotr Kowalski. Here’s the promo text: As this tale of urban crime opens, you’ll meet Eddie Dean as an innocent child who grows into a troubled young man gifted with the ability to open doors to other worlds. Can he survive family tragedy, a haunting addiction, and the deadly forces that conspire to stop him from challenging the Man in Black? Eddie faces trials and tribulations at every turn – and the badlands of Mid-World can’t hold a candle to the dangers of Brooklyn in the 1960s! Witness the story of a young man on the path to an unlikely destiny and the most important journey of his life.
In early 2011, en route from Florida to Maine, Stephen King watched the evening news in his roadside hotel. One item was about a woman who had an altercation with another in line at a job fair. The attacker got into her car and drove it into the crowd. King decided that he wanted to write about the incident, although he didn’t know how at the time.
He came up with what he thought would be a short story about a psychopath who deliberately runs his car into a crowd of people. After the detective handling the case retires, the perpetrator writes him a taunting letter, bragging about how much he enjoyed killing and maiming all those people. He won’t get caught, he states, because he doesn’t plan to do it again. The cop should just give up and eat his gun. The idea blossomed into a 450-page novel, King’s first foray into straight crime fiction at book length, although he has written a number of non-supernatural crime short stories in the past.
Mr. Mercedes opens with the attack at the job fair. In a dozen pages, King introduces us to a few characters, makes us grow fond of them as only he can, and then throws the 12-cylinder Mercedes into the fray, ripping apart everything he so carefully constructed.
Det.-Ret. Bill Hodges has been sitting at home for six months, watching afternoon reality TV shows and toying with the idea of killing himself. When he retired, he left behind a number of open/unsolved cases, including a serial killer and a Scott Peterson-style missing wife, so he isn’t obsessing over the so-called Mercedes Killer in particular. If the perpetrator had left well enough alone—if he hadn’t decided to poke Hodges with a sharp stick—then his reign of terror might have continued unchecked, culminating in his magnum opus, the incident that forms the book’s climax.
Brady Hartfield is beginning to think he’s invincible. When he plunged the car into the crowd, he thought there was a very good chance he’d be caught, perhaps even ripped to shreds by witnesses, and was okay with that. The fact that he got away has emboldened him. He tells Hodges in his carefully crafted letter that he has no intention of repeating his crime, that he’s content to relive it in his mind, but Hodges knows better. He’s caught many “perks” like his unknown interlocutor, and he has an idea that the Mercedes Killer will strike again.
The poison pen letter was meant to goad Hodges into killing himself, but it has the opposite effect: it spurs him into action. Rather than turning the letter over to his former partner in the police department of this unnamed, economically depressed Mid-West city (the same one that was the setting for Rose Madder?), Hodges opens his own file on the Mercedes Killer and embarks on an off-the-books investigation.
Aiding Hodges is Jerome, the computer-savvy, Ivy League bound teenager who mows his lawn. The Mercedes Killer offers to communicate with Hodges via an anonymous website called Under Debbie’s Blue Umbrella (hence the book’s cover image) but Hodges is afraid to use his own computer in case he inadvertently gives the killer access to his hard drive. Once the connection is established, it doesn’t take him long to get under his adversary’s skin. He knows it doesn’t take much to trip up a killer: Son of Sam was caught thanks to a parking ticket.
Thus ensues a cat and mouse game, though it’s often not clear who is pursuing whom. Hartfield is young, brash, profane, bigoted, and mostly lacking in conscience. He still lives with his alcoholic mother—his father died in a work-related accident—and his relationship with her makes Norman Bates look well-adjusted. His younger brother died under mysterious circumstances. He works two jobs that provide him with access to his targets without raising suspicions. In his basement he has a rank of computers and a sophisticated voice-activated security system to prevent his secrets from falling into the wrong hands. Ominously, he also has a cache of homemade plastic explosives.
The book’s contemporary action is told in the present tense, something King doesn’t often use. Past tense is reserved for flashbacks distributed throughout the book. Though the prose is generally straightforward, Mr. Mercedes has some very nice turns of phrase. He describes a room “as big as a politician’s promises” and a warehouse yard “filled with empty boxes that stood around like Easter Island monoliths.”
Hodges is an unlikely hero. He put in his forty years with the police, but in the process he lost his wife to divorce and has an adult daughter who calls dutifully once a week but whom he hasn’t seen in two years. He’s grossly overweight—a heart attack waiting to happen, assuming he doesn’t shoot himself with his father’s gun first. When he was on the job, though, he had one of the best records in the department, and he’s still near the top of his game when he sets his sights on the Mercedes Killer. He’s an everyman, eminently likeable. Someone readers can root for. He’s so desperate for something to keep himself from spiraling into depression and despair, though, that he makes a few questionable choices, paramount among them his decision to keep his investigation a secret from his former colleagues. Hartfield may have poked him with a stick, but he pokes back twice as hard, and goading a killer who revels in inflicting maximum harm to maximum people isn’t a good idea.
Hodges begins to question the way he and his partner treated Olivia Trelawney, the owner of the Mercedes SL that Hartfield drove into the crowd. She became collateral damage because they suspected she left her key in the ignition, thus providing the killer with his weapon. She was pilloried in the press and questioned mercilessly and repeatedly by Hodges and his partner. Eventually she overdosed on Oxy. However, Hodges now wonders if the killer somehow played a part in her death. Once he starts digging around, he learns things about Trelawney that didn’t turn up during the initial investigation. He also becomes involved with other members of Trelawney’s family, including her vivacious sister Janey, who inherited the substantial estate—much to the strident dismay of other relatives—and cousin Holly (“the Mumbler”), a fortysomething with emotional problems who acts like a teenager but who comes alive once she meets Hodges.
Though Hodges is the book’s protagonist, and it features several other engaging and lovable characters, Mr. Mercedes’ biggest accomplishment is the title character, Brady Hartfield, one of the most twisted villains in King’s oeuvre. King doesn’t hide the identity of the madman from readers, so this isn’t a whodunit. Hodges doesn’t know who the Mercedes Killer is until late in the proceedings, but readers see Hartfield going about his daily life, pretending to be human. He doesn’t have friends, but he can be friendly, in a Dexter Morgan kind of way. His mother loves him (maybe a little too much!) and he’s able to hold down jobs. His head is full of crazy thoughts, and it’s fortunate that he only acts on a fraction of them. King doesn’t make him the least bit sympathetic or likeable. There’s a tragic backstory, of course, but make no mistake about it: Hartfield is a human monster. He schemes to make Hodges’ life miserable by targeting those around him, but his plans don’t always work as intended. His first gambit goes tragically wrong for him, and his second has significant implications for Hodges, making him question his decision to take on a madman solo.
Once things kick into high gear and Hartfield starts planning his end game, the suspense never lets up. For a while, Hodges and his ragtag gang of helpers are so far off the mark that it seems like Hartfield might go completely unchallenged in his last hurrah, but the pieces start to fall into place, culminating in a tense and nerve-wracking finale.
Since Mr. Mercedes takes place in the “real world,” Keystone Earth if you will, the place where time runs in only one direction and there are no do-overs, you shouldn’t expect any significant crossovers to King’s other books. The Crimson King isn’t behind Brady Hartfield’s actions, and there’s no grand cosmic plan. The stakes are simple human lives. However, that doesn’t mean there are no nods to familiar King tropes. Christine is mentioned, as is Pennywise, but the references are to the fictional versions of them—the movie about the haunted car and the insane clown from that TV movie. In other words, they are referenced in the same way we would mention them: as popular fiction icons that come to mind in certain situations.
In case you haven’t heard the news yet, Cemetery Dance recently announced a deal to create Deluxe Special Editions of the six books King published with Doubleday. The series launches this summer with Carrie. Check the link for specifics, including the artist, cover art, and the extra material that will appear in the book.
We’re less than two months away from the publication date of Mr. Mercedes, and the first reviews have started to show up. Publishers Weekly’s review came first, calling it a “suspenseful crime thriller” and lauding King for his disturbing portrait of the book’s villain, Brady, “a genuine monster in ordinary human form who gives new meaning to the phrase ‘the banality of evil.'” Then came the Booklist review, which concludes: “No need to rev the engine here; this baby will rocket itself out of libraries with a loud squeal of the tires.” My review will appear in the next issue of Cemetery Dance magazine, but I loved it. I’ve been waiting for King to write a non-supernatural crime novel for ages and at last my wish is granted. And PW is right: Brady is one twisted guy. He’s not at all sympathetic, but he’s fascinating. And Bill Hodges is a comfortable narrator / protagonist to spend five hundred pages with. The audiobook will be narrated by Will Patton.
King’ second book of the year is Revival, which will be out on November 11. Here is the synopsis:
In a small New England town, over half a century ago, a shadow falls over a small boy playing with his toy soldiers. Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs. Jacobs; the women and girls feel the same about Reverend Jacobs—including Jamie’s mother and beloved sister, Claire. With Jamie, the Reverend shares a deeper bond based on a secret obsession. When tragedy strikes the Jacobs family, this charismatic preacher curses God, mocks all religious belief, and is banished from the shocked town.
Jamie has demons of his own. Wed to his guitar from the age of 13, he plays in bands across the country, living the nomadic lifestyle of bar-band rock and roll while fleeing from his family’s horrific loss. In his mid-thirties—addicted to heroin, stranded, desperate—Jamie meets Charles Jacobs again, with profound consequences for both men. Their bond becomes a pact beyond even the Devil’s devising, and Jamie discovers that revival has many meanings.
This rich and disturbing novel spans five decades on its way to the most terrifying conclusion Stephen King has ever written. It’s a masterpiece from King, in the great American tradition of Frank Norris, Nathaniel Hawthorne, and Edgar Allan Poe.
To thank all his German and French fans for their warm welcome during his Doctor Sleep book tour last fall, King wrote a novella, “Bad Little Kid”, which is available in e-book format in German (Böser kleiner Junge) and French (Sale Gosse). You can’t buy it in the US at the moment, but it is available in Canada and the UK (but not in English). I wrote an article / review for FEARnet, probably my last piece for that market, which was gobbled up by Comcast last week.
King will appear in a cameo role in the first episode of the second season of Under the Dome, which launches on June 30. According to an article in USA Today, he wrote the episode, titled “Heads Will Roll,” and will show up in the town’s diner as “just a citizen of Chester’s Mill for at least the moment.” Check out the article for a photo of King being served coffee at Sweet Briar Rose. Several new characters will be introduced this season, including barbershop owner Lyle Chumley (Dwight Yoakam), Big Jim’s late wife Pauline (Sherry Stringfield), his brother-in-law, Sam Verdreaux (Eddie Cahill), teacher Rebecca Pine (Karla Crome), Greg (Dwayne Boyd), and Melanie (Grace Victoria Cox), a character pulled from the lake by Julia at the end of the first season. If you haven’t seen it already, be sure to check out this promotional video of King “tweeting from the set.”
During his Emerald City Comicon Secret Origins panel, Peter David revealed that Marvel will resume adapting the Dark Tower series with The Drawing of the Three, without providing any timeline. He told the story of how he pitched the idea when King came to visit him while he was convalescing after suffering a stroke.
In other comic news, Walter Simonson’s 22-page Lawnmower Man Artist’s Edition portfolio, collecting the entire story into a deluxe portfolio from IDW, is set to arrive in time for San Diego’s Comic-Con International in July.
King has a short non-fiction piece called “The Ring” in Tin House, Issue, 59, Volume 15, Number 3. The theme for the issue is Memory and King’s 2-page essay is about their wedding rings and the day they got married.
Joyland, which is now available as an e-book for the first time, was nominated by the Mystery Writers of America for an Edgar in the Best Paperback Original category. Doctor Sleep was nominated for a Thriller Award in the Best Hardcover Novel category by the International Thriller Writers.
The latest movie adaptation, A Good Marriage, premieres in New York on Thursday, April 24.
Josh Boone (The Fault in Our Stars) is in early talks to take over as director of The Stand for Warner Bros. and CBS Films. He will be at least the fourth potential director for this project. Boone is also currently attached to direct a movie version of Lisey’s Story.
Cary Fukunaga, fresh off his recent success directing HBO’s True Detective, is working on a script for the two-part remake of It. It appears that the first part will be about the kids and the second part about the adults. Fukunaga said, “There will be no spider at the end of our movie. We’re definitely honoring the spirit of Stephen King, but the horror has to be modernized to make it relevant. That’s my job, right now, on this pass. I’m working on making the horror more about suspense than visualization of any creatures. I just don’t think that’s scary. What could be there, and the sounds and how it interacts with things, is scarier than actual monsters.”
The SyFy series Haven was renewed for 26 more episodes, 13 to air this year and 13 for 2015, although they are all supposedly part of a single season. In a related concept, Universal TV is adapting the short story “Ayana” into a TV drama set in a world of miracles. The series has not been picked up by a network yet, though.
King has been interviewed for the PBS series Finding Your Roots, where “we trace people’s habitypes, which tell where your ancestors came from.” Dr. Henry Louis Gates’ interview with King will air later this year.
In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.
In another part of town, months later, a retired cop named Bill Hodges is still haunted by the unsolved crime. When he gets a crazed letter from someone who self-identifies as the “perk” and threatens an even more diabolical attack, Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing another tragedy.
Brady Hartfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again. Only Bill Hodges, with a couple of highly unlikely allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady’s next mission, if it succeeds, will kill or maim thousands.
Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.
This is just one of two novels we’ll see next year, the other being Revival. There’s a new King short story, “Summer Thunder,” in the CD anthology Turn Down the Lights. Editor Rich Chizmar says it “might be one of the most heartbreaking post-apocalyptic tales we’ve ever read.”
King joined Twitter late last week. Within minutes he had 30,000 followers and the number has since climbed to nearly 200,000. You don’t need to join Twitter to see his feed, though. Just click here.
Samuel L. Jackson will play Tom McCourt in the movie adaptation of Cell, joining John Cusack for the second time (1408). There were some amusing follow-up articles in which Jackson confessed that he didn’t know that his character was gay in the novel. The film will be directed by Tod “Kip” Williams (Paranormal Activity 2). Production is scheduled to begin in January.
Long-time King fan Josh Boone (The Fault in Our Stars) plans to adapt Lisey’s Story. King had a cameo in Boone’s debut, Stuck in Love. Boone talks about how King responded when he sent some books to be autographed when he was 12 in this article.
Add another title to the list of remakes or reworkings. Bob Weinstein is developing a proposed 10-part series with Frank Darabont, based on Dimension’s film version of The Mist. Juan Carlos Fresnadillo (28 Weeks Later) is in talks to direct Pet Sematary. The day after it was announced that Scott Cooper was considering Christian Bale for the theatrical version of The Stand, the director left the project. Paul Greengrass is now being courted to help the film. Cary Fukunaga is currently attached to the remake of It.
The end is drawing nigh. The end of the world? Pshaw. The end of the year, certainly. This will probably be my last update for 2012, and what better day to do it than on 12/12/12?
Last Friday, King made an appearance at the Tsongas Center at UMass Lowell. During the day, he talked to a creative writing class and that evening he took part in a conversation with faculty member and writer Andre Dubus III. Dubus interviewed him for the first 30 minutes, and King took questions from the audience during the final 30 minutes. In the middle, he treated the audience to the world premiere of a new short story called “Afterlife,” which is not scheduled for publication at this time. Earlier in the day, he talked at length about the novel he is currently working on, describing the genesis and how it developed from a short story idea into a 500 page manuscript. Mr. Mercedes is more of a mystery novel and it has no supernatural elements. You can find video of the entire event at the UMass Lowell website.
Look for the rare King short story “The Glass Floor” in issue #69 of Cemetery Dance magazine. This is the Glenn Chadbourne issue, and my buddy Glenn has put together special illustrations for this creepy tale, King’s first professional sale, originally published in 1967 and only reprinted once since then.
The long-delayed soundtrack for Ghost Brothers of Darkland County will be released on March 19th, 2013. The (enhanced CD) Standard Edition features the complete soundtrack, dialog excerpts and digital libretto. The (2CD/1DVD) Deluxe Edition contains the complete soundtrack (with and without dialog), deluxe art work, handwritten lyrics, specially printed libretto and the “Making of Ghost Brothers” mini-documentary DVD featuring in-depth interviews with King, Mellencamp and Burnett along with other bonus material. Digital editions for tablets, smartphones and e-readers will allow users to interact with the complete soundtrack + digital libretto, as well as exclusive video and graphic materials. King and Mellencamp are still exploring the possibility of bringing the show to Broadway, and King thinks that it might make a good movie, too.
Under the Dome will be a series on CBS next summer. This isn’t going to be a literal translation, though, and neither is it going to be a miniseries. Writer Brian K. Vaughan is using the novel as a launch pad for an open-ended series that could potentially continue beyond the initial 13-week run. Perhaps it will be something like The Dead Zone series, which ran for several years, or like SyFy’s Haven, which has been renewed for a fourth season.
John Cusack will play the lead in an adaptation of Cell from Cargo Entertainment. Richard Saperstein, who produced 1408, will co-produce this feature. No word on when production might begin. And in other casting news, Chandler Riggs (The Walking Dead) and Joel Courtney (Super 8) are joining the cast of Mercy, a feature based on “Gramma.”
Ben Affleck is having a hard time wrapping his head around his proposed adaptation of The Stand. “I like the idea,” he told GQ. “It’s like The Lord of the Rings in America. And it’s about how we would reinvent ourselves as a society. If we started all over again, what would we do?” The film is still on his radar, but it won’t be the next thing he works on. “The script is not ready yet, it needs a lot more work.”
Jonathan Demme had sufficient problems with 11/22/63 that he decided to step away from the project. “This is a big book, with lots in it,” he told Indiewire. “And I loved certain parts of the book for the film more than Stephen did. We’re friends, and I had a lot of fun working on the script, but we were too apart on what we felt should be in and what should be out of the script. I had an option and I let it go. But I hope it’s moving forward, I really want to see that movie.”
The San Francisco Opera will present the world premiere of Tobias Picker’s Dolores Claiborne on Sept. 18 next year, the first of six performances running through October 4. The libretto is by J.D. McClatchy. Mezzo-soprano Dolora Zajick will sing the title character, soprano Elizabeth Futral will perform Vera Donovan, Susannah Biller the daughter Selena St. George, Wayne Tigges the husband Joe St. George, and Greg Fedderly will be Detective Thibodeau. George Manahan conducts and James Robinson directs.
Remember that famous “Study, Dammit” cover from the Maine Campus? The one adapted at King’s website to say “Read the FAQ, Dammit”? Well, the original artwork was discovered recently and you can now purchase copies, with proceeds going to support both The Maine Campus and scholarships at the University of Maine. Visit http://www.studydammit.com/.
Cemetery Dance announced the publication of my signed, limited edition chapbook, Twenty-First Century King recently. The 50-page booklet compiles my reviews of every book King has published in the 21st century, starting with “Riding the Bullet” and ending with The Wind Through the Keyhole. That adds up to 21 reviews and 21,000 words of text. Seems like a theme—the mystical number 21. There are only 750 copies. They make great stocking stuffers for the King fan in your life.
And, last but not least, I recently announced my third book, The Dark Tower Companion, to be published by New American Library (Penguin) in April 2013. This massive companion is 50% longer than The Road to the Dark Tower. It covers not only the eight books in the series, but also the Marvel graphic novel adaptations. I interviewed King for the book, along with Robin Furth, Richard Isanove (colorist), Peter David (script), Jae Lee (artist) and most of the subsequent artists. I also, much to my great delight, got to talk with Ron Howard and Akiva Goldsman about how they plan to adapt the series. The book features a comprehensive glossary and two maps drawn by none other than…me! It will be published as a trade paperback and a Kindle eBook, both of which can be pre-ordered at Amazon.