Night Shift and the Nature of Fear
Let’s talk about fear. We won’t raise our voices and we won’t scream; we’ll talk rationally, you and I. We’ll talk about the way the good fabric of things sometimes has a way of unraveling with shocking suddenness. – Stephen King, Introduction to Night Shift
I finished reading Stephen King’s first collection of short stories, 1978’s Night Shift, a few months back, but have avoided writing down any thoughts on it.
No one wants to expound on a subject of which they feel they have little to contribute, and for me everything that needs to be said about Night Shift was said perfectly by Stephen King in his introduction to the book. In fact, it may be one of the most perfect pieces King has written, if not certainly the most perfect he had written in 1978.
King’s opening act serves as an essay on the nature of fear: why he writes horror, and why people read it. I found myself not only more mesmerized, but more haunted by this than any of the tales in King’s gruesome set list. Continue Reading
As a born-and-bred Southerner, I knew that Nashville’s 
Shortly after the publication of Mr. Mercedes, Stephen King announced that the book was the first in a trilogy that would be connected by the City Center Massacre (in which a psycho named Brady Hartsfield stole a Mercedes and plowed into a crowd of people who were waiting in line at a job fair in a struggling Mid-western city).
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BEFORE THE WALK 
We don’t often get the chance to see inside the creative mind at that level. I was pleased to be able to include some first draft manuscript pages of King’s work in the Stephen King Illustrated Companion because they demonstrate more of this phenomenon: pages from The Shining, for example, that show how King originally conceived the scene in which Danny has a strange encounter with a fire hose.